• Skip to main content
  • Skip to footer

F. P. Dorchak

Speculative Fiction (New Weird) Author

  • Home
  • Books
    • What Readers Are Saying
  • Short Stories
  • About
  • Blog
    • Runnin Off at the Mouth
    • Reality Check
  • Events
  • Contact

writing

Creativity and Angst

December 3, 2014 by fpdorchak

Here’s the transcript, if you don’t want to sit through the 20-minute video: http://www.ted.com/talks/elizabeth_gilbert_on_genius/transcript?language=en

This is something I have thought about off and on over the years. Why is it that creative types seem more messed up than your average person? And that many seem to wear said angst like a Red Badge of Courage? Why, as Elizabeth Gilbert points out, do so many of us take our own lives? But, I’ve also wondered, why is it that many don’t want or like to take credit for the work they produce…or can’t handle that they are responsible for the work they produce? That they instead prefer to think of themselves as “vessels” for creativity that some formless Muse (or d/Deity) instead produces?

A friend of mine sent me the above Ted link (thanks, Mandy!), and as I listened to this Famous Author, I at first couldn’t help to be amazed at the lack of responsibility she is promulgating, and the audience’s acceptance of it all.

Wow, for real?

Then I read and re-read the transcript and realized I’d missed that Elizabeth was looking for a “construct” that would keep creative types from drinking themselves into an early grave. A construct that would include personal responsibility and a connection with the Divine.

Okay…I could roll with this for a little while.

So, she talked about Tom Waits and North African dancers and bad knees on Tuesday mornings. Talked about due diligence on her part in “showing up for the work,” but also in allowing Whatever Else shared the task with her to “do Their thing.” This, I kinda liked.

I’d been “brought up” on my own, basically, about metaphysical thought, through lots of reading. Sure, parental guidance, and all that—including my mom being quite metaphysically oriented herself—but my own views mainly came from reading and observing Life. Discovering what seemed to work and what didn’t seem to work from what I’ve read and how that knowledge transferred or didn’t transfer “out in the wild” of Life itself. What I found was that it didn’t really matter what you believed…if you truly believed it, than it actually worked. If you believe in Buddha and his teachings, then it worked, if you believed in crystals, mantras, or any other religion, it worked.

So, it was the belief that worked, not so much the mechanizations of the specific belief that worked (e.g., it wasn’t the actual use of crystals, but the belief in the use of the crystals).

I’d also come to the belief (pardon the pun) that, yes, there is a Divinity, an All That Is that exists. Some call S/He/It “God,” some call it other names. Doesn’t matter what we call It, in only matters that It exists. Some don’t believe any such thing. That is their belief, and they’re totally and utterly welcome to it, not that they require my buy-in. But I allow them their beliefs.

So, through all this study, I’d come to the understanding that each of us are individually responsible for our own lives, and what a wondrous life it is! We each create our own lives! What we want to do while we’re erect and breathing and taking up space in this corporeal existence! We do it through an allowance of what I call “All That Is,” and this Deity, this Divinity, is a part of us. Each and every one of us. So, when we each create anything, it is very much a part of and a result of our own, individual actions…which are—by the very nature of what I believe—one and the same with The Nine Billion Names of God. We are one and the same. God is within each of us—I make no separations of soul and flesh. My All That Is is not a separate entity for which I have to look outward. Pray to in or through another vessel (e.g., a “church”) or separate exteriorization. My expression of physical representation is as much my doing as God’s because…we’re working together. In this way, it’s probably more inline with Buddhism and that ilk, but it’s not Buddhism and that ilk. I don’t have a name for it, and I don’t like having to give it one. It is simply my belief.

And that brings us to Elizabeth Gilbert and her dilemma.

All this being said, I, therefore, do not and have never felt such angst as described here, not because I’m superhuman, but because I have tried to understand my relationship with myself, aka, All That Is. I realize that I am part of a much larger, vast, WHOLENESS. I realize that all I can do, is all I can do! That though I might feel failure, or despair, none of my acts are wholly failed nor despaired! My feelings are simply feelings, and these feelings are to be understood for what they are…momentary physical displays in a physical world that are mere representations of what’s actually going on inside me. They are my interpretations of internal data. And, being a Human Being, one of the reasons I am HERE, I’ve reasoned, is to learn. To deal with whatever issues I have in constructive ways. To find ways” around the rocks” of life that are good and positive.

So, though I am a “writer,” I am also a Human. A husband, a friend, an uncle, a son, a brother. I am many things, none of which so much as “define” me, in that in said definition, if I were to “fail” (in any sense of the word) it would defeat me. I take humourous umbrage when someone tells me that they cannot do anything else in life but (fill in the blank).

Bullshit, I politely say/think.

We are each multi-talented. All you have to do is look to all the “jobs” everyone on the planet is doing. Is someone else is doing it, we each have the capacity within ourselves to perform similarly. We each have hidden, latent talents.

When I see and hear of such anguish as discussed in Elizabeth Gilbert’s talk, I see fear. Fear of failure and fear of personal responsibility. Sure, there might also be inherent mental instability, or said fear might grow into said mental instability. But I still see fear, however defined. And developing a construct, a mechanism to combat that fear, by saying “Okay, part of this is me, but part of it is also something else outside of me” doesn’t quite “do it” for me, though I do totally understand what she’s getting at. But for me, God is within me, a part of me. Now, sure, anyone can start picking this all apart and pointing accusatory fingers at me saying I think I’m God, and that would just be what we called in the military “quibbling.”

But my belief is that all my actions—all of our actions—are all useful in the development of ourselves and the Human Race. Nothing we do is waste, and though we might perceive some of our actions as wasted and failures, they are, in reality and on the greater scheme of things, NOT failures. It is our interpretations that need readjustment. Study. And should we perceive ourselves as not doing as a great a job at one thing, then we would migrate over to something else. Whether or not we are willing to do this, is another story, but again deals with perceptions and beliefs.

So, no, I don’t feel any angst about “having to perform,” having to continue to write something that betters a previously existing work, or if I’m good enough to continue, or how can I bear such a heavy burden of speaking for the Human Race, but I am also not in the public limelight like Hemingway, David Foster Wallace, Hunter S. Thompson , so some might say it’s “easier” to say what I say. Perhaps. And I wonder if a large part of all this is lumped upon these people by the masses, the public, the publishing houses and agents. And whether these people were really as strong-willed as they behaved in public…or it was simply the stress of dealing with The World in a way they never had to before. Yes, that can be daunting. There is something to be said for the phrase “The Weight of the World.”

I don’t have the answer to everything, or why every artist took their own life. That only they can truly answer. Maybe it really wasn’t the same thing for every writer, who knows? But, as it stands now, for me, in my fairly innocuous state of publishing existence, this is how I feel—how I perceive—my life now. It could all change…my perceptions of it could change. But when I watched and read Elizabeth Gilbert’s presentation, I just had to comment. So, if you read this and you take offense or heartily disagree, that’s fine.

Just take it as one other person’s whacked-out beliefs.

 

 

 

Filed Under: Metaphysical, To Be Human, Writing Tagged With: All That Is, Artist Suicides, Creativity, Elizabeth Gilbert, God, Ted Talk, writing

Taking Chances

October 15, 2014 by fpdorchak

Take The Leap. By Wing-Chi Poon (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons
Take The Leap. By Wing-Chi Poon (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons
We all love our comfort zones.

Love the knowable.

Claim we’re open to change, to taking chances.

Sure, there are some chances we can take, taking a different route home, ordering something wild and spicy from our usual menu.

But what about taking a chance on something that can really affect your life? Or what you think can change your life? Are you really willing to strike out on that road less traveled? On that bumpier, unexplored passageway? And one person’s “chance” is another’s breakfast cereal. But, if it’s scary to you…that’s what matters.

Are you willing to look into the void?

Insanity has been described as doing the same thing yet expecting a different outcome.

If we expect to break out of our comfort zones, we can’t keep doing the same old thing. But, we all have our parameters, don’t we? And that’s okay. It’s not usually a good thing to totally upend one’s life. But we can initiate change in other ways…the way we think, the way we behave. What we “put out” into the world.

Take a chance. In whatever way that works for you. That’s good for you.

That’s scary for you.

 

 

Filed Under: Metaphysical, To Be Human, Writing Tagged With: Breaking Out, Risk, Taking Chances, writing

Hachette v. Amazon

June 6, 2014 by fpdorchak

 Take a Look in the Mirror. In fact Take a Picture, So You'll REMEMBER.  By http://www.flickr.com/photos/byflickr/ By Byflickr, Rohan Kar(http://www.flickr.com/photos/byflickr/2584948850/) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons
Take a Look in the Mirror. Take a Picture, So You’ll REMEMBER. By http://www.flickr.com/photos/byflickr/ By flickr, Rohan Kar (http://www.flickr.com/photos/byflickr/2584948850/) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons
Well, I’m sure this’ll make me extra popular, but I find this annoyance and anger with Amazon amusing.

Really, we’re dumping on Amazon?

Aren’t we also ignoring all the ills of the Traditional Publishing world, with stuff like, oh, yeah: price fixing.

Let me remind you who the “Big Five” were (are), in this little pricing fixing scenario:

Simon & Schuster.

HarperCollins.

Penguin.

Macmillan.

Oh, yeah, and Hachette Book Group.

Hachette.

And, hmmm, let’s see what else does Trad Publishing do that can be taken issue with?

Not helping authors with promotion and marketing.

Less author-friendly contracts (. e.g., sucky terms, grabbing as many of an authors rights as possible, and royalties).

Not including author input on covers.

Making authors feel like we are there only for them, instead of a more teamwork approach.

Not growing authors anymore in favor of a bean counting approach.

Archaic business model.

How they drag their feet in paying authors.

Giving away half your book’s value up front…and the returns, oh. my God, the returns!

In short, there ain’t no saints in this business. This link lays out some other issues. And Bob Mayer’s posts are always elucidating.

All huge companies do what huge companies do, and that is…they do what benefits huge companies. Period. Most times it makes them look “okay,” and they fly under the radar, but periodically, they all do something that gets them in hot water, and they “auger in,” as the flying analogy goes, and crash and burn in the media.

And everyone loves to pick on Amazon. Especially bookstores.

I’m not saying that I agree with what Amazon is doing—I don’t—but to string em up like this is just making for great sound bites and videos. The public has a short memory.

Again, see 2012 price fixing.

 

Related articles

  • Self-Publishing: Amateurs vs. the Pros (jwmanus.wordpress.com)
  • What the Amazon vs. Hachette Debate Ignores… (huffingtonpost.com)
  • Is Amazon Really the Devil? (publishersweekly.com)
  • The #1 Thing Authors Need To Consider… (writeitforward.wordpress.com)
  • A HUGE Thank You To All of You! (fpdorchak.wordpress.com)
  • Uninvited Blurbs Reinstated to Paperback (fpdorchak.wordpress.com)
  • The Uninvited – Now In Paperback! (fpdorchak.wordpress.com)
  • ERO – Trade Paperback Now Available! (fpdorchak.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 4 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 5 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 6 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 7 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 8 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 9 (fpdorchak.wordpress.com)

 

 

Filed Under: To Be Human, Writing Tagged With: 2012 Price Fixing, Amazon, Ethics, Hachette, Indie Publishing, Traditional Publishing, writing

Tail Wagging the Dog?

May 24, 2014 by fpdorchak

Watch Out. We Do Bite Back. (By Sharla Perrin [Public domain], via Wikimedia Commons)
Watch Out. We Do Bite Back. (By Sharla Perrin [Public domain], via Wikimedia Commons)
It’s really bugged me, this thing that goes: “write what readers want to read.”

It’s also really bugged me this thing agents and editors say: “can you make this into a series?”

You see, as an artist, I take a certain umbrage at being told I have to write what others want to read. To me—to the artist inside me—I want to write what I want to write. What begs to be written by me, the stories that percolate and surface beneath and onto the surface of my mind. For me to have to write what others want to read is rather mercenary, at best. It’s looking at the whole thing from the wrong point of view (in my not-so-humble opinion), at worst.

Do painters and sculptors paint and sculpt what people want them to paint or sculpt?

Oh, and try telling that to a poet!

What happened to writers doing what they wanted to do, creating and expressing their own inner muses and creativity?

What happened to the single-book novel, nay I ask, what is so wrong with the single-book novel?

Anything can be sold. Abso-fricking-lutley anything.

I don’t want to write about vampires (without the “-yres”), I don’t want to write fantasy. I don’t want to write romance. I don’t want to be easily pigeonholed. I want my work to bridge genres. In and of themselves, there’s nothing wrong with any of these genres…except that there are too many of “the same” IMNSHO. I’m all for writers being successful, and feel there is room for all of us, but I am not for crappy writing being thrown around and slapped between two covers just because it will sell. I’m not for tritely cloned stories. And I feel for the writers who partake in this, because they feel they have to, to make it in this biz. If they want to do it, then that’s all them, more power to them, but, please, don’t do it just to cow to the Powers of Publishing. I have tied to read a lot of mid-list books a couple years ago, and found I just couldn’t do it. To me, and for the most part, the stories were tired and flat. Uninteresting. Trite. Poorly written.

Yet they sell.

Now, one or two were well-written, but the stories just didn’t interest me. Okay, that’s fair. I’m not everybody, and everybody’s not me, and my work isn’t for everybody. Different tastes keep life interesting. But, please, don’t coerce, intimidate, nor cajole me into writing like some other story out there just because some people are buying that particular “thing.” Fine, compare me, if it’s complimentary, but don’t force me into something I’m not.

Please, allow me (and others like me) to write what we want to write. If you don’t like it, fine, don’t read it, don’t take me on—but do not not take me on just because I’m not like what’s already out there, because it’d take just a little more Brain Power on your part to market and promote me. For chrissakes, people have told me my work has given them nightmares! You don’t get nightmares from stuff that doesn’t interest you, doesn’t bother you, doesn’t affect you in some, moving, profound, way! So, I’m betting that someone out there will like it. I don’t say this out of ego…I say this out of understanding humanity. If I like something, chances are someone out there will also like it. We’re really all quite similar in how we operate as Humans. If someone likes something, chances are so will others of our kind. I’ve written and published three novels. With one exception I can think of, the reviews are all favorable. So, I know I can write something–stand-alone books,  no less!—others would find interesting enough to read and review (and I thank all who took the time to review my books!)…have nightmares over!

It’s not that I’m so much against the Publishing World…as I am against the mindsets that drive it. I love most of the editors I’ve met, and some of the agents. I’d love to be able to work with a traditional publisher, regain agenting. I’m just asking for the mindsets to change…just a little. Become more open, more humane.

So, please, allow us to express our own unique creativity. Don’t force us into boxes that don’t exist. It is not a case of getting us to be more salable. You may think it is, but it’s not. You may have created a business out of distribution, but that doesn’t make it right that you impose your ways on us. You should work with us, as we are [trying to] work with you. You may feel like you have (or have had) the power to make or break us, but whether or not that may be the commercial case, that should not be the Human Way. You should not try to screw us over with your greedy, author unfriendly contracts. If you had no authors, you’d have no business. No power. If it wasn’t for us, you’d be nothing, and you’re power-purse-strings approach seems to squelch that for most, who succumb to your whims, but it doesn’t make what you’re doing right. This should be about distributing the work that we love and create—yes, with whatever needed improvements and polish that comes from professional editing—but, letting us do our job of writing what we love to write, and you do your job of distributing our work.

Money will be made.

Related articles

  • Amazon v Hachette (davidgaughran.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 4 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 5 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 6 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 7 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 8 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 9 (fpdorchak.wordpress.com)

Filed Under: To Be Human, Writing Tagged With: agents, Art, Editors, Indie Publishing, Making Money, Points of View, Publishing, Readers, reading, Wailing Loon, writing

Writing The Distasteful

May 17, 2014 by fpdorchak

No Frills, No Thrills. (Gregorio De Ferrari [Public domain], via Wikimedia Commons)
No Frills, No Thrills. (Gregorio De Ferrari [Public domain], via Wikimedia Commons)
I do not like violence.

I like writing about it even less.

While working the Psychic manuscript, I have great misgivings about  how nasty I should go, regarding a certain scene that comes later in the book (to be honest, I have a couple scenes, but one, in particular, really bugs me).

Do I back off it, or give it its full measure?

It’s not a pleasant scene. Very distasteful to write.

I’ve written plenty of distasteful stuff over my writing career, most of it may never be seen, since it was my early horror writing years (unless I do a collection of my short stories—which I really want to do!—and clean up the more presentable works…). In The Uninvited, I have some nasty scenes. And after writing my last post, many might well wonder, what the hell, Frank? Really? Practice what you preach, man!

Being a writer puts a person in an interesting position. For one thing, when you write something, people wonder how much of it is really “you.” I get it. It’s like when I hear songs, I often wonder the same of the groups singing them. Curiously, I don’t necessarily think the same of writers, because I do understand the process…that just because a writer writes something inflaming or physically nasty or offending doesn’t necessarily mean the writer is the same. I do begin to question that, however, if there is a series and they’re all nasty (I’m defining “nasty” as incredibly violence, distasteful, offending in some manner, beyond just taking a haymaker to the head or saying “someone was raped”).

You see, when you write “nasty,” you have to focus on that. The nasty thing you’re writing. For extended periods of time. And when you focus on something for so long, it’s in your mind. A lot. Even when not writing. I don’t like to focus on the negative and violent. So, any time I do have to write a violent scene, I try to make it as short as possible, while not cheating the story. When I write violent scenes (say the front lawn bathtub scene in Uninvited), they serve to advance the story in a way merely talking about them, “politely referring to them,” simply cannot do. I need to show the bad side of a character or event for a reason…whatever that reason is. I may not even know that reason…you see, I don’t outline ahead of time. I don’t preplan. When I write a story, I let it flow out of me, on its own. It’s called “organic” writing. I just sit down to the keyboard and start typing. It’s only later, when I “reverse outline” the book, that is, I list out in outline form the beats of the story. Then I rework, reshuffle, edit x 3 my work. But as I’m laying down the first draft, I allow the story to come to me in its own form…its own way. I do not censor in any way. I don’t sit and think, “Gee…it would be really cool if this scene was in there…” or “Wow, something more graphic would really stir up the pot!” The story reveals itself to me on its own. In its own way. Afterward, I may or may not do some of this (and, in fact, I did add an “inorganic” scene to this novel, after a friend of mine read the thing and made a suggestion that just nailed the whole “Victor Black” thread…). I will, however, embellish.

So…I have to be true to the story.

If all I did was gloss over certain things I found objectionable, it would be akin to the old “No Frills” books that had been put out in 1950s. Fifty or sixty pages long. “He was abducted and tortured. The good guys came, killed the bad guys, and released him. He went home.” There’s no emotional investment in any of that. Nothing to get you all riled up and pissed off at the adversaries. To really root for the hero/ine…feel his or her pain and, later, redemption. It’s not like the writer has to get incredibly graphic…but they do have to give you enough…mentally or physically—even spiritually—to make that point. Make you feel a part of the story. Sympathize with the characters. Drive that emotional stake into your soul.

So, this section has bugged me, since I wrote it, 14 years ago. I’ve reworked it, thought about removing it. Gave it less shrift than it deserved, perhaps, but finally decided to dive into it and face it. I’ve been working on it some 2 1/2 weeks. Maybe it’s just that I’ve been so focused on it this past few weeks that it’s become a “issue” for me, and it’s really nothing at all to be worried about, but, I think I’ve done all I can with it (for now), and am leaving it for a spell. See what my proofreader thinks about it.

But, in any case, I simply need to get away from it!

It’s tough when your spouse asks you if you had a good morning of writing. “Yeah! Sure did! Man, wrote a killer scene in which a person gets (<brutalized>). Repeatedly. Man, the things I thought of reworking that scene (Being intentionally vague, here, since don’t want to give the scene away)!

So, don’t take me (or other writers like me) to task over these things…don’t ask me why do I think of this shit. Don’t rub my nose in them. They are what they are, and they came with the telling of the story. I didn’t sit around thinking of them, trying to come up with their horrific content. I don’t walk this Earth contemplating mean and nasty ways to abuse others. But, when the story demands a needed scene, I try not to shy away from it. If my stories don’t “ring true” (verisimilitude) to real life enough…my stories won’t work, because I deal with real life situations, not fantasy writing.

And there’s another consideration.

What if…these stories I’m relating…have something to do with other lives of mine. A Zen reincarnational aspect to my life, where I’m releasing and dealing with tendencies from other lives in a more positive and less violence manner than I may have in those other lives? I do believe I’ve lived and fought in the Civil War, was a WWII B-17 tail gunner…and it’s been mentioned another thought I might have been a Roman soldier.

It always comes back to the metaphysical for me, doesn’t it?

But might there be some truth to this? We don’t know everything. And, it’s all energy…good and bad, are forms of energy. If I have had more violent existences in other lives, maybe my writing is giving a cathartic release to that type of energy and yielding a more positive growth experience for all involved?

It’s something to think about.

I know, on the cosmic scale of things, to readers, this [most likely] won’t be a big deal…but to me, the writer, to my constant focus on the subject matter for 2 1/2 weeks, it was problematic. I think I’ve worked through it, I think I did it justice…and that scene will make a later scene even that much more “sweeter.” Okay, maybe “sweeter” isn’t a good word choice. More justified.

And, I know, I can’t please everyone. It’s impossible. There’s good and bad out there, and in my work, I do try to mirror that so that—in some way—I can help explain it. And in explaining it from my point of view, hopefully see how we can do better. Give new or different points of view from which to act…and if the points of view are no different, maybe the words are expressed differently enough so that the end result is easier to see, to act upon in our own lives.

Again, these scene just come with the story.

In the end, I am driven to write. These stories beg my attention. I do my best with them.

Related articles

  • The Monroe Institute (fpdorchak.wordpress.com)
  • Psychic Cover Reveal! (fpdorchak.wordpress.com)
  • The Ring (fpdorchak.wordpress.com)
  • The Unmaking of a Psychic (fpdorchak.wordpress.com)
  • Roaring Success Interview — Sleepwalkers (fpdorchak.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 4 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 5 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 6 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 7 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 8 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 9 (fpdorchak.wordpress.com)

Filed Under: Art, To Be Human, Writing Tagged With: Craft, Distasteful, No Frills Books, Organic Writing, Psychic, The Uninvited, Verisimilitude, writing, Writing the Nasty, Writing VIolence

The Indie Author Manifesto, by Mark Coker

April 24, 2014 by fpdorchak

We Hold These Truths To Be Self-Evident!  (Howard Chandler Christy [Public domain], via Wikimedia Commons)
We Hold These Truths To Be Self-Evident! (Howard Chandler Christy [Public domain], via Wikimedia Commons)
I love this guy!

Mark Coker.

Creator of Smashwords.

I met him at a writer’s conference a couple years ago, drove him to the airport with a carload of other VIPs. This guy is so cool, so down to earth, so frigging real. He isn’t afraid to stand up to the icons of the publishing industry and call “Foul!” Dazzle them with the facts.

From his current post, I have lifted what he is calling, his Indie Author Manifesto.

Rock on, Mark Coker!

THE INDIE AUTHOR MANIFESTO

We indie authors believe all writers are created equal, that all writers are endowed with natural creative potential, and that writers have an unalienable right to exercise, explore and realize their potential through the freedom of publication.

I hold these truths to be self-evident:

  1. I am an indie author
  2. I have experienced the pleasure and satisfaction that comes from self-publishing
  3. I have a right to publish
  4. My creative control is important to me.  I decide when, where and how my writing graduates to become a published book.
  5. Indie does not mean “alone.”  I choose my partners.
  6. I shall not bow beholden or subservient to any publisher. In my business relationships, I seek partnership, fairness, equity and mutually aligned interests.
  7. We indie author comprise diverse writers unified by a common purpose to advance, empower and celebrate writers everywhere.
  8. I am a professional.  I take pride in my work, and I strive to improve my craft to better serve my readers, myself, my fellow indie authors and the culture of books
  9. My writing is valuable and important.  This value and importance cannot be measured by commercial sales alone.
  10. I celebrate the success of my fellow indie authors, for their success is mine, and mine theirs. Together we are pioneering a better future for books marked by greater quality, creativity, diversity, choice, availability, affordability and accessibility.

Related articles

  • The Illusions of Traditional/Self Publishing and The Reality of Hybrid Publishing (writeitforward.wordpress.com)
  • A HUGE Thank You To All of You! (fpdorchak.wordpress.com)
  • Uninvited Blurbs Reinstated to Paperback (fpdorchak.wordpress.com)
  • The Uninvited – Now In Paperback! (fpdorchak.wordpress.com)
  • ERO – Trade Paperback Now Available! (fpdorchak.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 4 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 5 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 6 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 7 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 8 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 9 (fpdorchak.wordpress.com)

Filed Under: Art, Fun, Leisure, To Be Human, Writing Tagged With: equity, fairness, I hold these truths to be self-evident, Indie Publishing, Mark Coker, mutually aligned interests, partnership, self publishing, Smashwords, The Indie Author Manifesto, Wailing Loon, writing

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 8
  • Page 9
  • Page 10
  • Page 11
  • Page 12
  • Interim pages omitted …
  • Page 16
  • Go to Next Page »

Footer

Upcoming Events

Events

Heading To

COSine 2026 – January 23 -25, 2026

Mountain of Authors – Unable to attend in 2026

MileHiCon58 – October 23 – 25, 2026

 

Follow Me

  • Facebook
  • Instagram
  • Pinterest
  • WordPress.org

Copyright © 2026 · Author Pro on Genesis Framework · Powered by WordPress.com. · Log in