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F. P. Dorchak

Speculative Fiction (New Weird) Author

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Mountain of Authors 2016!

April 18, 2016 by fpdorchak

Mountain of Authors 2016! Pikes Peak Library 21C, Colorado Springs, Colorado
Mountain of Authors 2016! Pikes Peak Library 21C, Colorado Springs, Colorado

I am, once again, attending the Pikes Peak Library District’s Mountain of Authors (MOA), at Library 21C (a just-a-couple-of-years-old beautiful new library) in Colorado Springs, Colorado! It will be held this Saturday, April 23, 11 a.m. MT – 5 p.m. MT. The keynote speaker is Anne Hillerman, the writer/journalist daughter of author Tony Hillerman.

I attended last year and had a blast, so I’m really looking forward to this year! Here is the schedule for this year:

  • 11 – 11:30 a.m. – Doors open!
  • 11:30 a.m. – 12:30 p.m. – Panel 1: It’s a Mystery!
  • 12:30 – 1 p.m. – Showcase Spotlight
  • 1 – 1:30 p.m. – Break
  • 1:30 – 2:30 p.m. – Panel 2: Tenth Anniversary Retrospective
  • 2:30 – 3 p.m. – Break
  • 3 – 4 p.m. – Keynote Speaker: Anne Hillerman
  • 4 – 5 p.m. – Reception and Book Signing

I will have copies of all my novels there, so, please drop on by and say “Hello!”

Related Article

  • Mountain of Authors 2015 (fpdorchak.wordpress.com)

 

Filed Under: Books, Fun, Short Story, Writing Tagged With: authors, Colorado, Colorado Springs, Libraries, MOA, Novels, Pikes Peak Library, PPLD, Readers, writing

Am I Having Too Much Fun?

March 28, 2016 by fpdorchak

Since November 2015, I’ve been going over all the short stories I’ve written (and have an accounting of). I’ve been posting them on my blog site, and currently have auto-posts every Friday out until August 19, 2016. And I still have a handful left that I think are “blog worthy.” Some are definitely blog worthy, but are too long (so I won’t post those, since I already have enough on my site that are already pushing the limits for “comfortable” blog reading; they’ll be in the short story collection I’m putting together, however). But I’ve been having so much fun doing this that I no longer have (or make) the time to post other non-short story-related posts!

So, I thought, I’d make some time!

My stories run the gamut…from my current “paranormal/metaphysical fiction” M.O., to fantasy, to back into the deep dark past of straight-on, unflinching horror-fiction writing. And one or two of them are downright vile. And one of these non-horror stories is so damned powerful to me that I can’t help but get emotional every time (and I mean every time…) I read it…but it’s too close to real life, and people and situations in it are too identifiable, so I can’t release it…but also have to admit that of the 21 pages, only four of them had been written in 1997 (and those four pages still got me emotional!); I’d written the other 17 a couple weeks ago…the story still that fresh in my mind of what I’d wanted to do. I feel it’s arguably the best short story I’ve ever written. I’ve written other shorts that are never going to see the light (or dark) of day for various reasons. In any event, they all show where my head was at and what I’d done. They all helped shaped me into the writer that I am today. And I think that’s cool.

I’m also glad that not everything I’ve ever written has been published!

And the “forgetting more than I ever knew” part? Yeah, I don’t remember having written a lot of these…but there it is, my header info with my contact information at the time, and dates. Yup, that’s me—

But a different me.

I can comfortably say that I am no longer the person who wrote those stories…yet that person is definitely still a part of me. And we’re both enjoying this! I think we’re both amused with the other. Fascinated. Well, I know I am!

So, if some of these stories piss you off, get you excited, make you think…than I have truly done my job. My big goal now…is to try to get you to cry….

In doing this I’ve really seen how much my writing has changed. It’s like when Steven Spielberg said that had he written Close Encounters of the Third Kind “now” he would not have written the Roy Neary character to go off with the aliens, because he did not have children when he wrote it. I’m finding that my huge interest in things like UFOs and aliens and monsters and the like is waning for more stories about the Human Condition. As gnarly and explicit as Voice is, that is one of my favorite stories because it speaks so much to aspects of the Human Condition. I mean, I’ve tried to do this with all my work to one degree or the other, but in Voice it’s so visceral. I think The Uninvited is also another “visceral” read. I’ve thought about this a lot over the years, but my migration away from straight horror (which can also be said to “speaking to the Human Condition”) was also largely motivated by this same feeling. I didn’t always admit it, but I have and always wanted to make people emote…to cry, rage, or just plan feel something other than the horror-related emotions of fear and, well, horror (not that there’s anything wrong with that…). I’ve always wanted to be that “literary writer” where I could dig a little deeper with words and emotional and conditional explorations while still telling a compelling story.

In short (pardon the pun), I’m finding I’ve grown more concerned with people rather than machinery, monstrous attacks, and conspiracies.

But, that doesn’t mean I won’t still write the occasional horror story…if the story grabs me enough! And nearly all of my work will have elements of the paranormal, the metaphysical, the supernatural. I just like writing about that kind of stuff.

And on this site, yes, I am cleaning them up some, but I am intentionally trying to keep them in as close a “form” as when I wrote them. When I compile the better ones into my book-form collection, I will be going over them with as fine-toothed a comb as possible…yet will keep them in the era in which they were created, i.e., I won’t update for cell phones and other currencies and the like. If written in the 1980s, the story itself will not be updated to 2017.

So.

I hope you don’t mind that I’m putting all this stuff out there! I know they’re not for everybody, but I think there’s something for everyone. These stories show the various shades of my ability (or lack thereof to any critics out there who feel Indies just aren’t good enough for traditional platforms…)…and the expansiveness of what I chose to write about. If this is what I am…there are certainly others out there just like me…or I’m just like them…

Because as different as we all are…we’re also very much the same.

And, damn it, I’m just having fun!

Related Articles

  • Returning to the Horror of it All (rmfw.org)
  • The Girl Who Chased Gargoyles (fpdorchak.wordpress.com)
  • Garden of the Gods (fpdorchak.wordpress.com)
  • Clowns (fpdorchak.wordpress.com)
  • Bone Poem (fpdorchak.wordpress.com)
  • Etched in Stone (fpdorchak.wordpress.com)
  • Entombed…Resurrection…Unbound…. (fpdorchak.wordpress.com)
  • Saint Vincent (fpdorchak.wordpress.com)
  • Brains (fpdorchak.wordpress.com)
  • The Ballad of fReD BeAn (fpdorchak.wordpress.com)
  • Spirit of Hope (fpdorchak.wordpress.com)
  • Fear (fpdorchak.wordpress.com)
  • Rainy Nights and Christmas Lights (fpdorchak.wordpress.com)
  • The Ice Gods (fpdorchak.wordpress.com)
  • Tick, Tick, Tick, Tock (fpdorchak.wordpress.com)
  • Dark Was The Hour (fpdorchak.wordpress.com)
  • The Coming of Light (fpdorchak.wordpress.com)
  • The World’s Greatest Writer (fpdorchak.wordpress.com)
  • The Death of Me (fpdorchak.wordpress.com)
  • Tail Gunner (fpdorchak.wordpress.com)
  • Do The Dead Dream? (fpdorchak.wordpress.com)
  • Short Stories (fpdorchak.wordpress.com)
  • Voice (amazon.com)
  • Psychic (amazon.com)
  • ERO (amazon.com)
  • The Uninvited (amazon.com)
  • Sleepwalkers (bookstore.authorhouse.com)

 

Filed Under: Fun, Leisure, Metaphysical, Reincarnation, Short Story, Space, Spooky, To Be Human, UFOs, Writing Tagged With: authors, Memories, Reliving the Past, Revisiting, Short Stories, writing

Publishing Monopoly?

February 2, 2016 by fpdorchak

Get The Right POV. (Image by By Taken by Shmuel Spiegelman using a Canon 10D [CC BY-SA 1.0, http://creativecommons.org/licenses/by-sa/1.0], via Wikimedia Commons)
Get The Right POV. (Image by By Taken by Shmuel Spiegelman using a Canon 10D [CC BY-SA 1.0, http://creativecommons.org/licenses/by-sa/1.0%5D, via Wikimedia Commons)
I’m not as “hooked” into the whole publishing angst like I used to be, and to be frank about it, I’m glad I’m not. I’m tired of the same old arguments…tired of the animosities…and how much of it what is being slung at Amazon seems to come from Traditional Publishing’s ilk (and I’m really not even all that “against” Traditional Publishing like I used to be).

It’s all about degree. Perspective. Point of view. Intent.

I’m just me…trying to make my own dent in the world of books and short stories. But I just read an article (once again) about the Evil Empire Amazon’s “monopoly” on the world of publishing. Good points were made to be sure.

But we seem to forget something here, or maybe I’m just too naive and not plugged in anymore, but we all railed on and on about TRADITIONAL PUBLISHING, too, remember that?

Yeah, how those “Gatekeepers” (we used to call them) were so Ivory Towered and incestuous and so looking for that Quick Buck that all this “crap” was getting published. Or the Same Old Thing. That “They” Talked-the-Talk-but-Didn’t-Walk-the-Walk.

Remember?

How they screwed over authors with crappy covers and even shittier terms.

Remember?

Well…comes along a New Gorilla and—whoa!—the guns are quickly swung over to them as the newly painted target.

Pourquoi?

Because they’re kicking the snot out of traditional publishing.

(my enemy’s enemy…)

And I’m not saying all their business practices are stellar—but neither is traditional publishing’s!

But, oh, how quickly we forget.

Sure, if Amazon’s doing something illegal, they need to be held accountable for it—just like Traditional Publishing should similarly be held accountable (and has been taken so to task). New York—you’re not exactly smelling like a rose bush, either. But I find it so fascinating how articles and the Loudest Shouters are making a new “fact”; how everyone’s dumping on Amazon—but they ARE selling books…oh, and yeah, like Traditional Publishing. But Amazon gives authors a little more for their blood, sweat, and tears and they seems far more innovative than the Traditional world. And even Amazon is adopting similar “traditional practices,” like not publishing everything they get and instituting their own “Gatekeepers.”

Big Businesses are big businesses. They’ll always be doing something illegal or not-quite-moral somewhere. It’s what those entities do and the people who run them do. They’re not authors, they’re not editors. They’re Money People. Period. Sometimes they get caught…especially when spotlights are swung their way. Then they lawyer-up and the best arguments win and they move on.

It’s a business expense.

So don’t blindly be dumping on Amazon while forgetting all that Traditional Publishing also hasn’t done for you.

Nobody’s perfect.

Media needs stories.

Conflict sells.

Related Articles

Amazon Monopoly

Amazon Sales Top $100 Billion

 

Filed Under: Short Story, Technology, To Be Human, Writing Tagged With: Amazon.com, authors, Books, Crying, Gatekeepers, Indie Publishing, Publishing, Short Stories, Sore Losers, Traditional Publishing, Whining, writing

What NOT To Do in Publishing

January 20, 2016 by fpdorchak

Oh, Grow Up. (image by Crimfants, http://flickr.com/photos/crimfants/327861820/ [CC BY-SA 2.0, http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons)
Oh, Grow Up. (image by Crimfants, http://flickr.com/photos/crimfants/327861820/ [CC BY-SA 2.0, http://creativecommons.org/licenses/by-sa/2.0)], via Wikimedia Commons)
Okay, so I’ve been seriously writing since I was six…and since 1987 as an actual business…and I’ve heard a lot of what to do to get published. Heard all kinds of advice. Which I’m going to share with you, now. Kinda.

Yes, I’m going to tell you what not to do to get published.

And it will look strangely like what to do to get published.

It will.

But don’t let that fool you, because everything I’m going to mention here I’ve tried and am doing…and none of it has led to publishing riches. So, in the interests of informing my readership, I feel it my writerly duty to burst everyone’s bubble and tell you all that writing advice? All those “helpful” “friends” of yours?

They’ve been lying to you.

Yes. Lying.

And why are they lying (or is that “laying”) to you?

Because they can.

Because they’re already successful and they have to provide sound bytes. Publish or perish. I mean, really, how stupid would they otherwise appear if you came to them and you asked for advice and this was their reply:

Unpublished Person (UP): “Hey, F. P.!”

F. P.: “Hey!”

UP: “Um, do you have any sage advice for an unpublished writer such as I?”

<awkward silence>

F. P. : “Ummm, no. I got nuthin’, sorry.”

UP: “Really?”

F. P. “Really. Got nuthin’, kid.”

UP: “Not a @#*!$& thing?”

F.P.: “I’m at a loss for words.”

UP: !@$&+!

So, yes, they’re lying/laying to you because they want you to buy their books (aka “products”). They want you…to look up to them…feel them to be knowledgeable and pithy. Mostly pithy. They want you to continue about your day quoting them…talking about them to your friends—and even, yea, verily, blogging and tweeting about them.

You think they’re being nice to you?

Lending you a helping hand?

It’s all about promotion, my friend.

And that brings up another thing—“friending.”

They’re not your friend, no matter how many “likes” you both exchange over the Interweb.

But none of them can tell you that.

You see, they’re all part of a Secret Society that meets for a certain amount of time during a certain time. And they are in cahoots with their publishers and agents.

And they talk.

About you.

Cause it’s all about YOU buying THEIR books.

And obfuscating the truth to other Wanna Be’s. Because, if you’re a WANNA BE you’re not a WRITER. And to be a writer you become a threat to them and their income. There’s just that much less they’ll make if you join them…and they limit who may join their ranks. For each who enters…one of them must die…or join the Postal Service.

So, just like fitness magazines that need to publish articles to fill their magazines (BTW the real secret to getting huge, ripped muscles? Working out like a monster and taking lotsa steroids; forget about diets—none of them work), writers give out platitudes.

Okay, so now that I’ve warmed you over, here are the platitudes they will all tell you with their saccharine smiles and faux-concerend tilted heads…and none of this is true, because I’ve done-or-am-doing all of these things and none of it has led to any definition of the term “Publishing Riches”:

  1. Write every day
  2. Attend critique groups
  3. Learn the craft
  4. Attend Writer’s Conferences
  5. Network with other writers and publishing professionals
  6. Give stuff away for free
  7. Blog
  8. Tweet
  9. Go Indie
  10. Publish your short stories for free every week
  11. Allow pirating of your work because it’s all about promotion and you WILL GAIN other readers who WILL SPREAD the word about your work
  12. Do book signings
  13. Get an agent

There are many more things-to-NOT-do to get richly published, but I think 13 is an appropriate place to stop. 13 loops in a noose, 13 at the Last Supper, Friday the 13th (the ones with “Jason” in it). And now 13 things to NOT do to get published.

Don’t listen to anyone who throws “advice” your way on your quest for publishing riches. Nothing you do will get you richly published. Not even going Indie. It doesn’t matter if you ever learn your craft or start blogging three years in advance of your publishing goal. It matters not if your words sing…or sink. It’s all a conspiracy perpetuated at the highest levels of government—I mean publishing—and is completely out of your hands and there’s nothing you can do about it. It’s all in the hands of the publishers. Or in the annoying fact that there are only twelve Friday the 13th movies.

12?

Really?

So, the Hell-bent-determined-of-you might well force…”C’mon, maaaan…is there any true, sage advice you can offer one-who-wants-to-get-handsomely-richly-published? You been around. You got great reviews. You know people.

“You’re.

“Published.”

Yes, by my own hand (like some other things…). Not another’s. I fell into the same trap as many of you, but I am breaking out and exposing the conspiracy and its conspirators for what they are—

Writers.

The rest of us are Wanna Be’s.

I, like many of you, followed their advice, but have seen it doesn’t matter. It doesn’t matter a flying fig if the writing is stellar or trash…you know your nominative case from a hole in the ground…or you “have” an agent…I’m telling you there is no spoon.

Advice?

Sorry. I got nuthin.

Related articles

  • Tail Gunner and Other Short Stories (fpdorchak.wordpress.com)
  • Run—Don’t Walk—To Read This… (business.time.com)
  • Beware of Blurbs (salon.com)
  • What Does It Take To Release A[n Indie] Book? (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 4 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 5 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 6 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 7 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 8 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 9 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 10 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 11 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 12 (fpdorchak.wordpress.com)

Filed Under: Comedy, To Be Human, Writing Tagged With: Advice, authors, Big Baby, Call Your Mommy, Do Something Else, Get A Life, Laying, Lying, Networking, Publishing, Screwed, Shmucks, Spoons, There Is No God, writing

The 3 Types of Editorial Corrections You Need To Know!

January 13, 2016 by fpdorchak

You Are A Writing Ninja! (image byGrywnn [CC BY-SA 4.0, http://creativecommons.org/licenses/by-sa/4.0], via Wikimedia Commons)
You Are A Writing Ninja! (image byGrywnn [CC BY-SA 4.0, http://creativecommons.org/licenses/by-sa/4.0%5D, via Wikimedia Commons)
As I writer there are 7 things I need to know that will get me published.

There are also 13 things I need to know about publishing that will make me more successful than any other writer who reads about them.

4.5 steps that will forever banish writer’s block!

There are all these things…steps…that if I do them, the clouds will part and rays of blindingly glorious Heavenly Light will rain down upon me and I will be The Most Special Person in All of Publishing History.

All I have to do is follow them.

Right.

Well, in an effort to join the quantifiable fray of “enumerated success,” let me tell you all about the epiphany I’ve discovered that will lead to your success in the editing process. Because “knowledge is power” (and in three short weeks I’ll list 17 ways that knowledge IS power!).

With these 3 editorial techniques…you will become…A Writing Ninja.

The 3 Types of Editorial Corrections You Need To Know!

In editing there are three types of corrections every writer needs to be aware of. Sure there are other types of editorial corrections, and in a future post I’ll show you why, in 22 steps that can also make you godlike in your efforts. But for now making up 22 steps is too much, I’m not gonna do it…but three is easy.

So, if you want to be The World’s Greatest Writer, you need to master these 3 editorial corrections:

The Bad Dog

The “Bad Dog” is the correction you make by inserting new text into your original text in an effort to make things better. But as you work it, you find well, you’re not as good as you thought you were, and return to what you originally had, thereby proving, wait-a-minute—yes, YES!—I really am better than I thought I was! and keep what you’d already had. But what’s key, here, is that you did not delete the original text you meant to correct. All your original words are still there. So you simply “back over” all the newly inserted text, returning everything to the way it was.

“The Bad Dog” gets it terminology because when you scold a dog, the dog will usually come back to you, ears and body lowered in an attempt to “cute” its way back into your good graces. Here, in your editing process, you’ve essentially “cuted” yourself back into your own good graces in that you’ve proven to yourself that you knew what to do the first time around and should have realized you couldn’t improve upon your own work or words, because they were perfect to begin with. Bad dog, you!

But…in the style of Plighter’s Digest…and in the interests of blatant, “shameless self-promotion” (as we like to say in the writing biz) to further “drive home” the point that smart people already got three paragraphs ago, here is an example…using an overly huge example of my own writing, taken from my imminently successful short story, “The World’s Greatest Writer”:

“Then how do you know he’s such a great writer?” pressed the young one, who held the older writer’s gaze firmly, her manuscript cradled loosely in her arms between them. The young one had not meant to pin the learned author to the wall, but was merely genuinely curious. “How can you say so much about him, when you haven’t ever read his work—or met him?” She furrowed her brow, patiently awaiting an esoteric, scholarly, response.

“I know it’s hard to believe, my dear, but it’s his reputation, you see. Did you know he doesn’t even use a computer? He uses a mechanical typewriter! The gentleman is simply… extraordinary. Exceptional. Have you ever personally met God? The Pope? No…you know of each through faith, through reputation. But that’s what this banquet is all about, my dear young one! He’s coming out, as it were! Don’t let your youth and impetuousness get the best of you! You are yet young—learn! Tonight, here, it is said that he will debut the opening pages to his Great American Novel! I mean, can you fathom this opportunity before you? The miraculous, metaphysical encounter we are all about to be granted? We are going to be the first to experience his words, his energy, his soul. His raw, unfiltered emotional fervor before they are all unleashed upon our common, illiterate, public—we…we are the privileged few. Savor this moment, my dear writer, for you clearly do not comprehend the enormity of greatness upon which you are about to witness. Mark my words: this…will never happen again. In any life time. My God, how I wish I were in your shoes, a lifetime ago, to start over my profession at a much higher place, indeed!”

So, if I were to correct a sentence, say: “He’s coming out, as it were!” and wanted to change it (note I didn’t say “correct” it, because, as we all know, my words are Golden so attempting to change anything is a meaningless and wasted effort…but since I am promoting myself, I have to give an example…), then back it out, this is what is would look like:

He’s coming out, as it were! ==> He’s making an appearance coming out, as it were! ==> He’s making an appearance coming out, as it were!  ==> He’s coming out, as it were!

The Revenant

The second editorial correction is a blatant effort to piggy back onto a successful movie by incorporating it into my blog post in the hopes (fingers crossed!!!) that all who search on The Revenant will find my blog post, follow it, then buy all my books. Boom. I’m (again) #TheWorldsGreatestWriter.

The Revenant is when you make a correction to a part of your (excuse me…I can’t stop laughing…because we all know my—I mean YOUR—Words are Golden…so no corrections are ever, really necessary…) text, realize the folly of your ways (and that you haven’t yet had enough caffeine to clearly realize this…)…then pull of a zippy “Ctrl-Z.”

Boom.

That just happened.

Your original words are back.

But though they are your original words…they’re not really the original words, because you erased them.

Killed them.

They are (like Star Trek’s transporter-beamed people) re-created facsimiles of the original.

They are…resurrected facsimiles of the words you killed.

But…you did the next best thing and brought them back.

The Revenant.

If you still don’t get it, here’s another swollen, self-serving example taken from my short, “The World’s Greatest Writer”:

“Yet he remained ever gracious as he shook hands and took a genuine interest in all whom he greeted—asking how their children and relatives were doing, did they have jobs, and if not, please, do give him a call, and he’d see what he could do about it, and would they promise him that they would get enough sleep before going back to work on the morrow?

“Then one, without warning, wildfire-swift whisper erupted throughout the banquet:

Where was the manuscript?!

“Had he come without his words?!

“Were they all to be so-callously jilted?

“Teased so hotly, only to be summarily slapped without so much as a kiss or a hug? Good God, what had happened? Was it…Writer’s Block?

“The crowd again held its collective breath.

“He somberly approached the podium, his smile evaporated.

“Removing a handkerchief, Mssr. Authier paused, wiped tears from his eyes, then grasped both sides of the podium, stained hanky still clutched in one of his trembling hands. He voice wavered and cracked as he addressed the audience in his wonderfully accented, melodic French-Canadian dialect.”

So, lifting from the above, here’s what The Revenant wold look like:

Where was the manuscript?! ==> Where was the burrito?! ==> Where was the manuscript?!

The Revenant is also known as “The Ctrl-Z.”

Going Rogue

The third and final editorial correction is a jump into the uncharted waters of Your Greatness. It is, simply stated, adding more words to your Already Golden Pulitzer Prize Winning Creation.

Again, to cite still yet another utterly self-serving example from “The World’s Greatest Writer”:

“And with that, Mssr. Authier III launched into the most heartrending speech anyone in that room (or their progeny) had ever, or would ever, participate in. For two-and-one-half hours Mssr. Authier held the room in rapt captivation. Random House, foreseeing this, had trucked in boxes of Kleenex (TM)-brand tissues—unfortunately for Mssr. Authier’s attendees (and further adding to their emotional turmoil) his likeness was on the sides of each box, promoting his yet-to-be-written novel. People gave up their writing careers following his speech, devoting their lives to the Peace Corps or Green Peace. Half of the counselors working the banquet took early retirement (including those wearing the most-advanced-technology ear protection devices; though they couldn’t hear a single utterance, they didn’t have to…each felt and experienced the emotion that had taken complete hold of that audience that magical evening), and entered therapy themselves. Those with outstanding traffic warrants turned themselves in the next day and insisted upon a minimum of one year of community service for evading the law in paying those fines. So overcome with exhaustion was Mssr. Authier himself at the conclusion of addressing his audience that he had to be assisted from the stage and escorted directly to his awaiting motorcade, where a saline IV drip awaited. Mssr. Authier was submitted for the Nobel and Pulitzer prizes for his oration.”

To employ Going Rogue, the above changes to:

“And with that, Mssr. Authier III launched into the most heartrending speech anyone in that room (or their progeny) had ever, or would ever, participate in. For two-and-one-half hours Mssr. Authier held the room in rapt captivation. Random House, foreseeing this, had trucked in boxes of Kleenex (TM)-brand tissues—unfortunately for Mssr. Authier’s attendees (and further adding to their emotional turmoil) his likeness was on the sides of each box, promoting his yet-to-be-written novel. People gave up their writing careers following his speech, devoting their lives to the Peace Corps or Green Peace. Half of the counselors working the banquet took early retirement (including those wearing the most-advanced-technology ear protection devices; though they couldn’t hear a single utterance, they didn’t have to…each felt and experienced the emotion that had taken complete hold of that audience that magical evening), and entered therapy themselves. Those with outstanding traffic warrants turned themselves in the next day and insisted upon a minimum of one year of community service for evading the law in paying those fines. So overcome with exhaustion was Mssr. Authier himself at the conclusion of addressing his audience that he had to be assisted from the stage and escorted directly to his awaiting motorcade, where a saline IV drip awaited. Mssr. Authier was submitted for the Nobel and Pulitzer prizes for his oration. OMG.”

Did you catch that? What was added?

“OMG” was added at the very end. That is “Going Rogue.”

A stroke of genius, if I do say so myself.

Be Brave!

So, in conclusion, the 3 types of editorial corrections are:

  1. The Bad Dog
  2. The Revenant
  3. Going Rogue

Now that you know this heavily guarded editorial “secret,” you, too, can reap the benefits of “professional expertise” in your own writing…and (hopefully) rush out and buy all my books—even those I haven’t yet written.

If you have not grasped all that I’ve written, catch my next piece, which will be “The 11.6 Ways You Can Better Understand What Others Are [Trying To] Tell[ing] You.”

My work here is done.

***********************

F. P. Dorchak is an award-winning author in his own mind and the bestselling author of nothing. But he talks a good game and is quite full of himself. His latest books are full of the above editorial corrections, which shows he actually knows very little about the craft of writing, but this gig is sure to correct that in a “Going Rogue” kinda way. Go buy his stuff. Now.

Related Articles

(Mr. Dorchak would like you to think that his work is so ubiquitous that it would be utter folly to even attempt to list them, here.)

Filed Under: Comedy, Fun, Writing Tagged With: authors, Bad Dog, Editing, Editorial Corrections, Editors, Going Rogue, Publishing, Readers, The Revenant, Writers Digest, writing

The World's Greatest Writer

December 11, 2015 by fpdorchak

In One Page. By Infrogmation at English Wikipedia on en his/her summary,
In One Page. By Infrogmation (English Wikipedia on en his/her summary, “typewriter keyboard, from nl wikipedia”; http://www.pdimages.com/X0022.html-ssi, [Public domain], via Wikimedia Commons)
Enclosed is the really fake true story of the world’s greatest writer. You can’t get this story anywhere else—only from my scoop, and I’m willing to talk.

Wow, such hubris had I back in 2002 (I was actually trying to be funny, since this is the only intentionally funny story I’ve ever written)! I’d sent this to The New Yorker October 13, 2009, and the above was my opening line. I committed some other heinous atrocities in that cover letter I’ll not reveal, but, yeah, I’m sure I pissed of the editor and had my name put into some file of “Never accept anything from this person ever again. EVER.” Sigh. But I was trying to be “in form” for the submitted story. Probably explains why every other thing I’ve sent them fell flat. BTW, there are some definite publishing jibes in here that might also fall flat on those not in-the-know….

This story was originally published in Black Sheep #62, December-January 2005.

The World’s Greatest Writer

© F. P. Dorchak, 2002

 

“Well, have you ever actually met him?” the doe-eyed initiate asked.

“Uh, nooo, not actually,” the immaculately dressed author-in-white responded, “I’ve been told he’s rather a bit of a hermit, you might say.” The author-in-white nervously fingered his cane and white hat meticulously posed before him.

The young writer nodded thoughtfully, then added, “Okay. So, then, have you ever actually read any of his work?”

At this, the writer-in-white’s ego further deflated, upon which he grew visibly agitated. “Um, no, my dear, I haven’t yet had the opportunity. No one has—”

“Then how do you know he’s such a great writer?” pressed the young one, who held the older writer’s gaze firmly, her manuscript cradled loosely in her arms between them. The young one had not meant to pin the learned author to the wall, but was merely genuinely curious. “How can you say so much about him, when you haven’t ever read his work—or met him?” She furrowed her brow, patiently awaiting an esoteric, scholarly, response.

“I know it’s hard to believe, my dear, but it’s his reputation, you see. Did you know he doesn’t even use a computer? He uses a mechanical typewriter! The gentleman is simply… extraordinary. Exceptional. Have you ever personally met God? The Pope? No…you know of each through faith, through reputation. But that’s what this banquet is all about, my dear young one! He’s coming out, as it were! Don’t let your youth and impetuousness get the best of you! You are yet young—learn! Tonight, here, it is said that he will debut the opening pages to his Great American Novel! I mean, can you fathom this opportunity before you? The miraculous, metaphysical encounter we are all about to be granted? We are going to be the first to experience his words, his energy, his soul. His raw, unfiltered emotional fervor before they are all unleashed upon our common, illiterate, public—we…we are the privileged few. Savor this moment, my dear writer, for you clearly do not comprehend the enormity of greatness upon which you are about to witness. Mark my words: this…will never happen again. In any life time. My God, how I wish I were in your shoes, a lifetime ago, to start over my profession at a much higher place, indeed!”

And with that, the writer-in-white spun away on his heels from the neophyte in search of others with which to intelligently converse. The neophyte watched as the author-in-white discretely dabbed his eyes with a dainty white handkerchief, then quickly spirited it away, back into an inside lapel compartment.

Hugging her manuscript tightly into her chest, the young writer slouched off into a corner to ponder the learned man’s words, when another group of writers, editors, or agents made their way toward her no-longer-empty corner, though not inviting her into their conversation. After all, they did not know her and were too far along in their awe and adoration of I.M.N. Authier III, the unmatched, unparalleled, unequaled literary (and spiritual) prodigy to humanity who had emerged out of nowhere.

Well, Canada, to be precise.

Our young, impressionable writer overheard the entire story, as one of the group informed their newcomer on the miraculousness of what the author-in-white had just tried to impart upon her. This time, she heard…the rest…of the story:

There was not one person who could claim to have actually read a piece of Mssr. Authier’s work. Not even his agent. Mssr. Authier’s agent’s claim to fame was the divine opportunity of which she had been a part: the reception of his skillfully executed proposal package. So masterfully woven was it—and in less than one page—on the whitest and most defect-free twenty-pound paper with the cleanest, crispest TNR type that she immediately fell upon herself in a fit of hot, emotional blithering…which had so cleansed her being that her feline allergies had been summarily obliterated. Immediately, she’d called her estranged mother and apologized for everything cruel she’d ever done, or would ever do, including anything in all her future (or past) lives. Once she read her mother the letter, her mother likewise returned the compliment. The agent then immediately withdrew a sizeable portion of her investments and donated it to Readers Without Books and her top-two choices of battered parents’ shelters. Instead of staying home and reading through the rest of her slush pile, she flew out into the night to the nearest homeless shelter and spent the rest of the night assisting those who begged money for a living.

This, off the power of the esteemed Mssr. Authier III’s epiphianic proposal package (and on one page, no less!). Well, after she called Random House and read his poignant, moving letter to the company’s CEO, the CEO himself called Mssr. Authier, and offered him on the spot. He’d been very convincing. The CEO informed the esteemed Mssr. Authier III in no uncertain terms that if he didn’t take his offer, he was going to resign and take a bullet to the brain that very night. That it was his and his work alone that would make or break Random House—nay the entire publishing industry, sir!—and that it was his moral and spiritual imperative to not let Publishing fall.

Reluctantly, Mssr. Authier accepted.

Random House immediately put into motion a hundred-million-copy print run, foreign, movie, and audio book rights, and an emotionally blistering promotional campaign that rivaled D-Day’s 1944 invasion. Random House also sold a television series and coloring books for adults and children (grades one through four), to be included in the curriculum of all U.S. public schools. Europe was next.

Spielberg was awoken twenty-five minutes later and sealed an undisclosed multi-million dollar deal via The UPS Store’s faxes, securing Mssr. Authier’s signature. The exact fax machine used by Mssr. Authier had since been removed from service and bronzed.

Amazon.com took 110.3 million advance orders.

Mssr. Authier’s agent offered him her hand in marriage.

Dr. Phil asked Mssr. Authier for his advice on a secret, deeply personal matter that had been troubling him for years.

Phil Donahue disclosed a comeback to do one, really final this time, show with Mssr. Authier as the only guest.

Metallica penned a ballad in his honor.

So, as this new group of writers continued to chatter on about Mssr. Authier’s proposed deification, the neophyte found herself so emotionally overwhelmed, especially when certain lines from his proposal letter were refrained (now immortalized by the world and passed around like a veritable Internet Trojan and blowing up YouTube) that she found her soul uncontrollably expanding toward supernova detonation. And when she heard the title of Mssr. Authier’s proposed novel, she positively lost it and ran balling for the lady’s room, where she pulled out her meager manuscript and stared at it in weary, disillusioned judgment.

WWJD?

WWXD?

She grabbed her manuscript in both hands, her heart heavy with all the wasted time and effort she’d poured into this piece of no-name tripe, and viciously and maliciously began rending it into tiny, jagged, tear-stained shreds, amid spastic grunts and shrieks of soulless despair, tossed it into a pile in the middle of the lady’s-room floor, setting it afire.

The young neophyte then, amid the billowing smoke, floating ashes, and now-activated sprinklers of her snuffed manuscript, pulled out a pair of scissors and the razor she always carried, because she was, by trade, a hairstylist, and immediately set about shaving her head and carving Mssr. Authier’s initials into her scalp.

 

As the clock ticked closer to Mssr. Authier’s scheduled appearance, the entire Radio City Music Hall buzzed over his other ideas for other books. How could he possibly have created a series out of this concept, they asked? Surely his first book would drain everything a reader had to offer? Could a person emotionally survive the first book? Could the editor? Surely Random House would bring in a team of editors, in relay fashion, to take over when the previous ones simply could go no further. Counselors would also have to be brought in, so the buzz went, with fat severance packages to take care of these forever-spent editors who would be of no use to anyone else or themselves, ever again. Yes, Random House would have to take care of them, indeed, it would be their moral obligation to do so, in bringing this genius to the world, and many in this room were willing to so give up their lives to be on that editorial task force, emotional sanity be damned! Every lawyer in the country began to point out that Random House would also be liable to the public for their emotional sanity, as well, once the book hit the shelves, so a non-profit foundation had also been set up.

And what of the cover artist? The jacket copy writer? Marketing and promotion? Accounting? Was Spielberg even up to task? There was talk from his camp that after just storyboarding the film this would be his last project. Anything after this one would be parochially anti-climactic. Useless. With this film, he would have said everything he could ever possibly have to say in this lifetime or any other.

(Unfortunately, Mssr. Spielberg had to decline invitation to the banquet, because he had been so passionately ravaged from production efforts that he had to abruptly seek psychological counseling. Mssr. Authier sent his well wishes.)

Random House, taking the lead, had strategically pre-positioned counselors throughout the convention center, counselors who had, however reluctantly, because they understood the need to do so, shield themselves from Mssr. Authier’s words with the most advanced ear-protection technology available. Nothing was left to chance!

Then it happened, and for just a moment the entirety of Radio City Music Hall fell quiet, as if each person collectively inhaled for the first time since their arrival. The words

“He’s here!”

shot from a watcher posted at the entrance and immediately three women collapsed and five men spilled martinis about themselves.

In no time, Mssr. I.M.N. Authier III’s motorcade pulled up before the convention center and security flooded the gathering. When Mssr. Authier III finally graced the gathering, (amid floods of marriage proposals from both genders) it was as if God Him/Her/Itself had descended from Heaven. Mssr. Authier, dressed in a comfortable tweed sports jacket, with tastefully adorned elbow patches (no self-respecting author would be caught dead in anything else) and sporting his rimless glasses and a calm, soothing smile arrived and was the epitome of graciousness—but was also quite embarrassed. Not only had he no idea his name had already been submitted for both saint- and knighthood, but he also had no idea at the scale of what he’d spun into motion with the delivery of his (one-page!) proposal.

Yet he remained ever gracious as he shook hands and took a genuine interest in all whom he greeted—asking how their children and relatives were doing, did they have jobs, and if not, please, do give him a call, and he’d see what he could do about it, and would they promise him that they would get enough sleep before going back to work on the morrow?

Then one, without warning, wildfire-swift whisper erupted throughout the banquet:

Where was the manuscript?!

Had he come without his words?!

Were they all to be so-callously jilted?

Teased so hotly, only to be summarily slapped without so much as a kiss or a hug? Good God, what had happened? Was it…Writer’s Block?

The crowd again held its collective breath.

He somberly approached the podium, his smile evaporated.

Removing a handkerchief, Mssr. Authier paused, wiped tears from his eyes, then grasped both sides of the podium, stained hanky still clutched in one of his trembling hands. He voice wavered and cracked as he addressed the audience in his wonderfully accented, melodic French-Canadian dialect.

“Ladies and gentlemen…friends. I tried…to keep from…how you say?—breaking down—before all of you, here, tonight, but find…at the last, possible moment…that, mon Dieu!, I am unable to keep from doing so!”

Here he paused, again wiping tears from his hot, swollen face.

“My friends! Let me share with you what had happened to me last night as I flew into Kennedy aéroport….”

And with that, Mssr. Authier III launched into the most heartrending speech anyone in that room (or their progeny) had ever, or would ever, participate in. For two-and-one-half hours Mssr. Authier held the room in rapt captivation. Random House, foreseeing this, had trucked in boxes of Kleenex (TM)-brand tissues—unfortunately for Mssr. Authier’s attendees (and further adding to their emotional turmoil) his likeness was on the sides of each box, promoting his yet-to-be-written novel. People gave up their writing careers following his speech, devoting their lives to the Peace Corps or Green Peace. Half of the counselors working the banquet took early retirement (including those wearing the most-advanced-technology ear protection devices; though they couldn’t hear a single utterance, they didn’t have to…each felt and experienced the emotion that had taken complete hold of that audience that magical evening), and entered therapy themselves. Those with outstanding traffic warrants turned themselves in the next day and insisted upon a minimum of one year of community service for evading the law in paying those fines. So overcome with exhaustion was Mssr. Authier himself at the conclusion of addressing his audience that he had to be assisted from the stage and escorted directly to his awaiting motorcade, where a saline IV drip awaited. Mssr. Authier was submitted for the Nobel and Pulitzer prizes for his oration.

Mssr. Authier later reluctantly agreed to a special interview with Barbara Walters, whom he also brought to tears (at one point they all, including the 20/20 staff and operators behind the camera, were all blubbering unabashedly together on national TV, and it was the first time an entire five minutes of weeping was nationally televised without commercial interruption), where the following was made public:

Mssr. Authier had made the decision, since sending out his (one-page!) query and making his convention center debut that he would not write the proposed book in question. As an aside, Barbara (and she apologized in advance for having to bring this to his attention this way) informed Mssr. Authier that his agent, having been scorned by his lack of amorous advances gave up agenting and had left for India to devote her life to the poor and destitute, vowing a life of celibacy. Following another crying spat, Mssr. Authier used this as an example and was further quoted as saying that after having witnessed the effects of his words upon the world he had no choice.

The only moral and ethical thing to do was to not pen the novel.

The world was simply not ready for it. He was not ready for it.

The world (he cited tearfully) could not handle his words and he could not handle the world, after having seen the impact his letter and presence has had.

Barbara begged him to reconsider. Literally begged. But, no matter how heartrending, how needed, how emotionally brutal and true his proposed book he maintained he could not in all good conscience do it. It wouldn’t be fair to humanity.

Mssr. Authier also decided to return all his advance monies that he’d kept untouched (in a separate numbered account) despite Random House’s vehement objections. He deserved every penny, Random House countered (with several of their A-list authors also having offered up their own advances and royalties so Random House could make the author advance). Mssr. Authier said thank you, and donated all that had been given him to world hunger organizations.

And, finally, Mssr. Authier vowed to never, ever, propose to pen another book…ever again.

At this point Barbara lost all composure and decorum and pleaded with him to reconsider, as did her producers and a camera people.

But he held firm and declined, laying a hand to her shoulder.

Following the interview, Mssr. Authier quickly disappeared into seclusion, never to be heard from again.

Spielberg’s film adaptation of his proposed novel that had never been written created box-office records that, to this day, have never been broken. Spielberg, as promised (and recovering nicely in extended therapy), quietly retired…donating all proceeds from the film to the International Red Cross.

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Filed Under: Comedy, Fun, Leisure, Short Story, To Be Human, Writing Tagged With: authors, New York City, Publishing, Short Stories, The New Yorker, Tom Wolfe, Twilight Zone, writing

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