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F. P. Dorchak

Speculative Fiction (New Weird) Author

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Manuscript

The Same Old Thing….

November 18, 2013 by fpdorchak

Indie Pub'd, The Uninvited, © F. P. Dorchak
Indie Pub’d, The Uninvited, © F. P. Dorchak

Okay, it’s been kinda busy around here. Not much writing in the “novel manuscript” sense, but writing in many other senses. It’s all good…though missing working on an actual manuscript. I’ve been trying to clean up my next book to be release, called Psychic, which is tied to Sleepwalkers and that novel’s Man With No Name (MWNN). It’s more action adventure and details the MWNN’s origins. Anyway, as I try to catch up with all the blog posts I’m supposed to be following while working weird hours, it’s interesting seeing all the points of view and feelings about indie publishing versus traditional. Not to be dismissive to the writers and their opinions, I’d read how some had gone “digital” with an “official” publisher for many reasons, one of which was that it gave them more time to write, versus doing all the “other stuff” we indie folk must do. I thought about that for a spell.

Would it really give you more time to write, going with an “official publisher”?

Hmmm.

Okay, so, you go with the traditional publisher. You still have to promote, promote, and whatnot…and won’t that still come out of your extra time, your theoretically to-be-banked “writing time”? This, along with all your proofing and approvals and various and sundry interactions with your “official publisher” staff? Your agent?

I really don’t see how doing that saves nor lends any more time for writing than what I’m doing. See, I know I can’t do everything, so I don’t even try. I’m busy with a life and a full-time job like everyone else, and since I know I can’t do everything, I just work on what I can do, and make notes for the rest. No one is forcing me to “do” social media until I bleed out my eyes. I don’t do my own cover and I don’t do my content formatting. All I do is the writing, reviews, and approvals. Sure, I no longer have an agent, but I’ve already spent time editing and dealing with those who’ve poured over my manuscript over the years. Sure, I did not pay thousands for an “official editor,” but I’ve had writing fellows read it, have actually had people who were editors, at one point or another, read some of my work, and, well, as a tech writer myself, have done much of my own heavy editing. My agent at the time didn’t have too much to cut from my work, though the most ever edited out was on ERO (dang it, just saw Amazon further discounted ERO—sorry, Blackcatpratt!, but you did get a bonus book…), a handful (20 or so) pages—which I did. My eyes, other’s eyes. You still have to review what traditional publishers do for you, and you still have to create your pitches…or have already done so, so you just expand upon them for your marketing use. Still work I’m doing.

And working with my cover folk and content editors has been anything but “time consuming.” It’s been a joy—absolute fun! A fun respite from all that writing. You can’t write forever, you’ll literally hurt yourself, you have to take some breaks. During those breaks, you do other stuff. This is that “other stuff,” but, as mentioned, you’ll be doing the exact same thing! You’ll have to review your cover, your copy. Still no savings.

The “other eyes,” thing. Already mentioned that above, I’ve had other eyes on my work, some quite brutal (Inky! ;-] )!

Okay, “professional” eyes.

Done that, been there. Still no difference.

So, since I have never been privy to all that traditional houses do, perhaps I’m still missing something? I just fail to see where going with an “official publisher” saves anyone any “extra” writing time (hey, and let’s get real, here—how much time do you goof off during your day! Be honest!). It’s just another way of doing business! And that’s just fine. More power to you! You can get publisher name recognition and their distro channels, which I don’t have—but even my indie work has distro channels, and some name recognition by going through such outlets as Smashwords and Amazon. I still have a team of people I use, just like the “official publishing” staff; maybe not as “deep,” in hierarchy, and maybe some of mine pull double duty, but, as already mentioned, I still have my cover people, content people, and those who I’ve called upon to read and comment (and I do/have paid a small stipend for their efforts). Now, sure, thing is, I can disagree with my staff and get the last word, where, usually, the traditional staff does…but I’m not married to any of my words…just in making the best damned story. So, I’m very open to other’s opinions.

So, we both have to write, review, and perform on social media, attend conferences, get our names out there.

Where’s this extra writing time coming from?

Filed Under: To Be Human, Writing Tagged With: Book, ERO, Manuscript, Publishing, Sleepwalkers, The Uninvited, Traditional v Indie, writing

The First Book of the Rest of Your Life (In a Nutshell)

February 9, 2013 by fpdorchak

It's Been A Wild Ride. (Photo credit: NASA's Vomit Comet. Wikipedia)
It’s Been A Wild Ride. (Photo credit: NASA’s Vomit Comet. Wikipedia)

On January 12, 2013, at 11:15 Mountain Time, I completed the first draft to the first new novel manuscript I’ve written since 2008. This is the first in an action/adventure X-Files-like conspiracy series.

I’ve written before as a guest blogger that I’ve been in a slump, trying to understand WTF, and all. Well, since that time, I’ve been giving it the ol College Try and finally, after almost five years, have completed a full manuscript. It’s full of holes and after having analyzed the content, my content timeline and storyline the past couple weeks, I realize have much work to do with…but I have much work to do with it!

Isn’t that great?

After all this time I have a project in-hand, and it’s written out, warts and all! Sure, I’ll butcher and maim the hell out of it, but the material is there. In novel-length format. It’s not something I’d written years ago and shelved, not a short story, but a full-blown book. I’m sure many writers operate the same, but my second drafts are the toughest efforts, most rework-heavy drafts, but when I get into the mode of initial, first-draft writing, I just vomit it out. This manuscript was actually a little different, more a series of brutal dry heaves early on, but once I found the Zen, it became one big Vomit Comet for the finish line. I intentionally ignored some of the subplots and just wanted to get the basic story out. I don’t usually do that, but I did not want to lose what momentum I had going (given, you know…), because I’d tried that on this manuscript, and felt the moment start to suck wind. So, I forewent my usual M.O. and did things a little differently. No matter how good the process, it seems every book I start is different in some manner.

So, I’ve been pouring over the storyline, finding holes, finding issues, and think I finally have what I need to begin the actual rework (I actually began rewriting yesterday). And…I’m actually quite excited about it. They’ll be my “conspiracy books,” my nod to the X-Files and some other shows (I’d like to add Twilight Zone in there, but don’t know that I’m much of an O. Henry/Rod Serling kind of writer, I’ve finally admitted to myself…but you never know…). You know, if I can actually sell them. But I love the idea, the characters, and it has potential for an on-going series beyond three books. It could well become, well…

Yes, it could become a thing.

From my POV, anyway.

As much as I still want to write everyday life weird and paranormal, there’s still this other side of me that wants to do X-Files kinda work, and now I have this outlet to do so. And I’m real happy about it. I’m happy I have some meat to work with. I’m happy to have new energy out there. New work. And it’s already getting in the way of responding to e-mail, posting blogs and tweets, and getting household chores done.

So, yes, I had a huge dry spell there for a bit, but things appear to be looking up.

Alice in Chains’ “Nutshell” is playing on Pandora right now (love this band, and this tune—which epitomizes much of my series’ tone). It’s germane to my series. So, I leave you with an important stanza that sums the series:

“We chase misprinted lies We face the path of time
And yet I fight
And yet I fight
This battle all alone
No one to cry to
No place to call home.”

Related Article:

  • Why Bother? (http://chiseledinrock.blogspot.com/2012/09/why-bother.html)

Filed Under: To Be Human, Writing Tagged With: Alice in Chains, fiction, Manuscript, Nutshell, Twilight Zone, Why Bother?, writing, Zen

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