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Speculative Fiction (New Weird) Author

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self publishing

MileHiCon 46…or This Blog is Really All About Aaron Michael Ritchey

November 2, 2014 by fpdorchak

MileHiCon46 Tardis, October 24- 26, 2014
MileHiCon46 Tardis, October 24- 26, 2014

I love MileHiCon!

MileHiCon started at “OctoCon,” November 15, 1969, changing its name to its present incarnation in 1972. But it has become the primo Colorado science fiction (SF), fantasy (F), and horror (H) convention of the state. Well, okay, there’s also a COSine, in Colorado Springs, Colorado, which is also SF/F.

My first experience with MileHiCon started several years ago, when I’d actually gotten a billet to be on a self-publishing panel…but had gotten sick and had to bow out. I then declined over the next several years because of work travel during the month of October, etc., but since last year (a great “Time of Change” for me with a new job and new novels being released), I decided time to put myself back out there.

I was assigned to three panels that also included an “Autograph Alley”:

  1. Friday, 6 p.m., Self-Pub Part 1
  2. Friday, 7 p.m., Self-Pub Part 2
  3. Friday, 8 p.m., Autograph Alley
  4. Saturday, 3 p.m., Threat From Above
  5. Sunday, 11 a.m., What If: Alternate Worlds/Readings

It has been a few years since I’d been on any panels, and I kinda forgot how freakin’ fun they are! You can prepare as much as you want, but I love the questions, the interaction from not only the fellow panel members, but the audience! You just never know where a line of questioning will take you!

And where else can you seriously discuss such topics as (as one audience member put it, and pardon me if I butcher the actual question—I’m not known for my memory): “What would be the differences between aliens [the extraterrestrial kind, here] taking over our government and subjugating us from how our own government is currently doing that?“, and have everyone not roll their eyes and leave the room! This was from the “Threat From Above” panel. I am not a fan of the whole ETs coming to Earth to kill/eat us storyline, but it was fun being part of the whole “fantastic” conversation.

I severely enjoyed everything I was a part of—all my panels, taking in the whole Con thing, and even having my own “Frank Fan Club” (aka “FFC”) come up to see me (they know all-to-well who they are…)! Thanks for attending my Self-Pub panels and for your support, and for buying me free iced tea and water! You’re the best.

Friday, October 24th

I arrived Friday afternoon, after dropping off my consignment books at the Colfax Tattered Cover Books Store (yes, I actually have my books in a bookstore! So, Denver area people, feel free to check out actual copies of Psychic, ERO, and The Uninvited at any Tattered Cover location!). I also sent bookmarks (just this past Friday, actually), so they should get out whenever the staff can get to them. Anyway, it was hot for October–85 degrees! I mention this because my 9th floor room’s (with a [great] view!) a/c was not working. I later got maintenance to work it, but even then, it wasn’t a major cold air flowing forth like an Arctic blast out of Canada. It was a light flow of air, even with the high fan. Again, I mention this because I was hot the rest of the day and night. And not the good kind of  “hot,” either…but “hot” as in I never really cooled off the entire rest of the day or night, my face flushed and warm, heat rash (and I don’t get heat rashes…), that kinda “hot.”

But enough about how hot I was.

Room With A View.
Room With A View.

Okay, I got settled in, ate, and scoped out the evening’s itinerary. My first panel was at 6 p.m., a Self-Publishing panel that actually spanned two sessions, with another at 7. I then was to be part of an en masse autograph session, called “Autograph Alley,” up on the second-floor Atrium. I straightened out a few details about how to peddle my books and bided my time checking the hotel and MileHiCon’s setup, then…

Six o’clock!

The Self-Publishing panel’s room was full! I hadn’t spoken before a crowd like this in a few years, and I was really looking forward to it! My fellow panel members and I had quite the lively discussion of Indie publishing, why we all did it, and how dissatisfied everyone was with the world of traditional publishing. Though I’ve been writing since I’d been six years old, and released my first novel, Sleepwalkers, back in 2001, I was the relative newcomer to the whole Indie thing, since I didn’t jump full-bore into this until last year. Everyone else had been doing this for some time. The reasons for dissatisfaction are nothing new. While most of the panel members seemed to keep a close eye on their sales records, I’m one of those writers who puts out a book and immediately goes to the next one. I try to promote and market as much as I can, but I don’t obsess over my rankings, don’t even track em. I have more than a full-time day job and don’t like sitting down for 25 hours a day. I’m more Zen about all this. I figure my work will find it’s audience.

Good questions were asked by the audience, and about half way through the session, my FFC showed, there, standing in the rear of the room like stalkers. Well, stalkers with smiles. And good intent. They attended the second session, and sidled up near the front. Hiding behind a row of others. But I saw them. Kept an eye on them. Even have pictures. Restraining orders.

Aaron Michael Ritchey, MileHiCon46, Autograph Alley, Oct 24, 2014.
Aaron Michael Ritchey, MileHiCon46, Autograph Alley, Oct 24, 2014.

Next was Autograph Alley!

The setup was on the second-floor’s Atrium, and here’s where this post takes a perverted turn. I could sit at any available opening at the Autograph Alley table that was not already, uh, “saved,” to borrow a so-High School term, so found a spot by…

Aaron Micheal Ritchey.

Hint: if you ever get a chance to sit in a hole next to Aaron Michael Ritchey—grab it. You’ll never be cooler in your entire life!

Aaron is a trip.

And he’s so much taller in person.

No, really, he’s, like, eight feet tall.

Now, I know how my cat feels. From now, on, I’ll get down on all fours when addressing her. I’ve shrunk one-and-a-half inches the past couple years, but as you can see, those inches wouldn’t have made any difference.

Tall Aaron Michael Ritchey, MileHiCon46, Oct 24, 2014.
Tall Aaron Michael Ritchey, MileHiCon46, Oct 24, 2014.

Aaron is peddling his newest work, Long Live The Suicide King. On the other side of me was Jeanne C. Stein (don’t ask her what the “C” stands for, there was a whole article in the program about that), and she’d told me it was a great book, that I should get it, so I did. I began reading part of it, and was blown away by his writing. The guy is good. So, not only is Aaron freaky crazy tall, charming, an excellent conversationalist, handsome, and a close personal friend of all Saints and all furry creatures great and small, but he’s also a talented writer.

Damn Aaron Michael Ritchey.

Damn him and his chocolate!

Oh, and did I mention he gave away chocolate?

Bastard.

I think he was also mitigating Global Warming and helping homeless people while he was sitting there. I distinctly heard “Ebola” and “Mr. President.” Twice.

There was no hope for my books. Me.

Aaron Michael Ritchey, MileHiCon46, Autographing Book, Oct 24, 2014. Totally Not Staged. Well, Maybe A Little.
Aaron Michael Ritchey, MileHiCon46, Autographing Book, Oct 24, 2014. Totally Not Staged. Well, Maybe A Little.

So, I did my best to ingratiate and inject myself into his (Aaron Michael Ritchey’s) conversations with his throngs of admirers, hoping to endear myself to his admirers—admirers who buy books—since I had no chance in hell of selling any books while sitting next to this freaking Charm Magnet.

Aaron Michael Ritchey.

Charming his fans with wit and wisdom. Sweets.

Sitting all by my lonesome, I’d cast longing glares “over there,” hoping Aaron Michael Ritchey would cast me even a sidelong glance, acknowledge my pitiful existence, and give me entry into a conversation before he’d cut me off to interact with yet another fan. I looked for any opening into any of his conversations.

“Yeah…,” I’d say from my corner perch, with a short chuckle, or “Yeah!” I’d inject, if the timing was just right.

I think somebody sneezed in my direction. Open-mouthed.

Charming bastard and his chocolate. So unfair.

Aaron Michael Ritchey Chocolate
Aaron Michael Ritchey Chocolate

I can’t seem to just write “Aaron” in this blog—even that was hard to do, just there—because the way Aaron Michael Ritchey sez “Aaron Michael Ritchey” when he introduces himself on a panel, or sticks out his massive Giant Hands to introduce himself to you, just has a flow to it, a certain je ne sais qoui that just rolls off the lips and makes you stare at him in childlike wonder.

He has pancakes. Or, I guess, panache, is the word. But I’m sure he also has pancakes.

Yes, I’m firmly hetero, but (damn him!) Aaron Michael Ritchey (did I mention he’s freakishly tall?) is also sexy. That boyish grin, that devilish charm. The engaging manner. How he brings The Party with him wherever he goes. Absolutely kills it.

I, really, had no chance at this Con with him there.

So, I ate his chocolate.

Cried inside.

Guy With Long Beard T-Shirt, MileHiCon46, Oct 24, 2014
Guy With Long Beard T-Shirt, MileHiCon46, Oct 24, 2014

Uttered another “Yeah!” across the three-foot gulf that separated myself from His Greatness. I pleasantly chatted with those who openly took pity on my choice of seating….then one guy in a cool T-shirt came by and let me take a picture of his shirt. He graciously moved his beard to allow a better shot. Thanks, Guy With Long Beard!

Then, my FFC showed!

Yay!

Someone actually came over to see me! Here!

They were the coolest. There was a lot of chatting and smiles and laughter shamelessly and loudly tossed about once my FFC arrived, and I finally felt like a real author (see Aaron Michael Ritchey). Fit in with the rest of the Cool Authors.

Then…it happened.

My founding FFC member laid out the MileHiCon program before me…and asked me to SIGN it!

Wow. My first program!

Not once…but twice!

Yes, she had me sign the Self-Publishing panel write-ups (of which there were two) in the program. But, there wasn’t much room to write near the second paragraph, so I hope “Ditto” worked for her.

But, I signed my first program!

MileHiCon Badge 2014
MileHiCon Badge 2014

You see, any fool can publish a book and autograph it these days…but when you get a program thrown before you, like Jeanne C. Stein did, multiple times beside me that night, where I secretly pined away with my sidelongs glances at her casual celebrity, I hoped I could one day attain such stature.

And I did!

So, after the hour of sitting and pining for Jeanne C.Stein’s celebrity and Aaron Michael Ritchey’s Über Coolness, we all packed up, and Aaron Michael Ritchey and I found ourselves in conversation before the grand staircase. I remember it well….

He wore black.

I wore humility.

In his giant shadow.

We talked about our current and future projects, about those projects stretching our writerly abilities—and chocolate. Specifically, how he got his name on the chocolate packaging. We talked about “being your authentic self.” Or your “vanilla self.” Just being “a self.” We talked about the manuscript I’m working on now that involves voices in one’s head. Writing what’s inside you and expressing it in various ways. Aaron Michael Ritchey is a good person. Write on, dude!

After our private conversation, Aaron Michael Ritchey and I parted ways for the same bar. I think he was thinking I was getting stalkery at this point, so I dropped my gear in my room, and retreated into the dark interior of the bar…where I was to meet my FFC!

In the interests of not using “FFC” the whole time, I will call my FFC “Darla” and “Morgan.”

The three of us discussed all-things writing and even comic-stripy. They asked me the hard, penetrating questions, like would I like a drink or something? Was I hungry? And where am I with the whole “character” versus “story” thing? I watched them eat cheesecake (I wasn’t hungry). Then out of nowhere, from within the dark bowels of the inner bar, comes a man. He stops before me while my FFC and I are engaged in (once again) shamelessly and extra loud tossed about raucous laughter, because we’re pretending to be inebriated and firmly ensconced into “The Literary Set.” In public. I turn to this Tall Man of Mystery Who Has Specifically Sought Me Out (what is it with all these tall dudes around me?)…and find he’s a friend of mine. Or, more to the point the best friend of one of my bros-in-law. And I’m out at a Denver bar with some lady friends. Laughing it up, free iced tea and cheesecake everywhere.

Well, this gentlemen (I will resist using his real name—or even a facsimile—since he’s a “civilian,” and not of “The Literary Set,” so as to avoid any legal complications in this or any other life…) is on a business trip staying at a nearby hotel and was hanging with some of his peeps at this hotel. We all had a good laugh, he had a shit-eating grin on his face (well, truth be told, he always has a shit-eating grin on his face…), and we talked about the MileHiCon and showed him the program. Explained what I was doing here at near-midnight. In a bar. With women. Cheesecake.

We laughed, he looked at me like I was an alien or something (which, really, this was the perfect place and time to look at me like that), and he left.

Well, come midnight or so, my FFC had to make their trip home, and I was callin’ it a night! But, by the gods, what a glorious night it had been!

Saturday, October 25th

Okay, back to MileHiCon reality.

My Saturday panel of “Threat From Above: Alien Invasion Stories” wasn’t until 3 p.m., so I had a full day to kill, so I’d signed up for a solo book signing in the Atrium. Long story short, I sold one novel (that makes a total of two!), and a friend stopped by, so we chatted. But while I’d was standing there all by my lonesome, I realized how cool all this was. Being a part of something that has been a part of  the SF/F/H community for years. And as I pondered this, there was this really neat pantomiming “snow beast” of some kind I’m sure others will recognize, playing around with people in the open area before me. So I motioned the beast over and it posed for me as I snapped a picture.

Cool Snow-Beast-Thing, MileHiCon46, Oct 24, 2014
Cool Snow-Beast-Thing, MileHiCon46, Oct 24, 2014

Thanks, snow-beast-thing!

At 3 p.m. I attended my panel, and we had really fun discussions about aliens and government and the two clashing. My novel, ERO, isn’t so much about “alien invasions” as it is about aliens in more of a Whitley Strieber sense (check out his Communion books). So, I tried to inject that into the conversation, but, as one member of the panel reminded me, yeah, the panel’s title was alien invasion….

Heh-heh. Where’s your phaser when you need it?

After that panel I roamed the Con checking out the vendor and artists’ rooms. There was a lot of fascinating “eye candy” to look at. Cool and strange stuff for sale you won’t find in your normal IKEA. Cthulhu busts to sword-and-sorcery jewelry-to-art of all kinds: space ships and alien landscapes to muscular and barely clothed warriors. I also popped in on a room that had Roomba-sized robots dueling each other, called the “Critter Crunch.”

Yeah, MileHiCon!

Sunday, October 26th

My final panel was at 11 a.m., titled, “What If: Alternate Worlds Discussion and Readings.” Turns out this was more of a “themed reading” session than an all-out discussion, so we all read a chosen piece for our audience, and in the remaining time had brief discussions on the topic-at-hand. I read from my August release, Psychic, the first appearance of JFK in my novel. Chapter Six, Section 1. I read it because it gives a good “alternate history” feel to what I was trying to do. There was another, earlier section that actually hit the same topic, but it was more exposition and I really wanted to be in Kennedy’s head for this reading—which this Chapter Six section was. Like the other panels, we had some interesting discussion in the few minutes of remaining time we had, from actual alternate-and-current historical facts to how badly stuff like this can go wrong, because of alternate history fans who know their current history. But this last topic (to me) is no different than than the basic topic of releasing novels: there’s always someone out there waiting (desperately panting, I might add) and wanting to prove you wrong about something in your work. You just can’t escape that kind of thing. All you can do is what you can do—your best, your research. If errors are actually pointed out in your work, note them, thank the person for pointing them out, then correct them and re-release when you can.

I spent the rest of the Con checking out other panels, like a 1) NaNoWriMo “support group,” 2) one about if books are always better than movies, and 3) whether or not there is such a thing called “privacy” anymore with social media. 1) No, I don’t do NaNoWriMo; I’m always working on something else and don’t get into too many “groups things,” but wish the rest of you all the best!, 2) not always, but Aaron Michael Ritchey on caffeine is simple more Aaron Michael Ritchey!, and 3) In today’s world there really is no more “privacy” on anything electronic. There are things companies do that totally skirt laws that, when combined with other methods that are “legal,” can put together a scary profile of who each of us are, what we’re looking at, buying, and even thinking. I’m not in the least naïve about electronic-anything, but after listening to these Supreme Nerd Geeks who have their hands in this stuff, I just wanted to pull the plug on everything and go Stone Age. Mainly just on principle. I despise the ill intent with individuals and companies who do this, intentionally skirting laws—not even “just” laws, but inherent personal rights and freedoms—to get what they want. Just because you can do it does not mean you should.

But, such is life.

Mario Acevedo Paint Demo, MileHiCon46, Oct 26, 2014
Mario Acevedo Paint Demo, MileHiCon46, Oct 26, 2014

Earlier, I also sat in on a painting demo, by Mario Acevedo. Mario is a cool dude of many talents (he used to detail more specifics in his bio, but seems to have severely truncated all that). An ex-military helicopter pilot-turned novelist, with books that involve “x-rated bloodsuckers,” he also (apparently, I found out for the first time, here) paints.

Of course he does.

Initially I wondered what the heck I was getting into, walking into a room that had plastic all over the floor and Mario in the middle of it with a knife in his hand…but—whew!—it was actually a paintbrush.

Mario Acevedo Paint Demo, Steampunk Chic, MileHiCon46, Oct 26, 2014
Mario Acevedo Paint Demo, Steampunk Chic, MileHiCon46, Oct 26, 2014

So the few of us there sat in chairs that ringed the Master in his white Captain’s hat as he worked from a picture of a steampunk chick. I always love to see the opening brushstrokes of artists…to try to see what they see when they begin a work. To see how they’re thinking ahead to what colors will go underneath others, and therefore go to “canvas” first. It was fascinating! I didn’t get to hang around and see the final result, though, dang it.

But, while there, as I watched Mario work his magic, a voice entered my head…God, was that You, trying to tell me something? What is it, God, what do You need to tell me—

It wasn’t God, but it was close: it was…Aaron Michael Ritchey.

Wow—bonus! He was now in my head!

I now had Aaron Michael Ritchey with me wherever I went! How cool was that?

Well…as it turns out…waaaay down the open area outside these sessions…was Aaron Michael Ritchey, carrying on a conversation with some fans. The acoustics were such that Aaron Michael Ritchey’s voice carried really well, so much so that it was actually louder in the “Dexter Room,” where Mario was painting, than where Aaron Michael Ritchey was actually talking.

Dang it, no Aaron Michael Ritchey in my head.

I bring this up, by the way, not to embarrass Aaron Michael Ritchey, but because it totally ties into the manuscript I mentioned about on Friday, with my private conversation with Aaron Michael Ritchey after the Author Alley gig (one can never say “Aaron Michael Ritchey” too much…). The one I’m working on that involves voices in one’s head.

Synchronicity.

Aaron Michael Ritchey is synchronicity.

Damn Aaron Michael Ritchey.

Final Notes

Here is Mario Acevedo’s final version of the steampunk chic—I love the whole steampunk feel! Thanks for allowing me to post, Mario!

Final Version of Mario's Steampunk Chic, MileHiCon46, Oct 26, 2014!
Final Version of Mario’s Steampunk Chic, MileHiCon46, Oct 26, 2014!

Some final observations:

Writers: yes, you can sell your books, but it’s all on you. You can carry your books around with you (like I did) like some homeless troll—preferably in a roller suitcase, but I recommend the low roller “totes,” not the typical carry-on ones. Regular suitcases are tall, and when you remove books from them for a signing, etc., and lift the bag, the books remaining inside will fall and could damage each other. If you use the low roller tote that is less likely to happen. And, yes, you can carry those all over the Con with you. And will repeatedly get asked: a) Just checked in? or b) Checking out?

You can sign up for booksignings. Ask and look for the list. You can also (pre-MileHiCon) sign up for an Author’s Row table where you have to sit at the whole Con, for a fee. I believe this was a first-time experiment, so we’ll see if that carries over into next year. I personally would not want to be so tied to one place. Sitting down for three days, cool snow-beast-thing-or-no-snow-beast-thing.

For Autograph Alley, the program said “Purchase food tickets…for $5.” Well, if you’re an author sitting in the Autograph Alley (and maybe kissing up to Aaron Michael Ritchey) you need not buy one! That wasn’t made clear so I spent $5 for nothing. It’s for attendees…well, you could use it if you want, but then you could miss potential customers/fans….

I was surprised at how much writing was at MileHiCon! It is quite writer friendly! It’s not all about writing and publishing, there is so much more to this gig, but it is quite writer and publishing friendly…as well as Indie (Self-) Publishing friendly!

Overall the staff and volunteers were extremely helpful and friendly! I had a blast at MileHiCon46 and am grateful for Rose Beetem, program chair, for not only having me, but having me on so many panels and Autograph Alley my first time! I highly recommend MileHiCon!

And I got to hang with Aaron Michael Ritchey.

New Fan

As I wrote this post, it seems I gained yet another new fan. No doubt because I talked so much about Aaron Michael Ritchey. Welcome to the fold, Ungainly Praying Mantis Creature!

New Fan.
New Fan.

Fine Print: No Aaron Michael Ritcheys were harmed in the filming, creation, editing, nor publishing of this post. No Aaron Michael Ritcheys were bribed to use their name in the post. Aaron Michael Ritchey was contacted before I wrote all this up and he graciously rolled with the punches when I explained what I was doing with his name and that I now have an Aaron Michael Ritchey fan site and creepy shrine set up in a dark, damp place only he could warm up….

Filed Under: Art, Comedy, Fun, Leisure, Space, Technology, Writing Tagged With: Aaron Michael Ritchey, Conferences, Conventions, FFC, Independant Publishing, Long Live The Suicide King, MileHiCon, self publishing

Going Indie—What I’ve Learned (So Far)—Part 11

July 15, 2014 by fpdorchak

Forge Your Own Way. (By Morrowlong [CC-BY-SA-3.0 [http://creativecommons.org/licenses/by-sa/3.0] or GFDL [http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons]
Forge Your Own Way. (By Morrowlong [CC-BY-SA-3.0 [http://creativecommons.org/licenses/by-sa/3.0] or GFDL [http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons]
It’s truly never-ending.

When you’re doing everything yourself—and by “yourself” I do mean having a team, but though you do have a team, you’re still in charge—you never really get a break. And that’s okay, because, in this instance, it truly is a labor of love.  But, you can only push yourself so far without adversely affecting your health, relationships, that kind of thing. It’s like I’ve said before, you can only do what you can do. Don’t fret about it…but do your best.

Indie publishing.

I’ve been working on my Psychic manuscript since before 2000. I’d originally started notes and chapter one around 1994, actually, when I’d discovered that our government claimed to have disbanded a classified remote viewing program. It gave me a story idea, so I began notes and such, but it wasn’t until 2000 that I sat down in earnest and began the task I’m still trying to complete. This month, I hope to finally complete it. And though I’ve been working on this project for a large frigging part of my life (surprisingly, this is the manuscript I’ve worked the longest, good God—20 years, if you count when I started taking notes—man that just hit me as I write this!), the difficulty has largely been the timeframe of the book. I’ve had to change the dates and ages and technology numerous times in trying to get this thing out there. And, as I’m wrapping things up, I’m still discovering little nit-noy shit (even though I have a proofreader), like the age of my antagonist at certain events, or the need to again change his weapon of choice. It’s become maddening. I am, however, finding this stuff before my proofreader will find it (she’s still reading and not yet at the end), but it’s frustrating! So, once again, I have to go back in and make corrections. But, that’s the way this works. Unless you do have another set of eyes…and even perhaps despite that, you may still find errors, because no one knows your story like you do.

Good Lord, 20 years?

Hopefully, what you find are not egregious errors…but even so, remember, even with the Big Dogs (the Big Five/Whatever) readers find errors. We’re human, and we make mistakes.

So, here is my latest round of things I’ve discovered:

  1. We’re human, we make mistakes. Accept that, but do your best. Have a thick skin, and readers…be kind. Understand this, fact, too.
  2. Blurbs? As I’d written in a previous post, I’m no longer seeking them…but to those I’ve already gathered, I’m going to use. Again, I reiterate: all those who have written me a cover blurb have actually read my work.
  3. Copyright your work! There is a really good post on this, and it got my ass in gear, now all my work is copyrighted. I always meant to do this, it got lost in the shuffle, so, thanks, Susan (Susan Spann has been most helpful to our writing community)!
  4. Don’t respond to e-mails with your favorite (or any, for that matter!) music blasting away! You could get carried away! There, I said it. You think that’s a stupid thing to say, but I love rock and roll, and, well, yes, sometimes I can get a little carried away with the energy of it. Music can and does change your state of mind, and you don’t want to get cocky. Just sayin’.
  5. Putting a price on your cover. When I first noted this item, I was of the mind to put a price on your book when printing the cover (if you can). It’s been mentioned a couple times on sites/sellers of books. I’ve asked my community about it, and I don’t remember anyone responding, so I don’t take it as being all that important. The more I thought about it, the more I came up with: why? In today’s world, that only really seems applicable to brick-and-mortar bookstores. So, I’m backing off the need for that. I don’t think you need to have that anymore. That’s old school (unless someone reading this can give me a good reason to do so). Everyone discounts books, even the brick-and-mortar stores. Indie authors cut deals left and right. Why would this be a necessity anymore?
  6. Be quick to apologize! Never be afraid to say you’re sorry for something you may have done, even if you’re not sure you’ve actually done something wrong. I am constantly amazed at how few people in the world actually apologize for anything, especially men. You got it. Men, friggin Man-the-HELL-up and take goddamn responsibility for your actions. I see it so much in my day job it pisses me off (and had another experience with exactly this just yesterday!). I forget why I’d originally included this item, but the point is salient. Get off your Ego Podiums!
  7. WP blogging: check that your saves are actually saved! Good Lord, this bites me more than I care to consider—and other WP bloggers! Yet, every time I contact WP about this, it’s like the first time they’ve ever heard about it! It’s not, WP, so please, fix the damned issue! Below the post window, on the right, there’s a “Draft saved at…” timestamp, and below that is a “Revisions” history. Checks these areas frequently!  Can’t emphasize this enough! Check them every time you save, to make sure your save—whether it’s a “Ctrl-S” or “Save Draft” selection—that they actually have taken. Especially if you’ve completed an initial post then been away from that post for a long time, like hours or days, and come back. Copy your text into Word or Notepad as you’re working. Highlight and copy into your clipboard what you’ve worked on periodically. If you happen to get a message that has the words to the effect “Do you really want to do this“…it’s too late. You’re screwed. You’ll keep what you last entered and saved, but anything after that last “official” save is forever gone.
  8. Cut your losses. If something’s not working out for you, detach yourself from it. Remove yourself from it. I recently had to do that with something with which I’d been associated for a very long time. It’s going  its way, I’m going mine. C’est la vie. Move on. Don’t keep the “bad energy” in your Weltanschauung. Don’t bad talk whatever it is…just move on.
  9. Not all advice is good. Everyone has an opinion, just like me, but not everything we give will work for you. And—I have to say this—not everyone knows what they’re talking about! Not everyone truly understands Indie publishing! And…some are actively trying to still discredit Indie publishing, because they’re in Traditional publishing, are pissed, scared, Old School, whatever, and are trying to interdict, spoof, and (argh, I’ve forgotten the term!) intentionally direct you away from your chosen path. Be aware. Consider all you hear with a block of salt. And remember this: there are always a million reasons not to do something…but, you only need to find one reason to change. Make the break and create a new path for yourself. This, however, is one guy who has his shit together: Bob Mayer. Read his stuff.
  10. Not everything you write is publishable! This should be obvious! Going Indie may give you license to publish everything you write, but everything you write is not necessarily publishable.
  11. Keep writing.

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Filed Under: To Be Human, Writing Tagged With: Amazon, Amazon Kindle, Amazon.com, Copyright, CreateSpace, E-book, ERO, Facebook, fiction, Google Alerts, iAuthor, Indie Publishing, International Standard Book Number, KDP, Lessons Learned, New York, Newsletter, Nook, Pain, Post Office, Psychic, PubIt!, reading, self publishing, Sleepwalkers, Smashwords, The Uninvited, Wailing Loon, WordPress

The Indie Author Manifesto, by Mark Coker

April 24, 2014 by fpdorchak

We Hold These Truths To Be Self-Evident!  (Howard Chandler Christy [Public domain], via Wikimedia Commons)
We Hold These Truths To Be Self-Evident! (Howard Chandler Christy [Public domain], via Wikimedia Commons)
I love this guy!

Mark Coker.

Creator of Smashwords.

I met him at a writer’s conference a couple years ago, drove him to the airport with a carload of other VIPs. This guy is so cool, so down to earth, so frigging real. He isn’t afraid to stand up to the icons of the publishing industry and call “Foul!” Dazzle them with the facts.

From his current post, I have lifted what he is calling, his Indie Author Manifesto.

Rock on, Mark Coker!

THE INDIE AUTHOR MANIFESTO

We indie authors believe all writers are created equal, that all writers are endowed with natural creative potential, and that writers have an unalienable right to exercise, explore and realize their potential through the freedom of publication.

I hold these truths to be self-evident:

  1. I am an indie author
  2. I have experienced the pleasure and satisfaction that comes from self-publishing
  3. I have a right to publish
  4. My creative control is important to me.  I decide when, where and how my writing graduates to become a published book.
  5. Indie does not mean “alone.”  I choose my partners.
  6. I shall not bow beholden or subservient to any publisher. In my business relationships, I seek partnership, fairness, equity and mutually aligned interests.
  7. We indie author comprise diverse writers unified by a common purpose to advance, empower and celebrate writers everywhere.
  8. I am a professional.  I take pride in my work, and I strive to improve my craft to better serve my readers, myself, my fellow indie authors and the culture of books
  9. My writing is valuable and important.  This value and importance cannot be measured by commercial sales alone.
  10. I celebrate the success of my fellow indie authors, for their success is mine, and mine theirs. Together we are pioneering a better future for books marked by greater quality, creativity, diversity, choice, availability, affordability and accessibility.

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Filed Under: Art, Fun, Leisure, To Be Human, Writing Tagged With: equity, fairness, I hold these truths to be self-evident, Indie Publishing, Mark Coker, mutually aligned interests, partnership, self publishing, Smashwords, The Indie Author Manifesto, Wailing Loon, writing

Going Indie—What I’ve Learned (So Far)—Part 9

March 8, 2014 by fpdorchak

Pay or Die! By W. M. Goodes (Nye, Bill: “Bill Nye’s History of England” (1900)) [Public domain], via Wikimedia Commons.
Pay or Die! By W. M. Goodes (Nye, Bill: “Bill Nye’s History of England” (1900)) [Public domain], via Wikimedia Commons.
Taxes.

Note to IRS: Writing is NOT a hobby to me.

We had our taxes done this past week, and, once again, I got hit with the standard spiel about “Hobby/Loss” rules. About my pitiful pittance of so-called “profit.”

Why?

Because I’d spent a couple thou on releasing two novels of mine last year (not counting my normal writing expenses) and hadn’t made a profit. Though I was physically and mentally exhausted at this tax meeting, and was, admittedly, a bit angry with the same (insert favorite expletive) admonishment I’ve been receiving since about 1987, I don’t really hold it against the man reading me the riot act. He’s just part of the process and covering his ass. Making sure I understand the position of my ass. I get that. But I was tired. Even a little annoyed at myself for how much I’d spent and at the small return—especially once I saw how many e-books were downloaded and no associated reviews or whatever (even bad ones) with all those downloads. Free downloads. Sure, Mark Coker (whom I’ve met and talked with—and a super, super GREAT guy) and the rest say that’s that M.O. for Indie publishing—giveaways. They will earn themselves out sometime…near or far future…but still…I was miffed. I gave away hundreds of books, and figured they were all languishing in the dark, dank corners of hundreds of harddrives, ignored and never to be read. Bit fillers.

Okay, I’m projecting and generalizing, there, because I was tired, but that was what was going through my mind. I can’t assume to know everyone’s mindset when they acquired my work, but I was happy that so many had acquired them. At that point, I just wasn’t happy with the lack of the almighty frigging important profits…and I was unhappy with the mere thought of profits!

Profits.

You see, folks, taxes bring out the weak links in businesses. The whole idea behind businesses, we are taught, is to make money. Not that we make the world a better place by the businesses we bring into existence, not that we’re out to help others. Not any other thing—

Profits.

Yes, that severely chafes me. Because every year I have to put my Business Hat on and talk money.

Artists don’t like talking money.

We don’t do what we do for the money. But…if we want to live…we have to make some sort of remuneration. Many of us have other jobs that do make money…but all of us, well nearly all of us—I don’t presume to know everyone’s motives—would love to be able to do the one thing that keeps us going…that feeds our souls…and make a living at that.

The IRS.

But this conflicts with IRS rules and regulations, if you’re making any money. Cause, if you make money, you must pay the piper. I don’t mind paying the piper. The piper is fine. We live in a great country, and somehow, we have to pay for things in this great country, and taxes are our mechanism. Live with it. Get over it. Taxes are how we get to reap the benefits of living where we live…whether or not they are properly managed is a whole ‘nother, exhausting argument.

I don’t want to bore with all the intricacies of the IRS Code, because I don’t know it and would have to research it, and, frankly, I’d rather force-vomit-up repeatedly the entire day than have to read that stuff, but here are some case studies on the matter of writers and taxes. The basic takeaways are:

  1. Treat writing like a business.
  2. Must prove the intent of making a profit in the business of writing.
  3. If no profit is made, show that it was due to circumstances beyond one’s control, like customary business risks, casualty losses, or depressed market conditions.

Now, I’m oversimplifying, and there are many and various methods to those steps, and I’m not gonna get into them, because I’m not legal counsel and the tax law is far more complex than it needs to be, but check out that link for interesting case studies and consult your tax folk. It’s interesting that there are cases where the IRS deemed a writer as not a writer-for-profit, the case then taken to court, and the court decreed that the writer was a writer-for-profit. So, all is not lost. One of the other things in those cases, was that the writer had to prove that their not making a profit was due to the third item above. In any event, nothing’s easy, nothing’s a given. You have to make every effort to treat your writing like the business it is, if you want to claim anything on your taxes and not use hobby/loss rules. There’s always a chance you could get audited, but, if you do, you can still “win,” as long as all your ducks are in a row.

Okay, so in the interests of showing how business-like I am, here is what I’m doing, plus/minus:

  1. I get up every damn day (twice on Sundays…okay, also Mondays-Saturdays, since I appear to have RLS), whether or not I feel like doing it, and write something. Promote.
  2. I log all my time on the computer for all my writing time.
  3. I log my submissions and important events in a logbook.
  4. I spreadsheet all expenses, income, and mileage.
  5. I spreadsheet inventory.
  6. I blog.
  7. I interact on social media (WordPress, Twitter, Pinterest, FB, AboutMe, LinkedIn the occasional online forum, like, currently, an Amazon forum).
  8. I push the Indie Publishing agenda.
  9. I interview on traditional and Internet radio.
  10. I try to get any gig where I can to advance the Indie Agenda, and get my work out there.
  11. I annoy and guilt others into buying my book, when severely hopped up on caffeine—which, I’m finding, I seem to need more of as I get older. Iced Tea doesn’t seem to be cutting it any longer (see RLS, above). I do same, to get readers to review my work. Note: why do I do this? I do it so others will see how much other readers have liked the book, so they, too, might like it and buy. If this was just for a frigging hobby, I could give a shit if someone liked it or not (as in I’d be doing it for my benefit and relaxation and it doesn’t matter if you like or don’t like that…) and wouldn’t keep embarrassing myself into asking readers for reviews—even short ones. My ego does not need stroking (some might say it strokes itself…). But, again, I’d really like to make a living off this stuff, so….
  12. I try to get writer conference sessions.
  13. I’ve submitted my work for official reviews, like The Midwest Book Review and BookReview.com (whose link, curiously, seems to be down, since I sent my work to them…).
  14. Am constantly prowling (yes, prowling) for any opportunity to further advance the cause of my work (note, I didn’t say me…my work…). I’ve even got my dad trying to sell my books in upstate New York. Any of you can also help out by trying to get me in anywhere you’d think I’d fit (note, I’m not 165 lbs…am currently about 200, so keep that in mind). Get me a radio phoner interview (where I’d call in, versus showing up in-studio), invite me to your library or writer/reader groups, if in driving distance (or “they” pay for my airfare and hotel…  :-] ), send links to my work all over the planet, talk my books up whenever you can, interview me for your blog. I’m a fun guy. Witty sometimes. See, I am prowling, even trolling (note double entendre, which, originally, was “double entente,” c. 1670s)…

Thing is, I’m no longer 23 and can’t do 20-hour days anymore. I do do (go on, laugh, it’s allowed) 18-hour days, though. I have a day job that’s frequently been more than just a day job and do get quite exhausted by day’s end, so that curtails evening events (frequent ones, anyway) at the moment. I also workout after work. That takes a couple hours. Staying fit is important on many levels, but to Mr. and Mrs. IRS that should mean it makes me a lean-mean-profit-making-machine. Or tries to, anyway, but, given the glutted publishing market and “customary business risks, casualty losses, or depressed market conditions,” it’s hard to break into and make a profit in the publishing world. But I’m still in there swinging. Because I lift weights. Cardio give me longevity.

Now, yes, some of this all might sound decidedly mercenary (in actuality, reviews are not just about the promotion to me, I’m truly curious about how people interpret and feel about the stories; I’ve written them to touch and impact in some way, even inform…), take some of the romanticism out of us writers, but, sigh, we’re just trying to make a living. We’re not egotistical—most of us don’t even like the limelight—but we have a driving need to write. To convey stories we hope others might find fun or interesting. What do each of you do to stay employed? How do each of you sell yourselves? It’s a true pity so much focus is put on profitability, but you have to also look at it from the IRS’s point of view: people cheat. Once you understand that, everything else falls into place.

Don’t hate the writer. We just wanna write…and without us, you don’t have anything to read.

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Filed Under: To Be Human, Writing Tagged With: Amazon, Amazon Kindle, Amazon.com, CreateSpace, E-book, ERO, Facebook, fiction, Google Alerts, iAuthor, Indie Publishing, International Standard Book Number, KDP, Lessons Learned, New York, Newsletter, Nook, Pain, Post Office, PubIt!, reading, self publishing, Sleepwalkers, Smashwords, The Uninvited, Wailing Loon, WordPress

Going Indie—What I’ve Learned (So Far)—Part 8

December 7, 2013 by fpdorchak

Busy
I Can DO This! (Busy. Photo credit: AJC1)

Wow, could things get any busier?

I have been pushing more of the social media thing, the past month or two, at the expense of working on my manuscript-in-progress, Psychic, and kinda “burning the candle at both ends.” It gets exhausting…but cool to find new avenues, like iAuthor. I’m even considering starting up a quarterly newsletter, but when will that happen, since I’m stuck on the initial insert the subscription widget onto my blog site part! No, I’m not all that technically inept, but it seems as though some crucial “it’s easy” step or two is missing from the WordPress instructions. I’ve e-mail their Help depot.

Okay, since my last post on this topic, here are some more things I’ve learned on my adventure of “Going Indie”:

  1. Selecting ISBNs on CreateSpace.  Be careful with you go in and select which type of ISBN you want for your book, and whichever one you do choose, ALWAYS also select the expanded distribution. Read the different types very carefully before selecting, because once you select, you cannot change the ISBN—unless you totally delete your book’s account and start over. I recommend the custom ISBN option for $10 and then get a graphic designer (which will cost you, of course, but is well worth it!), like Lon Kirschner, to design a “faux imprint” for you to have on the bottom edge of your cover, like my Wailing Loon. It looks cool and gives you a brand for your work, other than the generic “CreateSpace.” You can display a little more your own creativity of “who you and your books are.”
  2. Changes To Your CreateSpace file. I found I had to go back into The Uninvited to add some missing front matter. It’s kinda “scary,” doing this, because you really don’t want to F-up your already nitpicked and edited file, but it’s easy to do. You simply select the interior or cover portion of your file, under “Setup,” on your Project Homepage for the book in question, and on the next page, you’ll see a place that says “Make Changes,” and go from there. You don’t have to change anything other than what you need to change, like, for me, the front matter blurbs. You can just “Next” on through the other stuff. Just be careful to not touch anything else. And for any proofing, you can have an actual “proof” copy of the book sent to you (versus doing this all online, for free), though you have to pay for it (like $5, plus shipping), and on the back page of the book is stamped “Proof.”
  3. Interested in signed copies? I decided to get that PO box, so I could mail stuff back and forth to any readers out there. I’ve posted the address about, but it’s F. P. Dorchak, P. O. Box 49393, Colorado Springs, Colorado 80949. The Post Office says you can do a 3-month version, but you have to also get the automatic renewal, which makes zero sense, because that makes the term 6 months. So, really, the lowest amount of time you can get a PO box for is 6 months. That’s government reasoning for you. But it’s cheap (mine is $39). If you get something larger than the box you have, they just give you a key to a larger box, for no charge.
  4. Chain Reviews and World Domination. I put out there that if anyone was interested in reviewing my books, I’d send free, autographed copies. The first 5 per book would get a free book. Offer still stands.
  5. Book Review Outlets. I’m looking into these, you know, what with all the free time I have. Check these out.
  6. Facebook. So far, this is a bust. No more begging from me! And still no “FB Superpowers,” i.e., I still cannot “Like” other pages or save the world. But, not giving up, cause it’s still early, but, feel free to drop by my FB page. Thanks!
  7. Newsletters. Found a great couple of Writers in The Storm links for newsletter info. Thanks, WITS! Thought I’d do this this year, but may have to wait until next year.
  8. Word of mouth. This is where I get lots of comments from people, either by e-mail or through my wife. This is where people rave about my work. Not Facebook (well, at least not so far…). And, of course, I have some “virtual friends” with which I routinely interact, and they’re very supportive (thanks, again, folks)! But, word of mouth seems like the biggest factor in my marketing and promotion. It’s everyone one of you, out there, reading my work and talking about it. Telling others. I hope you will also write an online review (e.g., here und here) at your favorite outlets, too. Please. Thanks!
  9. iAuthor. Found a new overseas outlet, out of the U.K., called iAuthor, so I added The Uninvited and ERO to this site (Sleepwalkers doesn’t have a HighDef cover file, so I’m told by the site it most likely wouldn’t be allowed, because it would degrade he overall quality of the images). It’s free for authors. But…the site seems to have issues during the “height of the day” in loading and such (just now, the site didn’t load right; it should display tons of book covers). I had to do my uploads in the early hours of the morning (i.e., 3 a.m.) before I got them to work, so be advised.

That’s all I have for this year, for my ongoing “Going Indie” adventure. As always, thanks for stopping by, and have a Happy Holiday Season, in whatever way you choose to celebrate (or, uh, not celebrate…) it!

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Filed Under: Leisure, To Be Human, Writing Tagged With: Amazon, Amazon Kindle, Amazon.com, CreateSpace, E-book, ERO, Facebook, fiction, Google Alerts, iAuthor, Indie Publishing, International Standard Book Number, KDP, Lessons Learned, New York, Newsletter, Nook, Pain, Post Office, PubIt!, reading, self publishing, Sleepwalkers, Smashwords, The Uninvited, Wailing Loon, WordPress

Going Indie—What I’ve Learned (So Far)—Part 7

October 2, 2013 by fpdorchak

English: This is the title screen from the ABC...
I Was LOST…But Am Becoming FOUND…. (Photo credit: Lost, Wikipedia)

I don’t mean to be getting ahead of myself, here, but I just have to say that ERO is getting great reviews by those who have read it. It’s not yet selling huge, because of my restricted ability to promote right now, but those who have read it are contacting myself or my wife to tell them how much they like it—okay, love it. Many are even saying it should be a movie.

How cool is that?

The very fact that readers love ERO enough to say they’d like to see it as a movie is highly complimentary, even humbling. They liked the story enough to want to re-experience it again, in another form of expression!

This book has been rejected from traditional editors multiple times, yet (so far), I’ve heard from handfuls of readers about how stunned, “wowed” and impressed they are with the story, how they never saw the ending coming. Sure, someones out there might not like it, can’t please everyone, but so far, all I’ve heard has been complimentary. And these are people from all walks of life, not just SF, action adventure, or military fiction readers. These people come to me, not the other way around. These are the very readers editors and publishers are supposed to be catering to. Small sample? Does it really matter? Any sample is representative of a greater whole.

It’s a bit weird talking about something I wrote in the third person, but it warms my heart that something I’ve written so touches those who have read it. Heck, my Dad is even promoting the novel where he lives. You just can’t beat that!

To this end, I’d like to share parts of an e-mail from an Internet radio talk show host, Paul Neal Rohrer. He’s given me permission to share this. His e-mail blew me away:

“I just finished ERO. (Body shivers!)

Man, I gotta say…you’ll probably think me nuts to say I felt so close to Cherko…this book should be a FILM!

Whew. INTENSE.

I will say that it did not start off to be the type of book I would normally read. I kept with it solely because I knew you and though I felt like I was reading the series, LOST…I kept with it saying to myself…this WILL all make sense. Repeating that thought over and over until around page 160…then I was HOOKED! I breathlessly turned each page…I had all of this morning to finish the last 65 pages. Wow. LOVED IT!

Your mind must be a terrible thing to live with! Radical, powerful and relatable.”

Wow, thanks, Paul!

So, what I’ve learned has actually been a reinforcement of what I already knew: just because a major publisher does not take your work does not mean readers won’t like it. I stuck to my guns and found a way to get my work out there. I persevered. And it is being discovered. It may take some time, but it is out there. Again, thank you, readers, for taking a chance on my work.

Okay, here are some more lessons learned:

  1. I created a checklist of items to keep straight when creating e-books and paperbacks. I’ve attached it to the bottom of this post, since it’s a couple pages.
  2. All you can do is what you can do. I’m sure I’ve said this before, and it sounds stupid, but it’s meant to keep you from going nuts with all the “shoulds” everyone throws out there. You’re one guy or gal. You can’t do everything, especially with everything else you’re doing in life besides the writing and publishing. Just do what you can, and always keeping an eye out for new opportunities.
  3. Check out a previous post I did about PR and promotion…while keeping #3, above, in mind.
  4. Apply to conferences and conventions about presenting your journey. By this I mean, if you have something to say about what you’ve learned on your Indie journey. Talk about what you’ve learned…take some ideas from your blog posts. PowerPoint them and present them at a writer’s conference, the library, or anywhere else there might be a platform for something like this. You might think, yeah, but everyone’s already doing that, and while that is true, perhaps in your area it is not so saturated…and if you know people in your writing community, and they like you, they’ll more likely than not be willing to “book” you (punny…) because they know you and are willing to help you out in your career as a writer. But, in any case, conferences are like magazines…they have to “publish” or fill slots for sessions, and there’s always an audience that hasn’t yet heard what you think has already been done before…or your spin on things and personality are decidedly different and refreshing. Don’t you count yourself out…let them tell you so…or more to the case, let them tell you YES! And when you do this, bring your books! Have them out and used as examples! Have fun with it!

Okay, here’s the checklist I’ve created. Feel free to copy and use! It’s not meant as an explanation of all I do, just as a reminder of what I need to do. When you get in to do this stuff, it all becomes (or should become) more readily apparent…but you actually have to be in there getting ready to release your book. Some of this stuff cannot be “taken back,” like assigning ISBNs.

Prepping ms for content formatter (text):

  1. Convert Word manuscript (ms) to:
    • Time New Roman.
    • Only single spaces, no double spaces.
    • Single-spaced lines, no double spaces.
    • E-book only: No more than 4 lines of spaces (returns) at the tops of any pages.
    • For paperback books, make sure all the line returns to chapter starts are the same.
    • E-book only: Add a space after all ellipses (3 and 4 dots), except w/in quotes, parens, punctuation.
    • Convert all dashes to M-dashes (or N-dashes; just be consistent).
    • Check all chapter and section numbers (1, 2, 3…) are correctly numbered.
    • Check all sub-section spaces/#/***; standardize, check spacing, and center.
  2. Spell check—again!!!
  3. Ensure italicized text are properly italicized (including appropriate punctuation within itals).
  4. E-books: can’t have text “left/right-justified-at-bottom-of-page” kinda thing for ebooks, since can’t have more than four lines “entered” down from the top of pages.
  5. Blurbs from other authors.
  6. Add “Also by F. P. Dorchak” list of books to front matter (front of the book info, before the actual story).
  7. Add family members to Notes/dedication?
  8. Add significant other/others to Notes/dedication. Think.
  9. E-books: add websites and social media links to e-books.
  10. Keep paperback clean with just “About” and website (no #8, above).

Submitting manuscript to Smashwords:

Be sure you’re ready to do this, because once you’re done stepping through their upload dialogs, you’re published.

  1. Select all e-book formats.
  2. Assign ISBN! Do so before submitting to Smashwords!
    • Impacts immediately getting into the Premium catalog.
    • Smashwords ISBNs cannot be used elsewhere.
  3. Opt out of Amazon and Nook distribution on Smashwords’ Channel Manager! Only do this to individually upload files to Amazon and Nook, since they pay royalties much quicker than the Smashwords schedule; if you don’t care about that, you can opt in to Amazon and Nook on Smashwords.
  4. Create any free Coupons through Smashwords to give away free copies.

Submitting ms to Amazon

  1. Add self as contributor.
  2. Try to add cover artist.
  3. Try to add content formatter.
  4. Select 35% royalty.
  5. Select price and set other country prices based on US price.
  6. Select Kindle Direct Publishing “Match Book” selection (readers buy a discounted verson of your Kindle book, if they buy the paperback).

Submitting ms to Nook

  1. Get cover graphic less than 2 MB.
  2. Add self as contributor.
  3. Try to add cover artist.
  4. Try to add content formatter.
  5. Nook automatically ties paperback versions to e-versions, but all titling and names, etc., have to be word-for-word, space-for-space perfectly matching. This presents a problem when using CreateSpace (CS), because CS does not like all-capital titles for their book accounts (e.g., ERO). In order to do all caps, you have to add periods between the letters (e.g., E.R.O.). This is not good, because when you release for publication, Amazon.com keeps those damned periods in the title for retail marketing! The actual title on the book remains your “ERO” title, but the displayed online title with your book, and any search engine hits only respond to the broken up title (i.e., E.R.O.), and not the actual title (i.e., ERO). So, effectively, there are two titles out there, and if people don’t know this, or don’t scroll down the Amazon search page, they won’t see the “E.R.O.” version of the book. I have contacted both CS and Nook about this. CS was nice enough to go in and link the two titles to each other, but you might have to actually contact them to get them to do this, by pointing out a loss of sales with the different titles, if people don’t know to scroll down the pages to find the related search of the other title. B&N/Nook also finally link the two formats together, but this took a long time. Be persistent and nice; some of these people you contact simply are not very smart on the whole process, and I ran into contradictory responses from the different people I contacted.

When do CreateSpace copy:

  1. Get paperback ISBN. Once ISBNs are assigned, they cannot be changed.
    • “Custom” ISBNs can have a “faux” imprint name, like “Wailing Loon.”
    • I’m not an expert on these, but in CreateSpace, the custom ISBNs are also divided into those that are oriented toward retailers and those oriented toward libraries. Make sure you select the right set.
    • Get any offered “Expanded Distribution” offerings if cheap.
  2. Titles: see #5, Submitting to Nook, above.
  3. Add faux imprint to:
    • Copyright page.
    • Spine/cover.
    • Anywhere else needed.
  4. Need any artwork on the interior of the book, the front or back matter?
  5. Add the following to the back matter (rear of the book, after the story): About the Author, website, books/anthologies/etc., again list content formatter and cover artist names and websites.
  6. Cover photo?
  7. Send e-mails/thank you cards to thank contributors, and if they helped enough to justify, free coupons for e-book or actual (signed!) paperbacks.
Related articles
    • ERO – Trade Paperback Now Available! (fpdorchak.wordpress.com)
    • Wailing Loon (fpdorchak.wordpress.com)
    • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
    • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
    • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
    • Going Indie – What I’ve Learned (So Far) – Part 4 (fpdorchak.wordpress.com)
    • Going Indie – What I’ve Learned (So Far) – Part 5 (fpdorchak.wordpress.com)
    • Going Indie – What I’ve Learned (So Far) – Part 6 (fpdorchak.wordpress.com)

Filed Under: To Be Human, Writing Tagged With: Amazon, Amazon Kindle, E-book, ERO, fiction, Google Alerts, Indie Publishing, KDP, Lessons Learned, New York, Nook, Pain, PubIt!, reading, self publishing, Sleepwalkers, Smashwords, The Uninvited, Wailing Loon

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