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F. P. Dorchak

Speculative Fiction (New Weird) Author

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writing

Ooooh, No You Didn’t Just Go There….

September 16, 2013 by fpdorchak

English: Depiction of frustration
No…No, No, No, No…. (Photo credit: Frustration, Wikipedia)

Okay, I have to admit, I kinda got pissed when I read a blog post about marketing your work, and, yes, I did kinda take it personal, because it continues to perpetuate a train of thought, a mindset that so many seem so eager to promulgate and promote, and which can be (well, I feel it actually already is…) very damaging to writers. I have nothing personal against the author of the post, but I simply cannot allow certain things to be said and let the masses rally around behind without another point of view given. I love writing and the publishing world—to an extent. I, do, however, heartily disagree and take issue with certain points of view and feel I have to counter certain issues that always arise, however, and this is one of them.

And, I must say, I am saddened by those who continue to buy into them…though understand how this can happen.

So, here is the comment I posted:

Jennifer, sorry, but I really must take issue with the following: “…there is no reason to gamble on a new or mid-list writer, which means little-to-no marketing money.”

If there’s one thing I’ve found in my 52 years of life, and almost as many years writing and observing this and other industries is that anyone can sell anything if they put enough resources into the effort. If “resources” means money, so be it, if “resources” mean thought, so be it. I know all about how mid-list writers fulfill an important part in the overall book world, but–it seems to me–the bottom line should be if publishers don’t want to put any resources behind something they take on, then they shouldn’t have taken on the work to begin with. It does so much–sometimes irreparable–damage to a writer and their career, if they don’t sell through on their first book. Gee, it used to be their first two or three books. Now it’s down to one. Why is that, I rhetorically inquire?

There’s “little-to-no marketing money” because bean counters and execs are throwing all their money on “sure bets” (and I used “bets” intentionally, over “things”). Come on, does a King, Rowling, or Patterson really  need all the resources they actually get, once it’s announced a new work [from them] is available? Can some of those resources be better spent on others who don’t yet have the market recognition, but are every bit as good? I’m sorry but saying something like that (again, IMHO) is picking low-hanging fruit. The problem involved in today’s book industry (as is elsewhere evident) is in the mindset of those running “the shows.” It’s not that there’s no money. If there really was “no money” then no one would be getting any of the millions being dumped into promotion of the Big Dogs. If it’s “so easy” and “low cost” for the Nobody Writer to do social media, etc., then why don’t the Big Five partake in it? Hire unpaid interns (if this is still the practice; low-paid, otherwise) to create these campaigns for the works these companies take on? Or, hey, here’s a thought, maybe take on less authors?…only those authors whose work publishers really do believe in, and are willing to actually devote some resources (including real thought) to in the first place, instead of throwing their works again public walls like so much partially cooked spaghetti?

ANYTHING can be sold.

Anything.

And, no, we all know but perhaps don’t readily admit to ourselves, no, the product doesn’t even have to be good! Do we really need $4 coffee? Bigger screen TVs? Do we really N.E.E.D. these things?

People buy what’s put in front of them. If they have choices eliminated from them, intentionally not put in front of them, how can they even consider them?

So, with all due respect to you, Jennifer, and all the others out there who feel the same as you, and will heartily disagree with me and my kind, and try to rip me a new one with “stats, and facts, and whatever” (stats and facts and whatever can all be manipulated; I used to work with them, and know firsthand how they can, indeed, be manipulated), there are reasons, very good ones, to gamble on new writers, because there is good, undiscovered writing out there…writing that is not formulaic and is every bit as powerful as the “sure bets.” Writing that is profound and thoughtful and funny as hell. This industry loves—thrives—on blaming the writer (their work isn’t “ready,” the writer isn’t “big enough,” the writer doesn’t have a “platform,” etc.), but sometimes it’s not the writer…it’s the Gatekeepers. Yes, all kinds of “holes” can be poked in my position, it’s all been said before, but it’s not about whether or not holes can be poked into my argument. There is another way of doing business…it’s just intentionally being overlooked.

Filed Under: To Be Human, Writing Tagged With: Art, author, Big Five, Marketing, Platforms, Publishing, Social media, Writer, Writers Resources, writing

The Woman in Black

August 17, 2013 by fpdorchak

My wife and I watched this 2012 film last night and, though there were some odd incongruities I can’t mention because they give elements of the plot away, it was overall pretty cool! What I really loved about the film was the atmosphere and some of the really cool visuals. The story is a period piece about a lawyer (Daniel Radcliffe, of Harry Potter fame) who has lost his wife and has to raise his child on his own (well, with a nanny), and is sent to a dead woman’s estate (the “Eel Marsh House,” at a cool setting involving tidal washes) to close it out. Of course, the supernatural ensues. This film is produced with several companies, one of which is Hammer Films. I love Hammer films! They have such richly created and stylish worlds to all their productions, and I was not at all disappointed this time around. It was neat to see “Hammer Films” up on a screen again!

Now, this is not like your current crop of flicks that go all gory and hack-and-slash crazy, and I loved that. It was a ghost story. It was psychological and carefully played out. About shadows and reflections and peripheral visions.

Creepy.

That would be the operative word!

Check out this site, and the last video, titled “Classic Ghost Story.” Then catch the film itself, at night, in a dark room….

During afternoon tea, there’s a shift in the air.
A bone-trembling chill that tells you she’s there.
There are those who believe the whole town is cursed.
But the house in the marsh is by far the worst.
What she wants is unknown, but she always comes back.
The specter of darkness, the Woman in Black.

From FirstCovers.com.

Filed Under: Leisure, Spooky, To Be Human, Writing Tagged With: Daniel Radcliffe, Ghost Stories, Ghosts, Hammer Film Productions, Hammer Films, Harry Potter, Movies, The Woman in Black, writing

Why Did I Go Indie?

August 16, 2013 by fpdorchak

Yes, I'm Finally Showing Some Spine!
Yes, I’m Finally Showing Some Spine!

Why go indie?

This question was asked in one of the writer’s loops I belong to, and I thought it might make a good post, since I don’t know that I really spelled it out in any previous blogs, nor really put it all together in one place. Apologies for all this “Indie This/Indie That,” and I do promise to post some other topics, soon, but here, I present my response to a writer’s loop question, in its near entirety, plus-or-minus some:

Why did I go indie?

Well, I got tired of banging my head on the brick wall of the traditional route. Tired of all the “have-tos” thrown around like so much confetti at a New Year’s Eve party. Tired of the attitudes of many of the Gatekeeper’s out there (not all, but I’ve been at the receiving end of smirks, disaffection, arrogance—an industry professional picking up my one-book-at-the-time, casually flipping it over in their hands with obvious prejudicial attitude [most of you surely know what I’m talking about—the cover clearly not a “New York job” kinda thing] before placing it back down on the pile without even opening it, and I was this person’s driver from the airport, so they “knew” me, but this person didn’t even have enough energy to crack open the book—as I’m standing directly beside him/her); sure, you get that anywhere, but at least by this route, I don’t have to deal what that particular aspect of things…

I got tired of the wasted time.

It’s not that I harbor anything “against” these people, in and of themselves, it’s just that it’s a different world out there these days, with everyone grabbing for work, trying to stay afloat, trying to remain germane and “important” in their own industry (at least that’s what I hear talked about, but I don’t really think this is a problem)…and you throw into this mix the apparent proliferation of what I perceive as growing attitudes where writers seem to be there for the Gatekeeper’s, where authors are no longer grown, but plucked with expectations of immediate ripeness.

I just don’t want to be part of that, if there’s another route.

And, now…there is. I mean there really is! And it’s finally gaining acceptance. At the publishing house level, if you believe all the ground-level noise, there no longer seems any real respect for the writer…for the awe of their ideas, their words. It’s all about money and profit and immediate financial-gratification. Sure, I’d love to have a traditional publisher for many reasons (and not, for other reasons)…but everything’s so frigging “weird” now. Agents have to be pickier because publishers are being weird-pickier because of the “sure-fire” hits requirements. Can’t really go that far out on a limb, anymore. Heaven forbid you have a “thinky” story that makes someone consider their world, their soul, rather than rehashing yet another formulaic plot with different plot apparel. Sure, nothing so much against those kinds of books (I really don’t have any)…but at the exclusion of other material, yes, I do take exception. My ex-agent thought highly of my efforts, but because NY didn’t, we had to part ways after 4 1/2 years. My ex-agent who is a huge reader, has been in the business a long time, has all the contacts, thought sure [as well as any agent can think “sure” in this biz, in that, nothing’s truly a “sure” thing, however, this has a damn good chance at being picked up kinda sure…] certain “elements” would take on my work…then didn’t. Sure, you could say all kinds of things, one way or the other, including my work just plain sucks…but I still see “sucky” stuff getting traditionally published. I don’t really like to honk my own horn, but my wife told me the other day that one of her Facebook friends who’d read ERO thought it should be on the bestseller list. Wow, do you know how that feels to hear something like that when you’ve been laboring in the damp dark for so damned long? Getting dissed by agents and publishers and even some of your peers who have been published and made to feel as if you’re not fricking worthy? Questioning your own worth? Damn right I’m gonna honk that horn! Thank you, whoever that was! But, that’s a reader. A buyer of books. A human at the distant end of the publishing food chain. I often say that if one person feels one way, you know others do (or will), too.

So, go ahead, define “sucky.”

Additionally, I’m older than when I started. I no longer have the time I did when I started out.

I also have stories where timelines have gone against me, in that I can only extend JFK’s age so far into his 90s in the present-day alternate history, or the effects of 9/11 in the story (had to severely change that plot line in The Uninvited).

I’ve read that many readers don’t care who publishes a book, just that it’s “good,” however that’s defined. The “new indie” has far more flexibility than the “old indie” of plunking down $3K for a POD book, or the “old, old indie” of plunking down far more, then getting a garage-load of hardcovers you could foundation a house with (yes, you can end a sentence thusly). I love the flexibility, and, yes, as others mentioned, the control. It’s just another way of doing business, and I have several books still to release, and, now, several out there.

I love having the control for the cover, ooh, boy do I! And when you find cover artists like Karen Duvall and Lon Kirschner, formatters like Pam Headrick, out there willing and qualified to work with you, man, you just wanna write more just so you can work with these kinds of people again and again! It’s actually a fun process, it really is, but very time-consuming, especially for creating the physical books [v. ebooks]. Oh, but when you finally get them into your sweaty little hands….

And…I now have books (plural!) out there…an actual growing body of work…to answer the question I’ve frequently received over the years:  “When’s your next book coming out?” I will soon also have an answer to “When is your next ‘Sleepwalkers‘ book coming out? (hopefully by year’s end).”

And…I no longer feel rushed. Now I write…and when it’s ready, I publish. I still have much promo and marketing to do, but my plan was and is to get these already finished books out there, then promote the hell out of them. Working a full-time day job, there are only so many hours in the day—and that’s another thing about choosing to go indie, but there’s no rush to “make it big,” or profitable in the first two weeks or you’re sunk! It’s up to you how much time effort and profit you wanna make, unless, of course, something catches a tasty wave, and off it goes on its own. Hang ten! The strangest event can launch already published indie books into the national forefront. They’re also out there forever; no one’ll pull them from retailing because they’re not making billions.

There will always detractors out there. Sure, my arguments can be ripped a new one, and so can other arguments against mine. It’s not about finding fault with things…it’s about finding another way and finding the positive in one’s life.

To be a writer is to write. To be a writer is to be read.

This is all just my opinion. I am who I am and have done what I’ve done.

I’m quite happy with my decision!

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  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
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Filed Under: To Be Human, Writing Tagged With: ERO, Indie Publishing, Lon Kirschner, New York, Pam Headrick, Publishing, reading, Sleepwalkers, The Uninvited, writing

The Uninvited—Deleted WTC Scene

July 3, 2013 by fpdorchak

World trade center new york city from hudson c...
World Trade Center, New York City, from the Hudson, circa 1990 (Photo credit: Wikipedia)

I started writing The Uninvited in 2001. I’m not sure of the actual date I started writing it, but my writing log has “~September 20, 2001 (not sure of actual ms start time)” listed. I do remember I was hit with the idea while mowing the lawn. The manuscript went through three name changes, starting out as Awakened Souls, then Souls Harbor, then the current title. Things change as you work on a novel, especially when you work on one for 12 years, but I’d work on one scene in particular that involved the World Trade Center. I researched into the buildings, and part of my inspiration for the story was to try to explain the heinous activities that befell the WTC, but as time wore on, I found that my plot’s timelines grew ridiculous. That to have some of the characters to be “on the loose” for 12 years was asking just a little too much…so I had to rewrite the scene (I had to also do this with the Hockers; I’d originally had them “originated” in WWII, but that also became untenable).

So, what I’ve done is post the WTC scene as I’d originally written it. If you’ve read the book, you know I now have what I call, “the Teterboro scene” in its place:

“Sarasota County’s newest inmate, number 5943667, otherwise known as Susan Sibley, housewife and volunteer worker, always considered herself a strong woman, not just physically, but mentally and spiritually, as well. In her late forties, she’d already raised her three kids, Polly, Ben, and Wendy into well-adjusted members of society and the college scene. All were intelligent, none of them did drugs, but Polly and Ben already had, unknown to their mother, their first college sexual encounters, while Wendy, the oldest of the three, and also unknown to her mother, was struggling with emergent lesbian tendencies. They’d all written home, called home, and sent those special-occasion cards and flowers on time. For what more could a mother ask? Susan had the perfect husband in Andrew Sibley, who was, admittedly, a bit on the workaholic side, but who paid her as much attention as possible, and frequently called from work, or left humorous, loving, text messages on her cell. They had a beautiful home, though it was now an empty nest, and Susan had gone back to school herself, studying art. She’d always been particularly interested in Dali, and had always wanted to study art ever since she’d discovered, with her first child, that she could, suddenly and unaccountably, paint. She was, however, drawn to barren landscapes…prairies, plains, and deserts…all things remote and desolate…which she couldn’t explain—but no less ignore. It was just what emerged from within. She’d sought the help of other artists, entered therapy, and even consulted psychics to try to understand why it was her sketches and art work were all so sullen and barren. She never felt that way at home, or with Andrew—just in her art. All the Rorschach tests, all the psychoanalysis, and all the Dr. Phil and Dr. Drew shows had told her that she was, unequivocally, happy, and should, by all rights, be painting and sketching sunrises and sunsets, glorious seascapes, and fields of plenty and happiness….

So why all the artistic desolation?

Susan had no answer. She just chose to ignore it and went about life as she had for the past twenty years, painting what came to her, and living life to its fullest. She took up biking, weight training, even taught cardio classes—all in an effort to maybe, she and the professionals thought, release any possibly unconscious, pent-up, angst. Abandonment or lack-of-attention issues. She didn’t have any, she insisted, but they (those darned professionals) insisted try it, it couldn’t hurt, could it? Look at it this way, if there were any unconscious issues this might release their orneriness, and if not, look at what great shape she’d be in! She’d be so buff she and her hubby won’t be able to keep their hands off each other (not that they did already). Well, who could resist that argument? Buff and more sex? Woo-hoo, America….

So, Susan made the gym and running her daily routine, and, indeed, created quite the conditioned physique. And, yes, the results were just as the professionals had envisioned…but still, there had been no “rage catharsis,” no internal psychiatric purification, because there just hadn’t been any pent-up anything.

No harm, no foul. Life goes on.

Then the events of September 11, 2001 came to pass, and Susan found herself in the middle of managing relief efforts for their small-town Iowa world. Susan had taken part in local and national Red Cross efforts, including several trips to Ground Zero. She had an only brother who’d worked on the sixtieth floor of Tower 2 of the World Trade Center. They’d always been close, and when the north tower’d been hit, he’d told her he’d seen it, having been daydreaming out his window at just that moment…noticing what a beautiful, clear day it’d been…while sipping his double-mocha extra latte with a cinnamon twist—when he saw the unthinkable. Saw that airliner plow straight on into the north tower like he’d had a front-row seat to the premier showing of the newest IMAX disaster flick. Felt the shocking impact translate itself across the 140-feet of airspace between the buildings, as well as down through ninety-three floors of New York skyscraper, across New York concrete, then back up the sixty floors of additional New York skyscraper, through the offices of Morgan Stanley, past the legs of that hot new investment broker, Sonia McGrath, four cubes down, then telegraphed through his leather-back throne, as he had it swiveled toward the plate glass of his corner office. Yes, brother Wallace Theodore Bryce had seen it, seen it all, all the fire, the smoke, the surreality, and, lucky for him, brother Wally had been quick to respond. He’d shot to his feet after the impact (double-mocha, extra-cinnamon latte splattered all over the carpet and portions of his leather highback, not to mention his slacks and shoes), and the words were flying out his mouth before he knew what he was saying: Oh my God! Oh my GOD! Tower 1’s been hit! There’s a huge hole—we have to get outta here! Now! Brother Wally had felt his legs grow wobbly, something he’d read about in books and saw in movies, but had never really believed until this very moment, then rediscovered locomotion, as he rushed out of his office into the reception area of Morgan Stanley proper, and boy, he wasn’t alone. Others had also witnessed it, also spilled their Chai teas and lattes, and were similarly screaming and yelling. Even beautiful Sonia was wailing strings of nouns, verbs, adjectives, and not to mention some rather choice expletives. So, brother Wally shouted for everyone to evacuate. He’d cleared out his office, but, as he was the last one out, found himself staring—simply staring—at the suddenly empty office, and the horror a small block of air space away from him, and had a weird feeling in the pit of his stomach. Not only wasn’t this right, on this beautiful, clear, Tuesday morning, at eight-forty-three a.m., but he had the distinct and first-ever wholly psychic event in his entire dull and droll life: it wasn’t over. In his mind’s eye, as clear as the gorgeous day he was experiencing, with the stark and harsh contrast burning before him, he saw another crash. Saw office papers flickering down from the sky like so much confetti, shimmering in the early morning sun, and desks, filing cabinets and people blown out exploded windows in another building. Saw a massive, running cloud of blackest black smoke.

And he was standing in the area of future impact.

He knew the towers were developed to withstand the impact of a 707 flying into them, but somehow that didn’t exactly comfort him. Had that been a 707—and had they upgraded their engines since the last crash-test analysis? And what of those inside the area of impact?

Brother Wally turned and noticed just how empty the place was in an office that, only moments before, had been bustling and busy, and realized that he was the last set of eyes to ever see this place in all its financial glory, in its time and space coordinates, here, high above the streets of New York. The last one to hear all the phones that were, even now, ringing; he was the last one to smell the coffee that was still brewing at various locations around the office, and see those rays of sunshine hitting the desks and potted plants just so. He was the last man on earth, at this moment, but he wouldn’t last if he didn’t get his ass out of there now.

So, cell in hand, Wally called his sister as he rushed out, and, adrenaline flushing his system, glanced at the Last-Man-On-Earth Time as he left the offices, which clocked in at eight-forty-six. He tried to take the elevator, but so was everyone else, so he began to hoof it down the stairwell with those unable or unwilling to use the elevators. Thank God for his five-mile morning runs….

Well, not that Susan knew all of the exact, intimate details of the last moments of her brother’s life, but she had talked with him ever so briefly on his cell phone as he’d evacuated. She still recalled hearing all the noise and screaming from the others around him, his labored breathing. In those few short seconds, Wally had told her what had happened, and what they were doing, but that was the last she—or anyone else—had ever heard from him. Over the many years since, Susan had had ample time and imagination to fill in all the holes she didn’t know about her brother’s escape, and what might have really happened up there. No one had ever found him after the next attack, which had slammed precisely into the floors of the offices of Morgan Stanley, at nine-oh-two that morning, and no one had been able to find his body—wholly or in parts—following the extensive relief efforts and door-to-door hospital searches. Susan had done all she could, but despite her best efforts, had not turned up anything on her only brother. He was simply and succinctly listed as “missing.” She had just chosen to fill in all the spaces by thinking and rethinking the scenario over and over in her mind, year after year. She doubted he’d gotten out, but preferred optimism to the alternative. And two facts remained: he had told her of his one and only premonition, and she—to this day—felt him still alive.

And that had been the single most defining moment of Susan Sibley’s life—except for today. Here, during the early morning hours where she suddenly, inexplicably, found herself in a Gulf Coast Florida detention center cell for committing a series of murders of which she had plenty of blood and other DNA all over her, as well as a load of partial memories and screams and pleas still echoing in her head that could only be attributed to the actions of which she’d been accused. If ever there had been a time in which she might have had any kind of unconscious, pent-up rage, this would be it, but it appeared as if all her therapy and cures had come years too early, years before the symptoms, and had all, long ago, fallen flat. Any problems she’d thought she’d had in the past of her short-but-sweet life had all been a joke. One huge, cosmic joke played upon a poor, meek soul that had actually proven to be more prophetic than anything else.

Close but no cigar.

Horrifyingly precognitive, at best.

Boy, was the joke ever on them, wasn’t it boys! Susan’s life up til now had been a walk in a rose garden, and no one could even appreciate it…except for her. Susan had had no problems…you wanna talk problems? Talk Sunset Harbor, Florida, one-twelve in the a.m., when she found herself fourteen-hundred miles from home, with a much-used pair of stained grass shears in her hands, bloody and dripping.

In her hands.

In someone else’s bedroom. As she stood over two mutilated and quite dead bodies, still snuggled against each other in bed. Streetlight streaming in, the occasional thunder and lightning punctuating each act, of which she had little memory—even as she stood over the tell-tale corpses, her weapon of choice still hot with their unknown lives running off it and onto her slacks and shoes and soul. She’d then, mechanically, rolled the bodies up into the throw rug, rolled them all up into rugs—why, she’d hadn’t a fucking clue—then tied them up with electrical cords yanked from bedroom lamps, macramé, whatever, and stacked them atop tables, bookcases, and one refrigerator. Stared blankly at her handiwork, then left, actually left the homes, again in a haze, only to find herself suddenly standing before another bed, again with her True Value grass shears dripping with warm, unknown, blood on her Esprit pants, Mephisto shoes, and Lutheran soul. This time, her hands shaking, and defensive wounds covering her arms and face. Again, she left, in her now-trademark haze, but, yet again, found herself in yet another bedroom…until she found her face smashed down against the warm, familiar metal of a black-and-white Sunset Harbor police cruiser hood, flashing lights painting everything around her a blur of red, white, and blue, no longer that blinding white from the lightning, or those pleading screams tormenting her. Now, cuffs slapped on wrists already sore and cut up from pleas of mercy she’d ignored, hands covered in drying blood from people she didn’t know….

Yes, these were the last memories Susan Sibley, wife of Andrew Sibley, and sister of unaccounted for Wallace T. Bryce had, as she screamed and screamed and screamed in her holding cell at three in the morning. Pain and hot winds blasted through her soul as she began to remove her blouse (they hadn’t enough detention center jumpsuits to go around, she’d heard) in this tiny enclosure, after the officer had come in and again yelled at her to please shut the hell up. Vague images again blasted through her mind like hot sand as she deliberately began to tie her blouse sleeves in a knot, staring off into space. She may not have had pent-up rage in her life for the past twenty-odd years, but she certainly had pent-up something now, and she sure as heck wasn’t going to go through all those years of whatever was going to surely happen to her next. Certainly “insanity” would somehow be tagged to it this time, given her history. Or at least something involving “life sentence,” if spared the almost-certain capital punishment that awaited them all. So, Susan, having removed her blouse and holding it out before her, continued to stare ahead at her impersonal cell walls, and think how they so resembled much of her work on oil and canvas, and lifted the garment above her head, hanging it around her neck like a preppy college

(Wendy! Polly! Ben!)

co-ed’s sweater. She grabbed the ends of her sleeves in each hand, and looked to them. Good thing for working out, she thought wryly, tightly gripping and digging in her knuckles for a firmer hold on the sleeve ends. She stood up, and felt anything but preppy now. She really did love her family and three kids and hoped they’d only remember the good parts, the 99.999% of her life they’d experienced firsthand. There was no way she was going to drag them through a bloody trial—there was no need for any more blood, and there was certainly no need for a trial. She’d done whatever they’d arrested her for, and that was that. Open and shut. She was tired of being labeled repressed, depressed, pent-up, or quietly suffering, and, most of goddamned all, she was sorry for what she’d done.

Summoning all of her strength in a single explosive effort, Susan exhaled and did the only thing that needed be done to put everyone out of her misery and bring all those years of mis-diagnosed therapy to closure. She grasped a firm hold of her sleeve ends and yanked with the might and resolution of the insane, wrenching her blood-stained blouse quickly and brutally around her neck as she exhaled and crushed her own windpipe.

Her coup d’grace to all who’d helped her over the years.

Her final thoughts, as she spastically gasped for air and choked the life out of herself, were of Wendy, Polly, Ben, and Andrew.

I love you, my darlings….”

My hope is that all the lost souls are now at peace.

Related articles
  • The Uninvited (fpdorchak.wordpress.com)
  • Music of The Uninvited (fpdorchak.wordpress.com)

Filed Under: Metaphysical, Reincarnation, Spooky, To Be Human, Writing Tagged With: Deleted Scene, Mowing the lawn, New York City, The Uninvited, World Trade Center, writing, WTC

Interviewed by Marc Schuster on Abominations

June 27, 2013 by fpdorchak

My brewski (Wiki photo).
My brewski (Wiki photo).

What have I done?

What “abominations,” you might well ask?

Well, last week Marc Schuster and I talked. Though I have done live radio, both on and off the Internet, this is my first podcast. The way Marc conducted the interview was slick, as we met real time for the first time. Before I knew it, he had effortlessly and with adroit aplomb (scholarly talk, because, you know, Marc is a professor…) slid into asking his questions, and it felt like a conversation between two dudes over a beer (or iced tea). I didn’t feel like I was being interviewed (that’s how “they” getcha), I thought in the middle of it all, and part of me wondered, gee, what kind of trouble am I going to get myself into, here? And as I thought that, I immediately thought, crap, what did I just say and what had he just asked? Then, as I was thinking that, I again wondered, geeze, now what did I just say….

So, I apologize in advance. For everything.

Anyway, Marc is quite the well-mannered and easygoing gentleman, and I had a great time. We both had a fun time. That’s my story, anyway. I thank him for the interview and expenditure of his time in putting all this together (aaand…am looking forward to the dance remix version…), but…perhaps more than anything…well, I’m really curious…and looking forward to…that little ditty he (and sometimes his partner-in-crime) always put on before the actual interviews….

Filed Under: Fun, Metaphysical, To Be Human, Writing Tagged With: ERO, Interview, Interviews, Marc Schuster, Podcast, The Uninvited, writing

PPWC 2013 Redux

April 22, 2013 by fpdorchak

In truth, I had started this post yesterday, the last day of PPWC 2013. Yeah, I was a little tired, but not too bad, really, better off than I usually am at this point. Truth be told, my neck needed a good crack (it’s better today). This year (as last year) I didn’t pitch any work to anyone—short of showing around the cover I had created for my upcoming supernatural murder mystery e-book (I’ll post the cover art soon—if my schedule of events continue favorably).

But, first, a HEARTY, standing ovational thanks to all who worked their butts off getting this conference up and running! It’s hard work, and it went off exceedingly well! You all done good!

So…what did I do to justify my $395 event fee?

Plenty!

I took in as many sessions as I could over the past three days, focusing on e-book methods and madness (aside: I received many compliments on my cover, created by Karen Duvall—and it really did come out great as a hardcopy!). I filled up the rest of the time with other things, like:

  • How horror bleeds into other genres. Get it? “Bleeds”?
  • How to talk up your book to potential readers (“Hey, do you like to read?”)
  • How to create e-book covers (Mr. Schwartz really liked my soon-to-be-ebook’s cover)
  • How to make the Indie and NY thing work together, and not be an “either/or” proposition
  • A little about how to write psycho characters (cause, like, I really need to understand myself, there—in my personal affairs…)
  • Adapting novels to screenplays, and what that process is (I adapted this mystery of mine into a script years ago—Amber Benson taught this!)
  • How to deal with the sophomoric slump, or “that next book.”
  • How to deal with writer’s block—which was quite enlightening (on several levels) about how different the reasons between guys and girls, when it comes to this—or, maybe, not so much?!
  • What to do once you’re published. Yeah, you’re just getting started….
  • How to write funny, cause Lord knows, I need that, too, in my personal life….

As I’d previously mentioned, I’d also moderated a couple sessions, one read-and-critique session with Kate Testerman and how to write a short story (and send it) in 4 hours, with Zombie-lover DeAnna Knippling (yes, pronounce the “n” in her name). I felt just a little like a fish out of water, moderating, since it’s been about 2 years since I’d done any of that. But it was fun getting back into things.

I also met and talked with all kinds of writers. This time out I was trying to get a little more outside my comfort zone, by sitting at tables for food consumption (during our lunches and dinners) with authors and others not associated with my brand of paranormal fiction bent. I also met and talked with the more “famous-y folk,” listing them in no particular order other than…well…the order I’ve presented below:

  • Terry Banker (always “up,” always friendly, always quick with a handshake and a “How’ve you been, Frank?” He always remembers me!)
  • Becky Clark (now, um, Becky. Yeah. I’m still trying to define, categorize, and define her. Might have to make up a word. I’ll have to get back to you on this one…)
  • Todd Fahnestock (I was so interesting to him, that his eyes glazed over and he had to prop himself up against a wall; that I had him held captive and pinned there, only helped in that endeavor…)
  • Becky Clark (nope…still got nuthin…)
  • Lynda Hilburn (we’ve interacted before by email, but you know you’re in trouble when her first words to you are, “So, what are your hopes and dreams“? Did I mention she’s a practicing and licensed psychotherapist?)
  • Lisa Renee Jones (maaan, I wanna be rich like her!)
  • Becky Clark (okay, okay, got one: she tells cool jokes, like “All work and no play make Lincoln a full-term president” Get it? Think about it…)
  • Aaron Ritchey (this man…he needs his own show; my face and sides still hurt from his EMCEE antics—his 200K “NanoPeakoPikeo” (pardon the spelling, Mr. Ritchey) effort over this weekend; he made me buy his book by being So. Damned. Funny.)
  • Becky Clark (Becky, Becky, Becky…she…she…deifies…Becknification…)
  • Amber Benson (Buffy the Vampire star; yeah, PPWC had her; that’s the kinda clout PPWC wields, my friends; she is so danged sweet!)
  • Barry Eisler (he worked his “Agency Mind Tricks” on me to buy one of his books. Damn him…I-I mean…yes, yes, Mr. Eisler, I…will…buy…all your books….)
  • Becky Clark (okay, she uses lots of K-words, and exaggerates—a lot—but…let me take a picture with her:)

    Becky and Me PPWC 2013
    Becky and Me PPWC 2013

Besides all the famous-y ones, I’ve also met up with those who I many times see only once a year. If that makes any sense. I (hopefully) made some new ones, and met several I’ve only dealt with electronically, so it was really cool to put pixels and faces and names together. Without having to virus check. One person, Lynda Hilburn was particularly funny in our first face-to-face, in that we’d been talking for a while at food time, Friday (you know about my hopes and dreams, which quickly morphed into my issues with cigars and lint—to this day I still don’t know how she did this or where it came from—but in the middle of the ball room banquet hall she had me up on a couch recording our session…interlacing images and analyses from Dante’s Inferno into my hot, steaming tears and mother issues), when she glanced down to my name tag and blurted: “Oh, you’re that Frank Dorchak!” I wasn’t quite sure how to take that, so we explored that for a while…

Lynda Hilburn PPWC 2013
Lynda Hilburn PPWC 2013

To be honest…I almost did not attend this year.

I’m not gonna get into reasons why (Lynda’s writing a paper on that for Psychology Today), but the point is, I did go. I learned so much about the e-books, the latest agent and editor Weltanschauung  (I love that word: Weltanschauung, say it aloud with me…), and I met so many wonderful, friendly, and, yes, even sweet people (and I don’t use “sweet” much, besides “Please pass the sweet…ner“). I give Becky grief, cause, well, she gives it right back. Like a two-by-four to the back of  the head. Lynda—she tells people she’s not good at small talk and gets right to the heart of any conversation in an instant. She’s a wonderful, wonderful woman and an excellent conversationalist. You will never be bored talking with her. Ever. She has so much to say, each of her words so dense with meaning and intent, you’re utterly fascinated by her and where her mind goes—and none of it is small talk. Everyone I met and talked with, they all have their stories, their own lives, and I would never have enjoyed any of it…had I not attended this conference.

So, what’s my fricking point, already?

If you’re a writer, a writer groupie, or simply “just” Becky Clark, and you’re hesitant about attending a writer conference—maybe it’d be your first—afraid of putting yourself out there, meeting others, sitting at lunch and dinner tables with people you do not know—that’s okay to be apprehensive—that which does not kill us, makes us stronger (usually)—but do attend. Do not put it off. Do not skip it. Go and enjoy like-minded people you will not find anywhere else. You won’t regret it. But you won’t know you won’t regret it until you come. To at least one. So, make those plans for 2014. Come out and see us. We don’t bite.

Well, at least the non-vampire/zombie attendees don’t bite….

Related articles
  • The Pikes Peak Writers Conference 2013 (fpdorchak.wordpress.com)

Filed Under: Fun, Writing Tagged With: Aaron Ritchey, Amber Benson, Barry Eisler, Becky Clark, Colorado Springs, Colorado Writer Conferences, E-book, Famous Writers, Lisa Renee Jones, Lynda Hilburn, PPW Pikes Peak Writers, PPWC, Terry Banker, Todd Fahnestock, writing, Writing Conferences

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