fpdorchak

The past couple of weeks, I’ve been going back through my supernatural murder mystery manuscript. I’d started it back in 2001, “finished” it three years later, given to a part-time writing schedule, basically about 2 hours a day, five days a week, and whatever I can do on the weekends. But since then, I’ve been trying to sell the damned thing (there’s actually a pun in there…) and tweaking it. Nine years worth of that unrelenting activity. Belief in my manuscript. Anywho, as I’ve previously mentioned, I’ve decided I’m going to e-publish it, so I’ve gotten a graphics artist fellow writer friend of mine to work the cover. She’s been a true trooper!  Karen Duvall (here’s her graphics art page) has hung in there trying her best to find the images I’m asking for for my cover design, sometimes spending hours searching for just the right thing (and I spent a couple of hours one morning, myself, also trying to find the right graphics). But in the world of free art, sometimes you just can’t find what you’re looking for—finding free stuff is haaard! And since I’m e-pubing, I’m trying to keep expenses down. Way down. I already went the AuthorHouse route 12 years ago, when there wasn’t much game in town, but now there is, and I’m not spending a lot for this muffler!

So, Karen came up with a really cool image, after multiple go-arounds and attempts and efforts on her part, yesterday (hope she’s still talking with me…), but I think we’ve finally come up with a great image! I’m looking forward to the Big Reveal, when I finally get everything in place. I love the feel of the cover.

Another interesting development during all this was the Jodi Arias trial. My wife and I have been watching it (me, off and on), and it is amazing to me on many levels, but I bring this up because I have a court scene in my novel that goes in a weird direction, much like Juan Martinez and the Seven Dwarfs goes off in a weird direction (and yes, I included that phrase into my manuscript). Now my court scene isn’t as belligerent as this real-life one, but it amazes me at how utterly combative the Law can get when trying to prove their side of the story. Trying (IMHO) to force witnesses to only give a “Yes” or “No,” when the answer might not really be a case of yes or no, but the “Yes” or “No” can make the witness look bad in the presentation of the case, therefore racking up points for whoever such a thing benefits. It was nice to see someone remain utterly composed (whether or not you agree with LaViolette’s side of the story). And I do mean she is utterly unflappable, not intimidated in any way by Martinez’s constant, unrelenting battering—though he, himself, no matter what HLN commentators say (most of whom I find extremely annoying), is not so (he frequently shows his anger, his frustration, and gives nasty “tone” and body language in his deliveries). I’ve never seen such composure in my life, as I have in LaViolette. I’m not going into if LaViolette is biased…just look at her composure. Incredible. Perhaps comes from dealing with lots of rage in her 36-year-or-so career. She also knows all the psychological tactics Martinez is employing—and calls him on them—and doesn’t fall for them. But I digress. I just wanted to mention this trial because of the weird Seven Dwarfs turn it took, and the trial in my novel also takes a weird turn. I have also had two actual (now retired, I believe) judges read the court-room scenes to make sure it remains true in structure and presentation.

Okay, so after I make all my manuscript redlines, get my Tax ID number, and do the rest of the logistical end of things, I will get this story out there. So, in the meantime, sorry haven’t been keeping up on everyone’s blogs, tweets, e-mails, and what-have-you, but there’s only so much time in the day!

The past couple of weeks, I’ve been going back through my supernatural murder mystery manuscript. I’d started it back in 2001, “finished” it three years later, given to a part-time writing schedule, basically about 2 hours a day, five days a week, and whatever I can do on the weekends. But since then, I’ve been trying to sell the damned thing (there’s actually a pun in there…) and tweaking it. Nine years worth of that unrelenting activity. Belief in my manuscript. Anywho, as I’ve previously mentioned, I’ve decided I’m going to e-publish it, so I’ve gotten a graphics artist fellow writer friend of mine to work the cover. She’s been a true trooper!  Karen Duvall (here’s her graphics art page) has hung in there trying her best to find the images I’m asking for for my cover design, sometimes spending hours searching for just the right thing (and I spent a couple of hours one morning, myself, also trying to find the right graphics). But in the world of free art, sometimes you just can’t find what you’re looking for—finding free stuff is haaard! And since I’m e-pubing, I’m trying to keep expenses down. Way down. I already went the AuthorHouse route 12 years ago, when there wasn’t much game in town, but now there is, and I’m not spending a lot for this muffler!

So, Karen came up with a really cool image, after multiple go-arounds and attempts and efforts on her part, yesterday (hope she’s still talking with me…), but I think we’ve finally come up with a great image! I’m looking forward to the Big Reveal, when I finally get everything in place. I love the feel of the cover.

Another interesting development during all this was the Jodi Arias trial. My wife and I have been watching it (me, off and on), and it is amazing to me on many levels, but I bring this up because I have a court scene in my novel that goes in a weird direction, much like Juan Martinez and the Seven Dwarfs goes off in a weird direction (and yes, I included that phrase into my manuscript). Now my court scene isn’t as belligerent as this real-life one, but it amazes me at how utterly combative the Law can get when trying to prove their side of the story. Trying (IMHO) to force witnesses to only give a “Yes” or “No,” when the answer might not really be a case of yes or no, but the “Yes” or “No” can make the witness look bad in the presentation of the case, therefore racking up points for whoever such a thing benefits. It was nice to see someone remain utterly composed (whether or not you agree with LaViolette’s side of the story). And I do mean she is utterly unflappable, not intimidated in any way by Martinez’s constant, unrelenting battering—though he, himself, no matter what HLN commentators say (most of whom I find extremely annoying), is not so (he frequently shows his anger, his frustration, and gives nasty “tone” and body language in his deliveries). I’ve never seen such composure in my life, as I have in LaViolette. I’m not going into if LaViolette is biased…just look at her composure. Incredible. Perhaps comes from dealing with lots of rage in her 36-year-or-so career. She also knows all the psychological tactics Martinez is employing—and calls him on them—and doesn’t fall for them. But I digress. I just wanted to mention this trial because of the weird Seven Dwarfs turn it took, and the trial in my novel also takes a weird turn. I have also had two actual (now retired, I believe) judges read the court-room scenes to make sure it remains true in structure and presentation.

Okay, so after I make all my manuscript redlines, get my Tax ID number, and do the rest of the logistical end of things, I will get this story out there. So, in the meantime, sorry haven’t been keeping up on everyone’s blogs, tweets, e-mails, and what-have-you, but there’s only so much time in the day!