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F. P. Dorchak

Speculative Fiction (New Weird) Author

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Supernatural

Red Hands

April 22, 2016 by fpdorchak

Reaching Out Can Be A Scary Thing. (Image by mjchael [Public domain], via Wikimedia Commons)
Reaching Out Can Be A Scary Thing. (Image by mjchael [Public domain], via Wikimedia Commons)
October 28, 2004 I was interviewed on a local radio station about things-paranormal. I’d met the station’s News Director and had noticed that she seemed, well…leery…of me (it was a “weird” handshake—she didn’t want to shake my hand!). Her name was Kina. After my interview I asked the DJs to show me to Kina’s office. They did and Kina and I had talked and had a great time joking around. She said that I didn’t seem so “scary” in and of myself! She told me part of “something” that is detailed in the excerpt, below.

As I left, I told her and the DJs I was going to write up a short story in honor of them about what Kina had told me. Below is an excerpt from my December 1, 2004 query letter to George Seithers, of Weird Tales (no, it didn’t get picked up) that details what Kina had told me:

Enclosed is “Red Hands,” a ghost story inspired by real events. I was interviewed on a local radio station, 95.1 The Peak, and the News Director had told a ghost story about seeing huge red hands come out of her bedroom walls (now I know why she gave me such a hard time about shaking my hand!) above her bed when she was a child in South Central Los Angeles. It apparently happened nearly every night, she says, so she used to sleep with her mother. Her grandmother felt that there was “something else” living there with them, but her mother never thought anything of it.

I wrote this fictional adult story using the real names of all involved (they’re all public figures, in radio, and I set it around my real interview with them). I didn’t know the whole story until after I’d written this.

The on-air staff said I could use their names, so, I’ve left their names in the story. But, while most of the names are real, some are not. I’ve tried to make contact with them “today,” but so far no luck.

This story has never been published.

Red Hands

© F. P. Dorchak, 2004

1

Kina Foster awoke screaming out her lungs as she leapt out of bed, blundered through her bed sheets and blankets, bounced off her bedroom wall, clipped her left elbow along the edge of her upright dresser, and flung herself out into the hallway, where she broke a nail madly scrambling for the light switch. She spun around as she began her collapse to the floor, several feet farther down the hallway at the top of the stairs. The only thing that kept her from tumbling headlong down those stairs was having whacked her head a good one on the edge of the stair’s handrail.

Dazed, she sat on the floor. Opened her eyes wide…and shook her head.

Kina sat back against the wall, inhaling huge gulps of air and groaning. She cradled her hurt elbow into her body and examined the broken and bleeding nail. She then winced as she closed her eyes and leaned her head all the way back to the wall. Reaching for the head wound, she grimaced. A tear trickled down her cheek and she began to sob.

But her throat was sore…

As if she’d been screaming.

Sniffling loudly, she opened her eyes and stared at the entrance into her bedroom.

What…had just…happened?

What had just caused her to leap out of bed in a blind rage and end up a puddle of mush in her hallway?

She grabbed the handrail. Using it like an anchor, she tried—desperately—to recall…

Dreams. Blinding, horrific imagery she found hard to decipher. Screams, oh, God, the screams! Kina let go of the rail and slammed both hands to her ears.

She could still hear the screams!

And something had come to her…for her…followed her….

If something had followed her…would it stood to reason that it might still be in there?

Kina cautiously pushed herself up off the floor. She scanned the hallway for a weapon. She was across from the bathroom and looked in to the shower. The shower curtain hung part way open on its shower rod. One of those removable wooden poles that pressed against the walls with spring-loaded friction.

Kina shot to her feet and grabbed the shower-curtain pole, tearing it from the walls. Frantically, she knocked off the rubber cup on one end, and hastily pushed off the shower curtain. The pole was strong and solid. Stuck for years in its position, it didn’t compress or come apart. The longer the better.

Did she really believe something had followed her back from a dream? No. But she had to go back in there sometime…and to be forearmed was forewarned. Composing herself…and her new lance held forcibly out before her…Kina left the bathroom for the bedroom.

She flicked on the light switch as she entered it.

Images continued to fly through her mind, but she still couldn’t make out anything. The only thing she could grab and hold onto was an intense and acute sense of fear, pain, and dread that still had a hold over her. She coughed—her throat indeed sore—and glanced at her clock, which read just a little after two in the morning. And the late October winds were howling it up outside her windows. Pole tentatively held out before her, she slowly advanced toward her bed. She whipped to the right as she passed the door.

Nothing there.

Turning back to her bed, she examined the rumpled and pulled-back blankets and bed sheet. Poked at them with her lance.

More nothing.

Crouched and looked under the bed.

Additional nothings…but, just to make sure, she swiped the pole back and forth under the bed. Just dust bunnies, loose change, and a lost black sock she’d been looking for for almost six months. Back to her feet, Kina went to her closet and pushed open its folding accordion doors with the stick. Jabbed in and about her clothes.

Sweet nothings.

Kina stepped back and lowered her pole. Let out a strained chuckle.

“Good, Lord, it was only a dream.”

She went back out into the hallway and turned off the hallway light, still uttering the occasional nervous chuckle. When she reentered her bedroom, she stood in the middle of it listening to the high winds outside.

Late October…high winds…two-thirteen in the morning…and Hallowe’en in a couple days.

Yeah, no issues there.

Kina went to turn off the bedroom lights, when—quick as lightening—two hands thrust out at her from the wall…two red hands attached to red forearms.

Kina jerked backward, tripping over her feet, and slammed into the upright dresser, knocking it back against the wall with a load crack!

The red hands again thrust out after her, this time up from the floor at her feet.

Screaming and scrambling her feet under her in that pathetically cartoon-like manner, she finally gripped the hardwood floors and swung her pole wildly about her, smashing an antique picture up on the wall behind the upright dresser (that her mother had given her), her jewelry armoire to her left, and totaling her hanging bedroom light fixture above. This, unfortunately, popped her lance apart, shortening it by half, and sending the years-compressed spring ricocheting off a wall and onto the hardwood floor out of view.

Kina backed up against another wall—but the hands again found her, shooting out of the wall around her.

Once again crazy with fear, Kina swung what remained of the bathroom lance-now-baton directly at the spot on the wall from which the red hands had emerged. They were now gone, but that didn’t stop her from gouging out a good-sized chunk of wallpaper and wallboard.

She backed up to her doorway, when the hands again jut out for her. Kina swung her weapon and this time connected with her other dresser’s mirror, obliterating.

“Come on, you son-of-a-bitch! Show yourself, whatever you are! Come on!”

She got back to her feet and angrily swung at walls and the bedroom, which was one of those cheap, hollow things. Her stick stuck in the door , and unable to pull free, she viciously kicked—slipped—and knocked herself out as she connected with the floor….

 

Kina entered her office at KRDO’s 95.1 (“The Peak”) radio station. She dropped her purse and bags on the floor, then dropped herself into her chair. Sucking on a throat lozenge, she coughed. Her throat was still raw. Shawnee, one of the D.J.s, poked her head into her office.

“You okay, hon?”

Kina barely looked up. Her back was to the door, but she glanced into the review mirror to the left of her computer.

“No…,” she said, her voice squeaking.

“What happened to your voice?” Shawnee asked, entering her office. “We heard you’d had some kind of accident.”

Kina again coughed.

“I had a really, really, really bad dream last night and screamed my head off. Ended up banging my elbow, breaking a nail,” she said in a half-whisper, displaying her wounds, “then smacked my head up real good.”

Kina lightly touched the bump on her noggin.

“Damn, girl, must’ve been some dream,” Shawnee said, trying not to laugh, but smiling broadly.

“Doctor said I’ll live…but I wondered if she’d been the right one for me….”

Shawnee let out a good laugh. She came in farther and leaned against the edge of Kina’s L-shaped desk, right up alongside her as she intently eyed her. She placed a concerned hand to Kina’s back, and said, “Anything you wanna talk about?”

Kina shook her head. “No…just wanna forget about it all. Get back into my every day routine, you know? I don’t really remember anything about it, anyway,” Kina said, lying.

“Nothing? With all those war wounds?” Shawnee said, casually picking away at a stray piece of Kina’s hair.

Kina shook her head.

“Okay. Well…if you need anything, just let me know.” Shawnee again placed a concerned hand to Kina, then left.

Kina stared out her window.

What the hell had happened?

It had to have been a dream, right? Things like this just didn’t happen in real life. That’s Freddy Kruger talk and Freddy’s only a dream—a nightmare—a movie, damn it, a movie. She got herself so worked up and spooked she didn’t know which way was up.

Kina logged in on her computer and began to immerse herself into her work day. Jan Carter had already stood in for her while she’d been to the Emergency Room. Time to get back into her everyday routine….

 

“…seven-fifty-seven, Steve Ryan, Dave Moore—and Kina, we’re sorry to say that we have some scary news for ya. We have author F. P. Dorchak, here in the studio with us,” Steve Ryan, of the Peak Morning Show said on-air to Kina.

“My door is closed,” Kina roughly replied back into her mike from her office, “and it’s barricaded!”

Steve and Dave chuckled.

“We’re going to talk about the paranormal and ghosts,” Steve Ryan continued, “and, ah, how they interrupt our daily life and the whole deal, so, ah, I don’t know—you better just, ah, keep that door shut—”

“You know, I work with you two, so I just don’t know how much stranger normal life can get…,” Kina said, laughing.

Oh, but she did.

She hadn’t been able to not think about the events of the early morning. And now add to it that the station was doing a whole week of “weird stuff” …ghost stories…astrologers…psychics.

Now, who was this new guy? An author who wrote paranormal fiction? What was the attraction to this stuff?

She’d never been big on it…well, perhaps more to the point was that she had never been big on it, because she’d always been afraid of it. Ever since she’d been a little girl and her parents had told her about The Legend of Sleepy Hollow and that darned headless horseman, she’d never been able to get into anything spooky. Now, she had no choice…she’d awoken this morning to her own personal Freddy Kruger reaching out to her—her—and this wasn’t a movie and it hadn’t been a dream—but it had to of been, right?

Crap like this just didn’t happen outside the movies and books! It just didn’t…it’s like what that guy in there right now does, it’s all made up—fiction.

What had happened to her had to have been a delayed hypnagogic reaction or something…a delayed dream thing…still groggy with one foot in dreamland.

She needed to use the ladies room.

Kina got up, then realized she had to walk past Mr. Paranormal in there talking with Steve and Dave. Maybe she’d just take a quick peek in at the guy….

Kina quietly came up to the studio doorway, and looked in at him. He looked normal enough…short cut, brown hair, even sported an Hawai’ian shirt. A black Hawai’ian shirt, but still. He didn’t look like she’d imagined him to be at all.

He turned to her.

Crap!

Smiling, Mr. Paranormal got up and made his way toward her, hand held out…and that was when she lost it.

All Kina could see was a red hand.

Those red hands.

Kina barely made it into the bathroom stalls before she lost her Danish and tea….

 

Kina did about all she could to stay as late at work as possible, but when Jan Carter left it was time to go. Jan showed up at Kina’s doorway, with her ever-present cheery tone.

“Hey-ah, girl, how ya doin?”

“I don’t want to go home.”

“Well, let’s talk about it, huh?”

“I don’t want to. I’ve decided I’m never going to sleep again.”

Jan laughed. “Oh, come on, be a big girl. It can’t have been that bad. Everyone’s been talking about it, but no one seems to know—what happened?”

Kina sighed and cleared her throat. Her voice was feeling decidedly better, but was still rough.

“I had a really bad dream is all—and it’s embarrassing. I kinda…um…messed up my bedroom, I was so scared.”

“How do you mean ‘messed up your bedroom’—you didn’t —”

“Nooo…I, cmm, kinda, um…beat up the walls.”

“No way!” Jan said, laughing.

Kina shrugged her shoulders, giving Jan an “oops” look.

“What brought that on?”

“I had some kind of a nightmare I can’t remember any more. But I do remember how I felt…I was extremely terrified. More terrified than I could have ever imagined. I was so scared it hurt. I felt sure I was going to have an aneurism. I’m not exaggerating.”

Jan went serious. “Anything else?”

“You’re gonna laugh.”

“Am not.”

“I saw…in my bedroom, I saw…cmmm…red hands.”

“Red hands? Just hands?”

Kina nodded. “They shot out of the wall at me like this—” she said, and thrust her arms toward Jan—who took a step back.

“Oh, my gosh—that’d scared the bejesus out of me!”

“Well, I woke up screaming—I mean I was screaming my lungs out. My throat’s still sore, as you can tell. I didn’t—and still don’t—remember the dream…just that I was terrified. Once I calmed down I went and got a pole—you know, that bathroom rod that holds up shower curtains?”

Jan nodded.

“I got that, went back in…checked under and around everything, but didn’t find anything.”

“Of course. That’s how it always works in horror movies—”

“Jan—you’re not helping!”

“Sorry.”

“I checked everything out and found nothing. So, I go to turn off the light switch and go to bed—when…when they jump out at me. The hands—glowing red hands—from the walls. Shoot right out of the wall in front of me! Scared the you-know-what out of me!”

“Kina, darling are you sure—”

“Was it a figment of my imagination? I’m not sure of anything, anymore. When that guy, that-that author—Mr. Paranormal, or whatever his name was—was in earlier, I took a look at him. He looked normal enough, but when he got up to shake my hand…I saw them, again. Those red hands coming at me—”

“Oh, now, honey, you know that all that is is all this Hallowe’en hooey going on this month. That’s all it is. It’s that time of the year when we all get just a little more spooked than normal—”

“This was different, Jan, I tell you. Whether or not that guy’s hands really were red, what I saw in my bedroom last night was real—in some way. In some way, I can’t yet figure out. There’s just something about it. A feeling I got.”

“What do you mean?”

“Well, toward the end, I got angry. I mean, really pissed. I don’t know why, but I wasn’t scared any more, and I wasn’t…wasn’t angry at the hands, I realized later, once I thought about it…I was mad at something else…something about the hands.”

“Any idea what?”

Kina vigorously shook her head. “No idea. I just know I don’t want to go back in there. Alone, anyway.”

“I’ll go with ya, girlfren.”

Kina looked up. “Would you?”

“Yeah-ah. And I tell ya what, we’ll just go back there to face whatever it was that happened, then you can stay at my place tonight—or for as long as you need—how’s that?”

Kina smiled, choking back tears.

 

Kina entered her home first, Jan right behind her.

“Well, things certainly look normal enough,” Jan said, unzipping her jacket.

“But isn’t what you really want to say is that that’s how it always is on Elm Street?” Kina said, removing her jacket.

“Well….”

“My bedroom’s up that landing, then to the rear of the hallway, on the right.”

Jan walked ahead of Kina, then stopped. “Well, time’s awastin’. No time like the present,” she said, turning back to Kina and removing her jacket. “You ready to do this?”

Kina nodded.

“Then, let’s do it.”

The two walked up the handful of stairs onto the upper landing.

“Nice hardwood floors,” Jan said.

“Thanks.”

Jan stopped before the bathroom, peeking in. “And that must be where you found your lance-a-lot,” she said, smiling.

“Yeah…was kinda in a hurry, you know.”

“Sounded like a good choice, if you ask me!” she said, smiling.

They approached the bedroom.

“Holy cripes!” Jan exclaimed, entering it. “I guess you weren’t kidding when you said you messed up the place!”

It was worse than Kina remembered.

There was s stick impaling the bedroom door and the now-exposed light switch by the door was reduced to one tiny plastic shard that held on to the screw holding it onto the wall, the rest of it scattered on the floor. Large portions of wallboard and wallpaper hung off the wall and were also all over the floor. Her bedroom mirror was also gone, shards of glass everywhere, mixed in with the hanging light fixture she had also ripped from the ceiling.

“Must’ve been what I slipped on when I knocked myself cold,” Kina said, pointing to the glass all over the floor and rubbing her head. “Glad I didn’t cut myself up.”

“Yea-ah!” Jan said. “Man! Will ya look at this place!”

Two other walls were also torn up and had wallpaper hanging out like gaping war wounds. The broken antique picture frame and picture were also on the floor behind the upright dresser, which had gouged the hardwood floor and was tipped toward the wall, its two rear pine-wood legs neatly snapped off. As for the bathroom shower curtain rod, now popped apart into two pieces, one lay on the floor partially under the bed, the internal spring nearby, while the other part was still wedged into the hollow bedroom door.

Jan chuckled as she fingered but didn’t remove the stick in the door. “Well, I see you’re going to need some serious redecoration action, my friend.”

Kina shrugged embarrassed, coughing a couple rounds.

“And remind me never to wake you from a sound sleep!” Jan added. “Okay, so what happened here? Be specific.”

Kina went over to her bedside nightstand. As she began to relate the events, she found the dream images coming back.

“Well, I awoke, stark raving mad—as in crazy—and was screaming my lungs out. I jumped out of bed, here,” she said pointing, “and rammed my elbow into the edge of the dresser, here.” She suddenly remembered the wound and rubbed it. “Then I went out into the hallway, broke a nail, and collapsed. Grabbed the shower curtain rod and reentered.”

Kina walked past Jan, who turned to follow her narration.

“I came back in, searched the place, and found nothing —that’s always how it happens on The Nightmare on Elm Street. Then—also just like on Elm Street—the red hands thrust out at me—here—from the wall, just under the light switch,” Kina said, showing her.

She was initially reluctant to touch the wall, but she found new confidence coursing through her (confidence always strongest with others around). Though the memories and images no longer scared her, she did feel something strange about them. Like they were still out there. Still…needing?…her.

Needing her?

“That’s when I opened fire. Took out my room. The rest is history.”

“You’d said earlier that they followed you? Is that right?”

“Yeah,” Kina said, hedging, again walking past Jan for the broken upright dresser. “Over here, they came up out of the floor at me.” Renewed confidence or not, she avoided the spot on the floor where the hands had materialized up out of the floor. “Then, over there, out of the wall. Then back out over there,” she said, pointing back to the wall near the light switch. “Then the mirror.”

“Well, do you feel anything now? Any, I don’t know—tingling sensations, or whatever it is you’re supposed to feel in real-life horror movie situations like this?”

“No…well, I do kinda feel like they’re still…‘out there,’ in some way, but perhaps the strangest thing is that I no longer feel scared. Can’t explain it.”

“Did you catch much of that paranormal author’s show today?”

Kina chuckled. “I know what you’re gonna say. That he feels that many ghosts out there aren’t really out to get us; that they’re actually just caught in-between worlds or something…what did he call them?”

“‘Lingering anxiety ghosts,’ or something,” Jan said.

“Right. Or could be—”

Kina stopped dead in her tracks.

“Oh, my God.”

Jan came to her. “What? What is it?”

“It just hit me.”

Kina pulled away from Jan but turned back to her, a look of surprise on her face.

“Jan….”

“Yes?”

Then Kina changed her mind and said nothing, and turned back to the wall, lifting her arms before her, palms up, as if mesmerized. She stared at the light switch wall by the door then slowly turned back to Jan, her arms and palms still upraised, a look of horror on her face and approached her. Jan backed up as Kina approached.

“Kina, honey, are you okay?”

Kina stopped just before her.

“Jan…it was something Steve and Paranormal Guy said…about how in the movies they always make the ghosts out to be bad or evil, always out to get everyone.”

“Yeah…honey, now you’re scaring me….”

“Well, they felt—Paranormal Guy felt—that they—ghosts—weren’t so much out to get us, as they were just trapped maybe, or confused. Maybe even dreaming back about their just-departed lives…”

“Dreaming? Do the dead dream?”

Kina just looked at her.

Jan continued, “Okay…and?”

“Jan, look at me. Look at me! What do I look like? What do I look like I need?”

Jan looked to Kina…really looked to her…how her arms—her hands—were held out before her.

“Oh, my G—”

“Help. I look like I need help, Jan, that’s what they look like.”

“Well, now, then, that would put a different spin on things, wouldn’t it? Good Lord, I have chicken skin all over me….”

“And I’d turned it away! I turned it away, Jan! Don’t you get it? I may have turned someone away who needed my help—reached out to me….”

“Yeah, but reached out to you from where, honey?” Jan said.

“Does it matter?”

“Uh, yeah!”

Jan came to Kina and grabbed her by the arms. “Oh, honey, don’t worry about it—”

“But I have to! What have I done—because I was afraid? Had I hurt someone—ghost or not?”

“But you don’t know that? And it was just a dream.”

“But I feel this…something…right now. Right this minute. It’s still out there, he/she/it is…is still out there….”

The images did continue to fly around in her head…still screaming through her mind at light speed. Still, she was unable to make anything out. But she felt the red hands were still out there…still needing….

“Oh, my God, Jan…I think I might have done something very, very wrong…I’ve never felt this way before…I suddenly feel a little sick…”
“But what if…what if, I don’t know, you bring something evil here, into our world? Paranormal Guy didn’t talk about that—”

“No, not on-air, but I snuck up beside the door when they were talking off-air, him and Steve and Dave, and he said that he feels a lot of the evil stuff is actually confused energy coming from us…that there really isn’t any such thing as…how did he put it, ‘an inherent Devil’—”

“Well, that may be, but what kind of an expert is he? He writes fiction, for God’s sake…he’s no expert. And, really, who among us knows? What human has the be-all, end-all knowledge about the afterlife and is a hundred percent correct? What if—I don’t know—what if these confused spirits really can get nasty, like The Exorcist nasty, or something, and kick our asses? What then?”

Kina dropped her arms, a look of exhaustion falling over her face.

“Thanks for doing this, Jan,” Kina said, reaching for one of Jan’s hand. “I’m fine, now. Really.”

Jan cocked her head, skeptical. “Don’t you want to come with me, stay the night?”

Kina shook her head, confident in her decision. “No…I’m going to stay here, in my own bed. I’ll be fine.”

“You’re not planning on pulling in those hands, are you?”

“Another thing Paranormal Guy said was that ghosts are not physical…so I can’t very well do that, now can I? He said he didn’t believe what we saw were so much physical images as mental images we translate into a physical-like image. No—you go home, now, Jan, I really appreciate all you’ve done, you’re a good friend. I’m just mentally and spiritually exhausted. Thanks.”

“If I was a really good friend I wouldn’t leave you here and would protect you from your own bad self—”

“Fine. Then I’ll make us some dinner and you can sleep in my guest room….”

 

Kina was absolutely exhausted by the time they’d both cleaned up the bedroom’s mess. She made dinner, Jan made her calls, Kina put Jan up in the guest room and then made her way to her own bed. She looked forward to sleep….

 

Kina again awoke just a little after two a.m. to use the bathroom. The full moon shown in through her bathroom window and the wind still howled for a second night in a row. She stared at the moon and smiled as she sat on the toilet; closed her eyes.

If you’re out there and you need help, Kina thought, reaching out to the red hands, come back. I’m ready for you, now.

This time I’ll help you….

 

Kina washed her hands, then dried them…but as she turned to return to bed, she again had that weird feeling. She paused; felt a little bit of fear rising within, but just told herself to get over it—that there was no need to be afraid.

She knew—in her bones—there was nothing to be afraid of.

At least not in this instance. She told herself.

Yeah, Nightmare on Elm Street….

She knew what she would find before fully turning around.

She didn’t bother flicking on a light.

She saw them. Dark, glowing red hands, reaching down and out from above her bed…hands spaced about two feet apart, just short of the union of the wall and ceiling crease.

They just silently hung there. Not motionless, per se, but still…as if a person really were on the other side of them, reaching out to her.

And she wasn’t scared. Not in the least.

Cautiously, Kina approached them and came to stand beside her bed and the nightstand.

She looked up to them…then placed one foot onto her bed, and, grabbing the frame of the bed in support, pulled herself up. She faced the wall and looked up to the red hands. Spreading apart her feet on the bed…she lifted her hands…but stopped short of actually grabbing them.

They really were hands—and they really were red.

And it was really two-fifteen in the morning.

Kina looked toward her closed bedroom door, thinking about Jan Carter, snoring soundly away in the guest room. She smiled.

Then looked back to the hands. She closed her eyes then reopened them.

Still there.

Bracing herself, Kina went for it and reached out to them.

She didn’t grab them—at least not physically, anyway—but did grab onto…something…because she was suddenly flooded with emotion that was like drinking though a raging fire hose. She tried to slow it down, but couldn’t. It wasn’t intentional, she didn’t think, by way of the emotion of the link she was now attached to overloaded her, but felt it was more like this ghost had so needed her…so needed her help—and yesterday—that it was like the opening of emotional flood gates and there was no turning it off. This…creature, this ghost…had a lot to download, and needed to do it as soon as possible. Needed her to be there…to help open those flood gates and let the emotion flow.

And there was something else….

Kina felt as if she was going to explode…her entire body felt as if it was spiritually and physically expanding…out to the ends of the universe—yet was simultaneously face-to-face with some invisible entity right before her face.

It was a feeling of expansive contraction…of swirling and spinning…of being there…standing on her bed yet also simultaneously being flung to the farthest reaches of the universe. And through all this, she was crying…unabashedly sobbing. Her entire being quaked with sorrow…pain!…there was intense pain in this spirit…anguish. Anguish she had never experienced before. Every synonym for pain and hurt filled her soul…and there was no shutting it off. Now, she was starting to get scared, but told herself to shut the hell up…there was so much more at stake here than her being a fraidy cat of the unknown….

Kina cried out…screamed in loving rage at where all this pain in this ghost was coming from. She reached out to it with intense, powerful thoughts of hope and peace and that this ghost needed to release itself from whatever horror it was experiencing.

It needed to move on!

That it was dead and there was nothing that need hold it to wherever it was. Whatever pain it was experiencing. It had to leave.

As if the emotion couldn’t get any stronger, it did…but this time Kina felt a difference to it…felt a change in conviction…a focusing. Kina poured more of herself into her link with the ghost…leave, she commanded, you can do it! I’m here to help…focus on me… explode away from wherever you are! Whatever is holding you back! Do it NOW!

There was a mentally bruising explosion of light in her mind and Kina experienced a singular burst of energy that felt like a supernova—

And it was over.

Done.

She collapsed to the bed, emotionally and spiritually spent. She looked up to where the red hands had been…but they were gone.

Kina closed her eyes and swallowed hard. Her mouth was really dry.

“Thank you….”

Kina shot upright. Looked around.

She leapt off the bed and turned on the bedside lamp.

No one. There was no one in the room with her—yet she’d distinctly heard the words “Thank you” spoken out loud.

To her.

She rushed to Jan’s room, but she was still sound asleep, snoring loudly though peacefully.

Who’d said that?

Kina chuckled, then returned to her bedroom.

She knew there was no one else in the house with them. Knew it hadn’t been Jan talking in her sleep, nor had it just been all in her head. She’d heard those two words clear as day, as loud as if someone had been standing shoulder to shoulder with her.

She had heard someone thank her, and she knew who that was, even if she didn’t know who it was.

She’d helped save a life. Ghost or otherwise.

Kina brushed off the bed sheets from where she’d been standing and got back into bed. The wind had even died down. She smiled and turned off the light.

“Good night,” she said, aloud, and rolled over and fell asleep.

She could have sworn she felt a light kiss brush her cheek….

2

December 13, 1967

A Siberian Gulag

A nameless, faceless prisoner lay strapped onto a rough-hewn board, various tubes and wires attached to numerous places on his scared, broken, tortured, and burned body. Both his legs had recently been broken, but he didn’t know what “recently” meant anymore. On all his limbs were open, infinitely painful, raw wounds from having been methodically and carefully burned. To his head were attached electrodes, and in his arms more tubes. His tongue had been removed. He hadn’t been allowed to sleep, hadn’t been allowed to dream, and had been kept as barely alive as possible through science and chemicals and ever-present torture.

But as totally controlled as his captors thought they were over him, there was one thing they couldn’t get under control with all their methods…

His will.

His ability to think what he wanted to think.

He was fine with losing his body—and if he could get free he had no qualms with slitting his own throat, or putting a couple well-placed bullets to his brain. But that was never going to be. He was their experiment and would die of old age, if they had their way.

So he had decided to reach out…reach out to whatever might be “out there”…whatever might have mercy on him and help him free himself from this hellish nightmare. What else had he? What had he to lose?

So he had.

And he had found someone.

A ghost? A figment of his imagination? He didn’t know and didn’t care. All he knew…was that he had—finally—put an end to his suffering and had willed his own freedom. Willed his own death. Freed himself with the help of someone or something, he didn’t know. All he knew, was that he was free…free to move on….

And he did.

But not before he thanked the woman who had braved her own fears and had helped set him free.

“Thank you….”

 

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Filed Under: Metaphysical, Short Story, Spooky, To Be Human, Writing Tagged With: 95.1, Colorado Springs Radio, DJs, Hands, Night Gallery, paranormal, Paranormal Fiction, Radio, Radio News Director, Red, Supernatural, The Peak

Voice eBooks and Reviews

September 5, 2015 by fpdorchak

Voice (Graphic © 2015, F. P. Dorchak and Lon Kirschner)
Voice (Graphic © 2015, F. P. Dorchak and Lon Kirschner)

Voice is now available at the following outlets: Amazon.com (e-book and trade paperback), CreateSpace (trade paperback), Barnesandnoble.com (trade paperback and Nook book), and Smashwords.com (ebook). It will be distributed through other distribution channels (like iTunes), as these are put into motion.

I have two initial reviews:

Small Press Reviews (my first review—thanks, Marc!): https://smallpressreviews.wordpress.com/2015/08/28/voice/

and Aaron Michael Ritchey’s Amazon.com review.

And the following “faux interviews”:

https://www.smashwords.com/interview/fpdorchak

A Faux Interview with F. P. Dorchak, Author of Voice (fpdorchak.wordpress.com)

A Faux Metaphysical Interview with F. P. Dorchak, Author of Voice (fpdorchakrealitycheck.wordpress.com)

I am working on consigning Voice in Colorado Springs (Poor Richard’s Books and Gifts) and Denver (Tattered Cover Book Store). More on these when I get my shipment of books rolling….

If you read Voice, please post a review at your favorite location!

Thank you in advance for all your support!

 

Filed Under: Book Reviews, Metaphysical, Reincarnation, To Be Human, Writing Tagged With: Erotica, paranormal, Psychological, Relationships, Sex, Supernatural

Voice Is Released!

September 1, 2015 by fpdorchak

Voice. (© 2015, F. P. Dorchak and Lon Kirschner)
Voice. (© 2015, F. P. Dorchak and Lon Kirschner)

Sex, love, and metaphysics. This intense sometimes explicit story is about what people do in the dark…especially when they’re hiding from themselves. A daring, sexy—even inspirational—read that explores relationships both familial and romantic and the tragedies that result from fractures in both. Voice is hard-hitting and unflinching…even uncomfortable…a novel for anyone who’s ever loved more than one.

After 16 years (18 if you count start to finish) and much angst, this novel is finally seeing the light of day! It’s also my longest published novel to date, at over 120,000 words.

Voice—my sexy, visionary fiction—is now available! Is it literary? Visionary? Erotica? Romance?

Truly, it is a little of each. But, whatever it is, it is my most mainstream effort ever. As I’ve said multiple times, I never wrote it, never intended it as erotic fiction. I still don’t even picture the story that way in my head. It is a story about people. It happens to have some explicit sex scenes in it, just like some novels have explicit violence in them. It turns out I actually wrote it as more of a love story: it’s a story about a guy who falls in love with a voice in his head.

That’s it.

I never had the plot nor story outlined…it just came to me as I wrote it. And I honestly did not know how it was going to end until I hit the “.” key after the last word in the manuscript. I do not exaggerate. I remember this vividly: I was banging along on the keyboard, excited how things had unfolded…wrote the last word. Hit the period key. Went to add a next page…and paused.

It was perfect. It surprised me. I ended it right there.

I’ve written a few “apologetic” pieces about the whole “erotica thing,” but…no more apologies.

It is what it is.

Writing Voice did more than expand my writing…it expanded my mind. My understanding of what I feel I’m capable of doing. Voice helped me go to emotional depths I’d never gone to before. At least in my own head. You, the readers, will tell me if I hit the mark or not. But, writing Voice took me down emotional rabbit holes. I found ways to write about the deep, sometimes hidden and painfully emotional details deep within stories. Which is really want I’ve wanted to do and hope I can do again. I’ve always wanted to write powerfully moving stories about the human condition. I didn’t want to just write about aliens or the supernatural. I wanted to write stories that were emotionally kick-ass as well as paranormal. I want to make people cry. Anger them. Excite them. Voice helped me learn how to “go there.” In Psychic I wrote a highly unpleasant rape scene. It was needed, so I did it. I didn’t flinch away from it. That scene’s power and mechanics came from having written Voice. In The Uninvited, I wrote graphic violence. I had to. They were important to the emotional context of the story. The ability to write out those scenes grew out of having worked on Voice.

And the utter irony?

When I finally made my way back to Voice and made that decision to actually follow through and put it out there…all the work I’d done on all my other novels all came back to help in making Voice the absolutely best, the most honest, emotional, and powerfully uncomfortable work I’ve ever created. And I’m proud of it—and I don’t use words like “pride.” If it wasn’t for Voice, none of the other novels would have been as good as they are…and if it wasn’t for the other novels, Voice wouldn’t be as good as it is. Or so I’ve heard from a couple readers (you just can’t trust me…).

And it is a powerful, emotional journey…but, really, that’s up to each of you to determine. I can’t please everyone, as a couple of my reviews show.

Sex, love, and metaphysics. This intense sometimes explicit story is about what people do in the dark…especially when they’re hiding from themselves.

I love this story, the setting. The whole gestalt. ERO and Voice rank as my favorite efforts. I hope you will also get lost in Voice and find the story. I did wonder if a couple of those who proofed and read it would ever talk to me again…and, well, so far they are. So, I have that going for me…which is nice….

Of those who’ve already read it, one reader told me half jokingly she wasn’t sure she could look me in the eyes “just now” when we first talked after her having read it.

That was so cool!

We laughed!

It meant I’d written something that had her look at me differently. And if she looked at me differently…how differently was she also looking at others? The world?

That meant I had expanded someone’s Weltanschauung.

That I had given another a different perspective.

Which is SO cool!

But I hadn’t done this alone!

There were others. Named and unnamed. I can never thank enough those who took a chance on this story—and me—to read it. Those who listened patiently to my conversational angst about should-I-or-shouldn’t-I? In one case, Mandy Pratt, who did the lion’s share of proofing and editing, having spent April to July picking things apart and pointing out misspelled words (dang it!) and messing with my head with shades of meaning—and, oh, let’s not even begin to talk about my own annoying employment of M-dashes and ellipses!

Yes, she kept me honest. Thanks, Mandy!

To Edie, Amy, Karen, Lon, and Joseph—thank you all for taking time out of your life to help out in the various ways you all did! Amy—you read this twice! Amy, an actual editor, read this back in 2002 or 2003…and when I asked if she was up for reading it again, she actually leapt at the chance (okay, maybe not actually launching herself up and into the air, but consider that “artistic license”…)! Karen, for helping me refine my “pitches” (Karen was there at the beginning, waaay back at a writers conference in the late nineties—thank you for sticking with me through all this, Karen!), back cover text, sounding board, et cetera. Joseph Reininger, no longer in the book retail business, was the first to read Voice and, again, waaay back in the 90s, and his reception of it literally stunned me. Never had I ever received such glowing praise (his is the blurb in the front of the novel) for anything I’d written up to that point! And he sold books! Reads tons of them. Wow. Joseph, yes, it’s finally going to see the light of day—thank you for all of your support!

And perhaps the oddest thanks goes to Joelle Yudin.

She was an Associate Editor at HarperCollins from 2000 – 2006. I’d sent a query to a publisher, and the long-and-the-short-of-it was that it had gotten routed to her. She’d read it, and on January 3, 2003, had sent me the following note:

“<Name withheld> passed along your proposal to me for my thoughts. I found the premise to be quite intriguing and so I shared it with my colleagues. Unfortunately, I will be passing, as I could not get them excited about it. I wish you the best of luck with this.”

I looked back in my writing ledger (yes, I have one; I keep track of things like this), and on January 23, 2003, at about 11:20 a.m. MT, I called her.

Yes, actually called her and I actually got her.

I wanted to know why the oligarchy’d passed on it. I do remember she’d been so kind and easy to talk to and didn’t slough me off in the slightest. What I wrote in my ledger was that Joelle said she thought my writing was good, my “voice” (heh-heh, pardon the pun) interesting, but her colleagues thought the manuscript “small,” in that they were unsure if it would “stand up in the market.” That it was “all about the $$$.” That the “size” of the piece wasn’t “large” enough and they recommended a small publisher. Then, at the end of all my notes I’d added: “Very (underlined) nice lady and open and forthcoming. Even said ‘sorry.'”

So, Joelle, I will always remember you and your kindness…your interest in Voice. Thank you for all of it! If I can ever get in contact with you, I’m sending you a gratis copy or two!

So…here it is.

Voice.

Now what??, Mandy had asked. Now what, indeed!

I gotta find something else to work on….

****

Voice is available at Amazon.com (e-book and trade paperback), CreateSpace, Barnesandnoble.com, and Smashwords.com. There will be additional outlets as the distribution “takes.”

If anyone would like a signed paperback, feel free to send this or any other of my work to the following address—WITH THE PROPER POSTAGE OR IT WILL NOT BE RETURNED. I will use any unreturned books as free giveaways. Send to:

F. P. Dorchak, P. O. Box 49393, Colorado Springs, CO 80949.

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  • Smashwords Interview (www.smashwords.com)
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Filed Under: Books, Metaphysical, Reincarnation, To Be Human Tagged With: Covers, Erotica, Fashion, Indie Publishing, Kirschner Caroff, Lon Kirschner, Mainstream, Modeling, Modelling, Models, Novels, paranormal, Photography, Psychological, Relationships, Sex, Supernatural, Voices, Wailing Loon

Voice is Released!

August 28, 2015 by fpdorchak

Voice. (©2015, F. P. Dorchak and Lon Kirschner)
Voice. (©2015, F. P. Dorchak and Lon Kirschner)

Sex, love, and metaphysics. This intense sometimes explicit story is about what people do in the dark…especially when they’re hiding from themselves. A daring, sexy—even inspirational—read that explores relationships both familial and romantic and the tragedies that result from fractures in both. Voice is hard-hitting and unflinching…even uncomfortable…a novel for anyone who’s ever loved more than one.

After 16 years (18 if you count start to finish) and much angst, this novel is finally seeing the light of day! It’s also my longest published novel to date, at over 120,000 words.

Voice—my sexy, visionary fiction—is now available! Is it literary? Visionary? Erotica? Romance?

Truly, it is a little of each. But, whatever it is, it is my most mainstream effort ever. As I’ve said multiple times, I never wrote it, never intended it as erotic fiction. I still don’t even picture the story that way in my head. It is a story about people. It happens to have some explicit sex scenes in it, just like some novels have explicit violence in them. It turns out I actually wrote it as more of a love story: it’s a story about a guy who falls in love with a voice in his head.

That’s it.

I never had the plot nor story outlined…it just came to me as I wrote it. And I honestly did not know how it was going to end until I hit the “.” key after the last word in the manuscript. I do not exaggerate. I remember this vividly: I was banging along on the keyboard, excited how things had unfolded…wrote the last word. Hit the period key. Went to add a next page…and paused.

It was perfect. It surprised me. I ended it right there.

I’ve written a few “apologetic” pieces about the whole “erotica thing,” but…no more apologies.

It is what it is.

Writing Voice did more than expand my writing…it expanded my mind. My understanding of what I feel I’m capable of doing. Voice helped me go to emotional depths I’d never gone to before. At least in my own head. You, the readers, will tell me if I hit the mark or not. But, writing Voice took me down emotional rabbit holes. I found ways to write about the deep, sometimes hidden and painfully emotional details deep within stories. Which is really want I’ve wanted to do and hope I can do again. I’ve always wanted to write powerfully moving stories about the human condition. I didn’t want to just write about aliens or the supernatural. I wanted to write stories that were emotionally kick-ass as well as paranormal. I want to make people cry. Anger them. Excite them. Voice helped me learn how to “go there.” In Psychic I wrote a highly unpleasant rape scene. It was needed, so I did it. I didn’t flinch away from it. That scene’s power and mechanics came from having written Voice. In The Uninvited, I wrote graphic violence. I had to. They were important to the emotional context of the story. The ability to write out those scenes grew out of having worked on Voice.

And the utter irony?

When I finally made my way back to Voice and made that decision to actually follow through and put it out there…all the work I’d done on all my other novels all came back to help in making Voice the absolutely best, the most honest, emotional, and powerfully uncomfortable work I’ve ever created. And I’m proud of it—and I don’t use words like “pride.” If it wasn’t for Voice, none of the other novels would have been as good as they are…and if it wasn’t for the other novels, Voice wouldn’t be as good as it is. Or so I’ve heard from a couple readers (you just can’t trust me…).

And it is a powerful, emotional journey…but, really, that’s up to each of you to determine. I can’t please everyone, as a couple of my reviews show.

Sex, love, and metaphysics. This intense sometimes explicit story is about what people do in the dark…especially when they’re hiding from themselves.

I love this story, the setting. The whole gestalt. ERO and Voice rank as my favorite efforts. I hope you will also get lost in Voice and find the story. I did wonder if a couple of those who proofed and read it would ever talk to me again…and, well, so far they are. So, I have that going for me…which is nice….

Of those who’ve already read it, one reader told me half jokingly she wasn’t sure she could look me in the eyes “just now” when we first talked after her having read it.

That was so cool!

We laughed!

It meant I’d written something that had her look at me differently. And if she looked at me differently…how differently was she also looking at others? The world?

That meant I had expanded someone’s Weltanschauung.

That I had given another a different perspective.

Which is SO cool!

But I hadn’t done this alone!

There were others. Named and unnamed. I can never thank enough those who took a chance on this story—and me—to read it. Those who listened patiently to my conversational angst about should-I-or-shouldn’t-I? In one case, Mandy Pratt, who did the lion’s share of proofing and editing, having spent April to July picking things apart and pointing out misspelled words (dang it!) and messing with my head with shades of meaning—and, oh, let’s not even begin to talk about my own annoying employment of M-dashes and ellipses!

Yes, she kept me honest. Thanks, Mandy!

To Edie, Amy, Karen, Lon, and Joseph—thank you all for taking time out of your life to help out in the various ways you all did! Amy—you read this twice! Amy, an actual editor, read this back in 2002 or 2003…and when I asked if she was up for reading it again, she actually leapt at the chance (okay, maybe not actually launching herself up and into the air, but consider that “artistic license”…)! Karen, for helping me refine my “pitches” (Karen was there at the beginning, waaay back at a writers conference in the late nineties—thank you for sticking with me through all this, Karen!), back cover text, sounding board, et cetera. Joseph Reininger, no longer in the book retail business, was the first to read Voice and, again, waaay back in the 90s, and his reception of it literally stunned me. Never had I ever received such glowing praise (his is the blurb in the front of the novel) for anything I’d written up to that point! And he sold books! Reads tons of them. Wow. Joseph, yes, it’s finally going to see the light of day—thank you for all of your support!

And perhaps the oddest thanks goes to Joelle Yudin.

She was an Associate Editor at HarperCollins from 2000 – 2006. I’d sent a query to a publisher, and the long-and-the-short-of-it was that it had gotten routed to her. She’d read it, and on January 3, 2003, had sent me the following note:

“<Name withheld> passed along your proposal to me for my thoughts. I found the premise to be quite intriguing and so I shared it with my colleagues. Unfortunately, I will be passing, as I could not get them excited about it. I wish you the best of luck with this.”

I looked back in my writing ledger (yes, I have one; I keep track of things like this), and on January 23, 2003, at about 11:20 a.m. MT, I called her.

Yes, actually called her and I actually got her.

I wanted to know why the oligarchy’d passed on it. I do remember she’d been so kind and easy to talk to and didn’t slough me off in the slightest. What I wrote in my ledger was that Joelle said she thought my writing was good, my “voice” (heh-heh, pardon the pun) interesting, but her colleagues thought the manuscript “small,” in that they were unsure if it would “stand up in the market.” That it was “all about the $$$.” That the “size” of the piece wasn’t “large” enough and they recommended a small publisher. Then, at the end of all my notes I’d added: “Very (underlined) nice lady and open and forthcoming. Even said ‘sorry.'”

So, Joelle, I will always remember you and your kindness…your interest in Voice. Thank you for all of it! If I can ever get in contact with you, I’m sending you a gratis copy or two!

So…here it is.

Voice.

Now what??, Mandy had asked. Now what, indeed!

I gotta find something else to work on….

****

Voice is available at Amazon.com (e-book and trade paperback), CreateSpace, Barnesandnoble.com, and Smashwords.com. There will be additional outlets as the distribution “takes.”

If anyone would like a signed paperback, feel free to send this or any other of my work to the following address—WITH THE PROPER POSTAGE OR IT WILL NOT BE RETURNED. I will use any unreturned books as free giveaways. Send to:

F. P. Dorchak, P. O. Box 49393, Colorado Springs, CO 80949.

Related Articles

  • Small Press Reviews: Voice (smallpressreviews.wordpress.com)
  • Smashwords Interview (www.smashwords.com)
  • Voice—What Is My Genre? (fpdorchak.wordpress.com)
  • A Faux Interview with F. P. Dorchak, Author of Voice (fpdorchak.wordpress.com)
  • A Faux Metaphysical Interview with F. P. Dorchak, Author of Voice (fpdorchakrealitycheck.wordpress.com)
  • Voice—An Erotic Tale of Nonphysical Love (fpdorchak.wordpress.com)
  • You CAN Judge a Book by its Cover (thecockeyedpessimist.blogspot.com)
  • The Pink Elephant in the Room (fpdorchak.wordpress.com)
  • Update on WIP: Second Set of Comments In! (fpdorchak.wordpress.com)
  • Update on WIP: First Comments In! (fpdorchak.wordpress.com)
  • Update on WIP: Out For Proofing (fpdorchak.wordpress.com)
  • Surrendering To The Role (fpdorchak.wordpress.com)
  • My Short-Lived Modeling Career (fpdorchak.wordpress.com)
  • What I’m Working On For 2015 (fpdorchak.wordpress.com)
  • Unearthing the Bones (fpdorchak.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)

Filed Under: Books, Leisure, Metaphysical, Reincarnation, To Be Human, Writing Tagged With: Covers, Erotica, Fashion, Indie Publishing, Kirschner Caroff, Lon Kirschner, Mainstream, Modeling, Modelling, Models, Novels, paranormal, Photography, Psychological, Relationships, Sex, Supernatural, Voices, Wailing Loon

Full Voice Cover!

August 5, 2015 by fpdorchak

Voice Cover (© 2015, F. P. Dorchak and Lon Kirschner)
Voice Cover (© 2015, F. P. Dorchak and Lon Kirschner)

Here is the full, front-to-back cover for Voice, which I’m expecting to release August 14th…if everything goes smoothly.

This cover just stabs into my soul.

I absolutely love the design! I give Lon words, and it’s like…when he works his magic…the whole really is greater than the sum of its parts! His choice of color and font and layout all add incredible dimension to the words themselves. They take on more power…a greater enormity. It’s really cool how graphic artistry does that.

The cover is as intense and mysterious as the story itself.

I can’t wait to print out a copy and actually hold it in my hands!

I’m simply antsy with anticipation—and I hope you all are, too!

Related Articles

  • A Faux Interview with F. P. Dorchak, Author of Voice (fpdorchak.wordpress.com)
  • A Faux Metaphysical Interview with F. P. Dorchak, Author of Voice (fpdorchakrealitycheck.wordpress.com)
  • Voice—An Erotic Tale of Nonphysical Love (fpdorchak.wordpress.com)
  • You CAN Judge a Book by its Cover (thecockeyedpessimist.blogspot.com)
  • The Pink Elephant in the Room (fpdorchak.wordpress.com)
  • Update on WIP: Second Set of Comments In! (fpdorchak.wordpress.com)
  • Update on WIP: First Comments In! (fpdorchak.wordpress.com)
  • Update on WIP: Out For Proofing (fpdorchak.wordpress.com)
  • Surrendering To The Role (fpdorchak.wordpress.com)
  • My Short-Lived Modeling Career (fpdorchak.wordpress.com)
  • What I’m Working On For 2015 (fpdorchak.wordpress.com)
  • Unearthing the Bones (fpdorchak.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)

Filed Under: Art, Book Covers, Leisure, Metaphysical, Reincarnation, To Be Human, Writing Tagged With: Books, Covers, Erotica, Fashion, Indie Publishing, Kirschner Caroff, Lon Kirschner, Mainstream, Modeling, Modelling, Models, paranormal, Photography, Psychological, Relationships, Sex, Supernatural, Wailing Loon

A Faux Interview with F. P. Dorchak, author of VOICE

July 10, 2015 by fpdorchak

She Who Will Remain Nameless. (© 2015, Lon Kirschner and F. P. Dorchak)
She Who Will Remain Nameless. (© 2015, Lon Kirschner and F. P. Dorchak)

One of the characters in my upcoming novel, Voice, has been bugging me for years to not only publish the damned thing, but also to interview me. Well, I’ve finally given in…to both. Here is my exclusive interview with one of the main characters from my novel—who shall remain nameless. We get into everything from my childhood to a little metaphysics (the bulk of the actual metaphysical discussion I’ll be posting on my Reality Check site).

Voice: Well, it’s certainly nice to see you again, Frank. It’s been a while!

F. P.: Nice to see you again, too. I’ve missed you!

Voice: And I’ve missed you! Thanks for finally letting me out into the world. For those of you not yet acquainted with me—and not that you necessarily created me, Frank, so much as you relate my story in Voice—but, I am grateful for what you’ve done and have no regrets with the book’s outcome! It was a pleasure being “worked” by you! You did a fine job telling my story. I wondered when you’d get the hint!

F. P.: Well, it’s been quite the unique and intriguing experience—and a pleasure! I’m also really happy with the outcome, and greatly appreciate all who have helped—especially Amy, Mandy, Edie, Joseph, and of course, Lon! Lon kicked serious ass on your cover, didn’t he?

Voice: He did! He finally listened to my whispers!

F.P.: You are so sneaky….

Voice: Okay, let’s get into this, shall we? What caused you to write Voice? Where did you find your inspiration?

F. P.: Well, quite simply, we all have these little voices in our heads. I’d had this mental image where this guy has this “shadow” visit him at night (in bed), but when he turns on the lights, the shadow’s gone—but not the presence, her presence. She’s actually still there…just not visible in the light. I was also thinking…how can I write some sort of “ghost” story that is more in line with how I view ghosts…explain it through my life philosophy—

Voice: And what would that be, this “life philosophy” of yours?

F. P.: Well, it’s predicated upon simultaneous time and multidimensional souls…but what I was looking for was a way to explain ghosts using a nontraditional system of belief. Now, I’ve since done that with The Uninvited, but Voice was originally written before Uninvited. Anyway, I believe that there’s more to the world than meets the eye…that we do live other lives…and that the nonphysical world does intrude into our daily lives—on a regular basis. Voice is also inspired by two books by Jane Roberts, called, The World View of Paul Cézanne, and The Afterdeath Journal of an American Philosopher.

Voice: How long have you been writing?

F. P.: My mother tells me I started at the age of six. In high school, one of my English teachers, Mr. Spence, actually read one of my pieces in front of the class. He was so taken by the atmosphere of it! It was quite exciting and cool to be so singled out (you know, in a good way) as a teenager in front of your peers. I’m not usually “that guy” who gets singled out in any class. I can still hear Mr. Spence’s voice—see the excitement on his face and hear it in his voice! That story was called “Crypt of Vampyres.” Thanks, Mr. Spence!

Voice: What was it about?

F. P.: Not surprisingly, it’s about a kid who finds a crypt of vampyres. Then goes down into it, of course. People don’t typically act very smart in horror stories.

Voice: Did you start out reading and writing horror?

F. P.: I did. I loved Stoker’s Dracula, and H. Warner Munn’s Werewolf of Ponkert. I grew up on science fiction and horror—with some fantasy, like Stephen R. Donaldson’s The Chronicles of Thomas Covenant, the Unbeliever, C.S. Lewis’s The Narnia Chronicles, and later, in college, Robert E. Howard’s Conan series. I loved weird, supernatural stuff. Anyway, yeah, I started with horror, wrote lots of short stories (in my teens and twenties), some of them pretty gruesome, but probably so was the writing! In my teens, it was tame stuff, like the aforementioned “Crypt of Vampyres.” In my twenties it got gruesome, but the older I grew I found I didn’t like all the nastiness that went with horror—dismemberment and all the evil deeds, not to mention I just don’t believe in an inherent evil or “the Devil”—but I believe in human-created evil and human-created devils.

So, a shift in my writing occurred.

Voice: What kind of shift?

F. P.: I’d changed the way I wrote. What and how I wrote.

It all started when I let my dad read one of my stories. I think it was “Attention Span.” About some multi-level marketing scheme that suckered people in, in some not-so-savory way involving a tentacled monster. Anyway, I’d come home from college, handed him one and he read it. Subdued, he asked why did I like writing about this stuff? Death, violence, dismemberment. All that. I really couldn’t answer him…but it got me thinking. My dad was an upstate New York Forest Ranger—no stranger to blood and death—he’d been out on many search-and-rescues for downed aircraft and whatever else needed to be pulled off wintry mountaintops at three in the morning. So his statement hit a mark in me. I later realized that what I really loved about writing the horror and supernatural was the surreal…the weirdness in it all. The atmosphere. The Twilight-Zonish aspects of weird/dark fiction. I also realized that when anyone writes something they have to so focus themselves on the content of their work that it becomes a mini obsession. You want to so get into the characters’ heads and motivations…you so want to make the writing transparent and have the readers become immersed that you need to write really, really well. I’m not just talking about the mechanics, I’m talking about the story. The atmosphere. Things like…rubbing your hand over a porch railing might very well have you become acquainted with a splinter. How would that feel and how would you handle/react to it? When you’re sitting in a fabric-covered chair in shorts—how would that feel? Would your skin stick to the seat as you got up, squirmed around in it? It’s the little things that give you the grand, gestalt experience—and the tricks of expressing all these micro and macro details so that it doesn’t look like you are. That your readers are actually in the world you’re sucking them into.

As Stephen King says, your writing should be transparent, but not your story.

So, apply all this to horror and things can get pretty nasty! I didn’t like focusing on things-evil and found other ways to write. That is not to say I don’t shy away from occasional and necessary scenes like in The Uninvited, where I do get graphic. I just didn’t want the entire focus of my life to be centered around evil and violence. So, I kinda found myself writing more of what is being called metaphysical—or visionary—fiction. Speculative fiction.

Voice: You do get a bit graphic in Voice, though not in a violent way….

F. P.: Yesss…but we’re keeping this G-rated, right?

Voice: We are!

F. P.: But, yes, I do get a bit graphic in Voice…with the sex. It was just where the story went. How it played itself out. It wasn’t intentional on my part, in fact, I actively tried to severely edit those scenes, but the story just wouldn’t allow that!

Voice: I can be rather forceful, can’t I?

F. P.: You can, indeed!

Those scenes are an important part of Ben and Kendra’s lives. Amanda’s. Their struggles. To have edited them out would have done them a gross injustice…the story an eviscerating injustice. If we are so “forgiving” of violence in fiction why can we not also be as “forgiving” of sex in fiction? Rhetorical, because sex (and violence) both sell, but, that was my thought process. I don’t write erotica, but I have learned there is plenty of graphic detail in today’s works. As the writer, I was trying to do right (pardon the pun) by the story…by Kendra and Ben. As the writer I had to go where the story took me and I had to go there unflinchingly, and that was hard for me in Voice, because I had to address the sex. Had I removed or toned down their struggles, the rest of the story would have been far less impacting (as my beta readers so rightfully put it)…if there would even be one at that point. My characters’ struggle is not just theirs…it’s ours—the readers’. I couldn’t shy away from that…couldn’t water it down. There are all kinds of what can be considered humiliating acts done in the dark…away from prying eyes. Acts that can embarrass the most outwardly “upstanding.” But, it wasn’t just about the sex…it was about the emotion…the angst…the intensity of what was unfolding…and for the rest of the story to work, we had to go through what my characters went through.

Voice: Wow…is it warm in here or is it just me?

F. P.: Oh, it’s you….

Voice: You wax metaphysical in Voice. What are your thoughts on metaphysical/visionary fiction?

F. P.: I haven’t read much in the past few years, but in what I have read, I think it’s great as a movement—but it still needs to come a long way. I think there’s a definite need for it out there, but my problem with it has always been that it’s too—what I used to joke around with my mom as—“daisy power.”

Voice: “Daisy power?”

F. P.: Yeah…too flaccid…weak and lacking in any real conflict, character development, and/or complexity of storytelling. From what I’ve seen—and, again, I’m not all that well-read, here, and it’s been a few years since I’ve read any, let me just say that up front—is that it usually seems to paint too rosy of pictures. “Preach to the converted” as my ex-stepfather used to say. Weak on developed and complex character or conflict. I’m not saying all metaphysical fiction is this way, but the few I’ve read seems to be. Even some really well-known work. There’s usually a good idea…but telling it has been the problem, developing it into a more realistic, complex story. There are exceptions, but when I last read a couple of books a few years back I didn’t see this being done. I won’t quote any of the works I’m using as examples, but there’s one that has a really neat premise, neat backdrop, but it’s too rushed and “pat.” There’s no real conflict, no character development! It’s one of those “So-and-so did this and that and went there…and—surprisingly!—this happened, and everything just fell into our laps because “like” and “intent” attract goodness and neat stuff and everything just happens effortlessly….”

Now, I’m not saying I do all this stuff perfectly myself, but what I am saying is that whether or not life is easy, or should be easy, it ain’t—for any of a number of reasons. And no one (do you, really, readers?) wants to read about things that “just happen” with no real conflict nor emotional skin-in-the-game? Show us there really is something to lose, at stake here. Emotionally invest us into the story and the characters. Use those reasons for why life seems so hard in the stories. Make them toughened and three- or four-dimensional. Show all the hardships and conflicts we all deal with every damned day. Job stress, conflicting thoughts and impulses, fear, the selfish acts we all occasionally perform that don’t make us selfish in and of ourselves. The places in life where we stumble, stub our toes. But show us learning from our mistakes. Make the goals hard to obtain and put some damned conflict in there! They want to see those struggles and they want to see them overcome. We all want to feel that we are not alone in our journey through life…that we’re all not all that different from one another. Even those who feel they are different from everyone else want their own groups that they can identify with, and therefore also want to feel wanted…and like others like themselves. The “daisy power” comes from the “peace” movements and other philosophies that preach to be flaccid and unaggressive and I ask what’s wrong with proper aggression? Not in bullying and criminal acts, but in going after what one wants? Going after The Good. Dreams. Isn’t that also aggression? Action, rather than inaction? Life is action. It’s not meant to be stagnant. We are not meant to sit around and just have things come to us without any effort on our part.

Voice: What do you do when you’re not writing?

F. P.: I have many and varied interests…and I used to do all kinds of gnarly activity in my younger days, but current life finds me having to significantly scale back on all those activities—most them now cut out entirely, which is okay. I had my fun doing them but am now focusing on different areas of life. Currently I work out at the gym, take in some light hiking/walking as weather and activities allow, travel, reading. Meditation (again, when I can get to it!). Trying to be more family oriented. And I love yard work, being outside—clearing brush, pruning trees…mowing the lawn! I really like mowing the lawn. If I lived out in the woods, like I did growing up, I’d be constantly walking through the forest (again, like I did growing up). I love exercising the imagination…thinking. I’m also trying to learn to stop…and watch paint dry. Take a break from everything—but it’s so hard! There’s so much still to do!

Voice: Where’d you grow up?

F. P.: I grew up in the heart of the Adirondack Mountains, in upstate New York. I had a great childhood! I lived in the hamlet of Lake Clear and went to school in the village of Saranac Lake. My dad had been in the Navy, so we lived between Whitefield, New Hampshire and Key West, Florida. Besides my mom being mainly a stay-at-home mom, she was also a writer, did some secretary work (it used to be so called), and also got into real estate administration.

Voice: Why did you feel you had such a great childhood?

F. P.: There was so much to do where I lived…swimming, walking through the woods, biking, stuff with my dad—and I loved it. It was—and still is—an absolutely beautiful area. When I look back on my childhood, I look back with great fondness. I really had a great time!

Where we finally settled down after my dad got out of the Navy and found a permanent job, we lived on wooded property directly across from a lake with a boathouse—all the locale stuff I described in Voice are for real, except the name of the lake and area. The novel’s hamlet of “Bedford Lake” I morphed from the Boy Scout Camp that exists up near Malone, NY, called Camp Bedford. We lived on a small “farm,” with three gardens (and, yes, rocks really did “grow” quite well there!), chickens, pigs, turkeys—a pony and rabbit for a spell. We always had dogs. As I mentioned, my dad was a Forest Ranger, so he knew all the neat spots to go see, and he occasionally took us canoeing, boating, cross-country skiing, hiking, and camping. He took me to work with him a couple times when I got older. In fact, I got my first paycheck (in the 70s) doing clean up work at the Panther Mountain forest fire that had just been put out—I sported an Indian tank (yes, that’s the name of them) and other fire-fighting tools, like a maddox, and dug around in the charred earth and under and around felled and burned-out trees making sure there were no more embers. I loved that! It truly was a wonderful life. We had our chores, obviously, being around all the animals and gardens, and had all the time in the world and all the beautiful northeast woods to play in! I love deciduous trees, love the sound of the leaves in the breeze. Love lakes. I just love the northeast. I love going back there every year. I also had great parents. My mom was into the esoteric stuff—at least she talked with me about it when I asked questions—and I learned about hard work, discipline, and responsibility from my dad. I remember…well, I, um, used to lie a little—

Voice: Oh, were you a naughty little boy?

F. P.: Well…”occasionally”…I used to do bad “little kid” things then tell my parents one of my brothers or sister did it—or the standard phrase: “I dunno….” My dad always kept telling me that I needed to learn to take responsibility for my actions. Well, one day it finally stuck. At that point, I also pretty much stopped breaking windows, climbing on roofs, and writing all over the outside of our house—

Voice: You wrote all over the outside of your house?

F. P.: It was in pencil, don’t worry. Yeaaah…I guess the writer in me just couldn’t be stilled—not even at that young age! At one point, I went around the outside of our house and drew and wrote a story on it! And don’t ask me about my kid-brain thought process—why do kids do anything? But the point is, I pretty much (in my mind) stopped doing the annoying shit that kept getting me spanked or sent to my room (yeah, like that was punishment? I read and wrote! Listened to music…).

Voice: What have you done since? What turns did your life take once you left home?

F. P.: While in high school I applied to several universities and was accepted into two. I went to Northern Arizona University, in Flagstaff, Arizona (the other university acceptance was in Tucson, Arizona). I majored in physics, with an emphasis in astronomy, and minored in German. When I graduated, I was one class shy of a double minor in philosophy. I keep kicking myself about that one, but I was taking so many courses I simply couldn’t fit in another. I had a great philosophy professor, Dr. William Nietmann (he published a book, The Unmaking of God, of which I have an autographed copy and really need to finish reading—thank you, again, Dr. Nietmann!). Having the double minor would have been nice for “closure,” considering the turns my life has since taken! And I really thank Dr. Nietmann for all he’s done—he was truly an outstanding professor and I do miss our in-and-out-of-class discussions!

I was also in Air Force ROTC, and after graduation, entered the Air Force and navigator training. Then some really weird things happened.

Voice: What kinds of things?

F. P.: Well, academically, I did well in navigator training. I had something like a 98 average, but when it came to mental math I wasn’t that great. I’m just not that good doing mental math. This lead to a lot of angst—like the old Clash song, should I stay or should I go—and I had two really weird, metaphysical experiences result.

Voice: Well, don’t wait for me to ask!

F. P.: While still on Mather AFB (where nav training was), I was driving to the mail room one fine day. I had collected my mail…gotten back into my car…when suddenly I felt like I wasn’t me any longer. It literally felt like another me had slipped into my body…like someone was trying to see what I was like—and I say this because when it came to driving, my limbs went all dumb and clumsy. Driving my car had suddenly and literally felt entirely alien to me! Think of it as, say, a person from ancient Egypt was suddenly in your body and soul while you were driving around…but you were aware of it all!  Shifting the car, though I obviously knew how to do it, was jerky—as was using the clutch, brake, and accelerator. Steering. I was curiously beside myself, you could say…watching how I was behaving. I got back to my quarters fine, but the rest of the day I felt slightly “off.”

And another strange instance at Mather occurred at night. I awoke in the middle of the night wide awake and lucid, and saw—I swear I saw this—two Vaudeville shadow characters dancing right alongside and past by my bed! With tuxes, top hats, and canes—then they just disappeared! Now, I know many would say that I was just still sleepyheaded or hypnogogic, but I swear I wasn’t. It doesn’t matter who believes me, I know what I saw and what I experienced—felt—and I felt an emanation of fun coming from these two! I felt that these two characters were trying to tell me that I needed to lighten up, enjoy life. Maybe “exit stage left” from what I was doing, where I was headed (curiously the door was to my left). Letting me know it was no big deal “punching out” of nav training. And this just gets better: when I awoke that morning…I found my officer quarters’ door to the outside parking lot wide open.

Gee, no message there, huh?

That door had been locked the night before. I took all this to mean that it was time for me to move on—not just in the literal sense of navigator training, but in terms of personal growth. I was still somewhat reserved in personality, but intense, and decided I also needed to change myself more into a person I wanted to be. Not afraid of trying new things, not afraid of putting myself out into the world, and also to become more outgoing and fun. Lighthearted. And I think I’ve done a fair job of that.

Voice: I would agree.

F. P.: When I went to my 10-year high school reunion everyone said I had changed the most. Became more outgoing and friendly. So I guess it worked!

Voice: Let’s back up a second—to this “other me” concept you spoke of. Do you believe in other you’s?

F. P.: I believe in simultaneous time and multiple personalities of a person. Time is a mechanism, a byproduct (I feel) of physical existence. Outside of our physical life, I feel there is no time. I also feel that we live more than just one life (“reincarnation”). I feel our souls are way too huge and multifaceted to be confined to a single existence; c’mon, it makes no sense. I think we all have so much to accomplish, to learn, and it would be far too limiting, too ludicrous, to believe that we only get one shot at existence. Our souls have way too much energy! Way too much complexity! So, when you put simultaneous time and multiple personalities together, you get other yous exist “out there” at the same time!

Voice: Have you experienced any of these other lives?

F. P.: I feel I have! Beside the Mather incident, when I was a kid, I awoke from an intense dream with a terrible pain in my [I believe it was] right side, and I remembered dream images of a Civil War battle. Of being bayoneted. Some 20 years later one of my brothers told me he had exactly the same dream. Then, in 1990, while living in Alexandria, Virginia, my then-girlfriend and I visited the Manassas Battlefield. I had the oddest sensation the entire time we were there…that I had one foot in the present and one in the past! Très Twilight Zoneish! I couldn’t shake it! It was nothing like I could name names and maneuvers from some previous-life memory, but I knew—I felt—like I’d been there before, which, of course I hadn’t in this life. My girlfriend thought I was nuts, but went along with me. And I’d been to other battlefields before and since, and not felt that level of weirdness: Gettysburg, Antietam, Ball’s Bluff….

Voice: Have you experienced any other past lives?

F. P.: I feel I was on the Titanic…that I drowned in it. Maybe was one of the third-class passengers stuck behind the gated corridors, in steerage. I feel I was also in WWII, in a B-17 Flying Fortress as a tail gunner and was shot out of the sky. I wrote my short story, “Tail Gunner” based on that experieince.

Voice: Interesting!

F. P.: And here’s another interesting story: years ago, my wife and I were walking our dog, Mac, and way up ahead I spotted this lone guy, walking by himself. I don’t know why, but I couldn’t keep my mind or eyes off him. He was way up ahead, walking slowly. Eventually we caught up with him, and as I turned to him, an adult guy I’ve never ever met before, I knew—knew beyond a shadow of a doubt—that this guy was my brother. I almost said something about all this to him, it was that intense.

Voice: How neat!

F. P.: We exchanged a polite “hello” and I ended up saying nothing “metaphysical” to him, and my wife, Mac, and I made it home. But to this day, I know that that man and I were brothers in another life…and that sometimes we have these little encounters just to say “hi” with our nonphysical selves. To play. To remember where we’ve been and are going. We do it for the fun of it!

Voice: Wow, such exciting metaphysical experiences! Thanks for sharing them! What’s next for you and your writing?

F. P.: Well, I have a couple ideas I’m toying around with, all involving the paranormal and metaphysical, of course. All more “literary” in writing, I hope. Mainstream. One is about a writer who helps people as they die, another about a haunted lake. I’d even like to publish a collection of short stories. Once I get this novel out the door, I can then properly focus on which work I want to tackle next….

Voice: Well, I certainly have enjoyed our time together—and thank you for finally allowing me this interview after so many years!

F. P.: You’re most welcome! Sorry it took so long.

Voice: And where may readers purchase Voice?

F. P.: It may be pre-ordered at Amazon.com for 99 cents before it’s release date of August 7th. There will be both an e-book and trade paperback.

Voice: Thanks, again, Frank!

F. P.: You, too—and—

Voice: Yes?

F. P.: It was also a pleasure “working” you…in my novel!

Voice: Oh, Frank….

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Filed Under: Leisure, Metaphysical, Reincarnation, To Be Human, Writing Tagged With: Amanda, Corrine, Erotica, Faux, Indie Publishing, Interviews, Kendra, Love Story, paranormal, Rebecca, Supernatural

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