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F. P. Dorchak

Speculative Fiction (New Weird) Author

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Writing

Be Brave

August 31, 2013 by fpdorchak

Sara Bareilles
Brave lyrics

Songwriters: BAREILLES, SARA/ANTONOFF, JACK
You can be amazing
You can turn a phrase into a weapon or a drug
You can be the outcast
Or be the backlash of somebody’s lack of love
Or you can start speaking up
Nothing’s gonna hurt you the way that words do
And they settle ‘neath your skin
Kept on the inside and no sunlight
Sometimes a shadow wins
But I wonder what would happen if you
Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave
With what you want to say
And let the words fall out
Honestly I wanna see you be brave
I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be braveI just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

Everybody’s been there, everybody’s been stared down
By the enemy
Fallen for the fear and done some disappearing
Bow down to the mighty
Don’t run, stop holding your tongue
Maybe there’s a way out of the cage where you live
Maybe one of these days you can let the light in
Show me how big your brave is

Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

Innocence, your history of silence
Won’t do you any good
Did you think it would?
Let your words be anything but empty
Why don’t you tell them the truth?

Say what you wanna say
And let the words fall out
Honestly I wanna see you be brave

With what you want to say
And let the words fall out
Honestly I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you
I wanna see you be brave

I just wanna see you
I just wanna see you
I just wanna see you.

© Sony/ATV Music Publishing LLC

Filed Under: Leisure, To Be Human, Writing Tagged With: Brave, Sara Bareilles, Singing, Songs

Fiction and the World—Take A Good, Hard Look at Yourselves!

August 30, 2013 by fpdorchak

Deutsch: Zentrale Heterochromie: Grüne Iris, u...
Take a Good Hard Look at Yourselves. (Photo credit: Wikipedia. Deutsch: Zentrale Heterochromie.)

I read a post by Nathan Bransford, about the world losing  its taste for complexity in fiction. It linked to a Rumpus post, by Rob Roberge. The Rumpus post talked about moral dilemmas and men and women and literature. Definitely an interesting post. Besides the moral dilemma, and several others points that also stood out, I want to begin with this point: the age-old “gender fight” that always seems to be brought up, however briefly. About how the world is still largely run by men and women and the world have it so bad. It wasn’t made much of in this article, but I have to comment, because it implies a lot.

Okay, nothing’s perfect, and men seem to largely run the world. But consider for a moment how the world might be if women did run the world.

Right now all this man v. woman talk about who’s running things implies the negative aspects of a male-dominate Weltanschauung. Fine. Now, for just a moment, consider all the negative implications associated with a female-dominated world. Go on, do it. Think about all you hate and despise about the female Weltanschauung, I’m not going to list any; I’m leaving that up to all of you out there. I’m asking this because we’re focusing on the negative aspects of male gender and ignoring the positive aspects, so turnabout is fair play. I’m not about gender bashing, as anyone who knows me can tell you, but come on, let’s face it—no one’s perfect. You know what I’m talking about, so quit dicking around and be honest. Do you really think that kind of a world would be any better?

To me, it’s not so much about the sex of the “entity” running the world, but the mindset (and consider this: most psychologists have recently declared that many who run the world can be labeled as psychopaths; they don’t break this out into genders [at least I haven’t seen it], just one thing: many-to-most leading high-ranking business leaders display psychopathic behavior). Then there’s the increasingly nascent operation of bean counters running everything. Instead of all this dickering about crappy men running around screwing up the world and how much better women would be at it, saving all our souls and morals and intellect and emotion, I suggest that maybe it’s a mindset, not a gender thing, and the incumbent entity is just an easy target. It just so happens that one set of gonads has the so-called “upper hand.” In my experience working with and for both men and women, I find each just as capable and culpable as the other. There is no Saving Gender. No Second Coming of a Gender Savior. Woman have plenty of their own inherent goods and bads, just like men do, and with the infusion of more women into the workplace—or buying books—there is already more influence of women into everyday everything. And, to be honest, I don’t see any saving grace. I see women becoming just as stressed, just as angry, just as overwhelmed as their male counterparts in every area of life: on the road, in the office, at home, and on Facebook. Sure, arguments can definitely be made that while they are in the workplace they also have to come home and run the household like they used to. Fair argument…but they’re still stressed and overwhelmed and every other descriptor that men have, whether or not you add “more” to it, because of extra home responsibilities. But, I’ve also read and heard more and more men are becoming the stay-at-home dads, these days.

But, there is more to the Rumpus post. Why is there such a decline to the reading of fiction, or to the male readership of fiction? Is there really, or is it more that there is such an incline to the female readership, that the male readership simply pales by comparison? There is much talk (at least in the writing and reading circles) about the decline of something, sometime, and this was the current target. It would be great to see some actual studied numbers on the topics, but how useful would that really be? After all, how many times have you lent or received a book from another? There’s no money exchanged, no databased stat at no point-of-sale on those books. How good are these numbers, really?

And let’s talk about quality. Formula.

I know just from own personal experience, that I have been extremely disappointed in the fiction out there. Yes, there are a few exceptions, but nearly every new book of fiction I’ve recently purchased at bookstores/Amazon has disappointed me to the point of early reading termination. Now, yes, I’ve discovered about myself that I have become a pretty picky reader, but I’m an open reader. Open to new ideas and stories. I don’t get to do much of it, for various reasons, but most of the time when I’ve branched out, I’ve not been happy with the purchase. There are many out there lamenting about the state of publishing (including myself), like Joe Ponepinto, and they present legitimate positions. Pedantic, uninspired, unimaginative, overly formulaic, et cetera.

Perhaps what’s being published now is actually more sub par than in the past? I’ve realized that at some point in the past, we’d lost the eloquence that seemed to be better expressed on a daily basis than is today. Sure, there has always been the unschooled…but once you got to “the schooled,” it seemed (to my limited way of thinking) that people just plain talked gooder in the 1700 and 1880s. Perhaps I’m wrong.

Perhaps, because of the Bean Counter Revolution (BCR), what BCRs think is salable and think is “good” really isn’t. Perhaps, in the vein of A Few Good Men, they simply can’t handle the truth, because they’re not editors and readers. I still regard most editors highly; the good ones are extremely knowledgeable and well read. I don’t fault them for the most part; they’re doing what they’re mandated in order to continue eating and reading. But you hear it time and time again…it’s all the same plot, just different clothes and names.

I do not like to unnecessarily constrain things. Like writing. Literary or genre fiction. To me, both should be telling a story, with “literary’s” form perhaps more of importance than in genre fiction. To me, in literary fiction, form is part of the story. There is a difference, and in the literary I’ve read (admittedly, not very recently), I’m not lettered enough to describe that difference, at least now, to give that discussion due diligence.  But, maybe, those who are publishing today’s literature, as stated above, just aren’t “getting” the literature they’re rejecting and end up publishing the more understandable—to them. But to the literati effete, it’s tripe.

And if we revisit the whole “male v. female” argument from above, yes, there certainly can be made an argument that the male-dominated world is so overwhelmed with facts and figures, and well, yes, a war or two. That definitely can influence one’s POV. But, again, women are also included in this. Women are out fighting this war, too. So, make of that what you will. Fact is, we seem to be in a period of heavy turmoil, where there isn’t too much time for majority of those involved in the war, the economic whatever…to have any free time to adequately devote to made-up shit. People need to live and fight and survive, and fiction just doesn’t cut that mustard; fiction—good fiction—is reflective and subtle. Imaginative, and while it can lend to helping some or much of today’s ills, it’s not an immediate player in the current Weltanschauung. When you have to feed yourself, or fight off others trying to kill your ass, your priorities kinda change. I’d noted that in the years after WWII that there seemed to be a period of comedies and musicals. People tried to reset their mindsets. I don’t see that we’re there yet, and with this thing in Syria brewing, good God, when the hell will it ever end? Do we need to blow ourselves up to reboot the Human Genome?

So, don’t be so hasty to assign the low-hanging fruit to the cause of declining readership—or anything else. There are so many factors involved. But all of these factors—all of them—are dependent on each and every one of us. We make our lives on the decisions we make. By allowing the BCRs to run the world. By choosing to watch and read what we watch and read. By picking and choosing our beliefs. Our thoughts. If we want to effect change, it all begins in our minds. There really isn’t any other way to do it. You conceive of something, then you either chose to carry it out or not.

It’s your choice.

Filed Under: Art, Metaphysical, To Be Human, Writing Tagged With: fiction, Gender, Literary fiction, Nathan Bransford, people, Psychology, Psychopathy, Publishing, reading, Rob Roberge, Rumpus, Sexism

The Woman in Black

August 17, 2013 by fpdorchak

My wife and I watched this 2012 film last night and, though there were some odd incongruities I can’t mention because they give elements of the plot away, it was overall pretty cool! What I really loved about the film was the atmosphere and some of the really cool visuals. The story is a period piece about a lawyer (Daniel Radcliffe, of Harry Potter fame) who has lost his wife and has to raise his child on his own (well, with a nanny), and is sent to a dead woman’s estate (the “Eel Marsh House,” at a cool setting involving tidal washes) to close it out. Of course, the supernatural ensues. This film is produced with several companies, one of which is Hammer Films. I love Hammer films! They have such richly created and stylish worlds to all their productions, and I was not at all disappointed this time around. It was neat to see “Hammer Films” up on a screen again!

Now, this is not like your current crop of flicks that go all gory and hack-and-slash crazy, and I loved that. It was a ghost story. It was psychological and carefully played out. About shadows and reflections and peripheral visions.

Creepy.

That would be the operative word!

Check out this site, and the last video, titled “Classic Ghost Story.” Then catch the film itself, at night, in a dark room….

During afternoon tea, there’s a shift in the air.
A bone-trembling chill that tells you she’s there.
There are those who believe the whole town is cursed.
But the house in the marsh is by far the worst.
What she wants is unknown, but she always comes back.
The specter of darkness, the Woman in Black.

From FirstCovers.com.

Filed Under: Leisure, Spooky, To Be Human, Writing Tagged With: Daniel Radcliffe, Ghost Stories, Ghosts, Hammer Film Productions, Hammer Films, Harry Potter, Movies, The Woman in Black, writing

Why Did I Go Indie?

August 16, 2013 by fpdorchak

Yes, I'm Finally Showing Some Spine!
Yes, I’m Finally Showing Some Spine!

Why go indie?

This question was asked in one of the writer’s loops I belong to, and I thought it might make a good post, since I don’t know that I really spelled it out in any previous blogs, nor really put it all together in one place. Apologies for all this “Indie This/Indie That,” and I do promise to post some other topics, soon, but here, I present my response to a writer’s loop question, in its near entirety, plus-or-minus some:

Why did I go indie?

Well, I got tired of banging my head on the brick wall of the traditional route. Tired of all the “have-tos” thrown around like so much confetti at a New Year’s Eve party. Tired of the attitudes of many of the Gatekeeper’s out there (not all, but I’ve been at the receiving end of smirks, disaffection, arrogance—an industry professional picking up my one-book-at-the-time, casually flipping it over in their hands with obvious prejudicial attitude [most of you surely know what I’m talking about—the cover clearly not a “New York job” kinda thing] before placing it back down on the pile without even opening it, and I was this person’s driver from the airport, so they “knew” me, but this person didn’t even have enough energy to crack open the book—as I’m standing directly beside him/her); sure, you get that anywhere, but at least by this route, I don’t have to deal what that particular aspect of things…

I got tired of the wasted time.

It’s not that I harbor anything “against” these people, in and of themselves, it’s just that it’s a different world out there these days, with everyone grabbing for work, trying to stay afloat, trying to remain germane and “important” in their own industry (at least that’s what I hear talked about, but I don’t really think this is a problem)…and you throw into this mix the apparent proliferation of what I perceive as growing attitudes where writers seem to be there for the Gatekeeper’s, where authors are no longer grown, but plucked with expectations of immediate ripeness.

I just don’t want to be part of that, if there’s another route.

And, now…there is. I mean there really is! And it’s finally gaining acceptance. At the publishing house level, if you believe all the ground-level noise, there no longer seems any real respect for the writer…for the awe of their ideas, their words. It’s all about money and profit and immediate financial-gratification. Sure, I’d love to have a traditional publisher for many reasons (and not, for other reasons)…but everything’s so frigging “weird” now. Agents have to be pickier because publishers are being weird-pickier because of the “sure-fire” hits requirements. Can’t really go that far out on a limb, anymore. Heaven forbid you have a “thinky” story that makes someone consider their world, their soul, rather than rehashing yet another formulaic plot with different plot apparel. Sure, nothing so much against those kinds of books (I really don’t have any)…but at the exclusion of other material, yes, I do take exception. My ex-agent thought highly of my efforts, but because NY didn’t, we had to part ways after 4 1/2 years. My ex-agent who is a huge reader, has been in the business a long time, has all the contacts, thought sure [as well as any agent can think “sure” in this biz, in that, nothing’s truly a “sure” thing, however, this has a damn good chance at being picked up kinda sure…] certain “elements” would take on my work…then didn’t. Sure, you could say all kinds of things, one way or the other, including my work just plain sucks…but I still see “sucky” stuff getting traditionally published. I don’t really like to honk my own horn, but my wife told me the other day that one of her Facebook friends who’d read ERO thought it should be on the bestseller list. Wow, do you know how that feels to hear something like that when you’ve been laboring in the damp dark for so damned long? Getting dissed by agents and publishers and even some of your peers who have been published and made to feel as if you’re not fricking worthy? Questioning your own worth? Damn right I’m gonna honk that horn! Thank you, whoever that was! But, that’s a reader. A buyer of books. A human at the distant end of the publishing food chain. I often say that if one person feels one way, you know others do (or will), too.

So, go ahead, define “sucky.”

Additionally, I’m older than when I started. I no longer have the time I did when I started out.

I also have stories where timelines have gone against me, in that I can only extend JFK’s age so far into his 90s in the present-day alternate history, or the effects of 9/11 in the story (had to severely change that plot line in The Uninvited).

I’ve read that many readers don’t care who publishes a book, just that it’s “good,” however that’s defined. The “new indie” has far more flexibility than the “old indie” of plunking down $3K for a POD book, or the “old, old indie” of plunking down far more, then getting a garage-load of hardcovers you could foundation a house with (yes, you can end a sentence thusly). I love the flexibility, and, yes, as others mentioned, the control. It’s just another way of doing business, and I have several books still to release, and, now, several out there.

I love having the control for the cover, ooh, boy do I! And when you find cover artists like Karen Duvall and Lon Kirschner, formatters like Pam Headrick, out there willing and qualified to work with you, man, you just wanna write more just so you can work with these kinds of people again and again! It’s actually a fun process, it really is, but very time-consuming, especially for creating the physical books [v. ebooks]. Oh, but when you finally get them into your sweaty little hands….

And…I now have books (plural!) out there…an actual growing body of work…to answer the question I’ve frequently received over the years:  “When’s your next book coming out?” I will soon also have an answer to “When is your next ‘Sleepwalkers‘ book coming out? (hopefully by year’s end).”

And…I no longer feel rushed. Now I write…and when it’s ready, I publish. I still have much promo and marketing to do, but my plan was and is to get these already finished books out there, then promote the hell out of them. Working a full-time day job, there are only so many hours in the day—and that’s another thing about choosing to go indie, but there’s no rush to “make it big,” or profitable in the first two weeks or you’re sunk! It’s up to you how much time effort and profit you wanna make, unless, of course, something catches a tasty wave, and off it goes on its own. Hang ten! The strangest event can launch already published indie books into the national forefront. They’re also out there forever; no one’ll pull them from retailing because they’re not making billions.

There will always detractors out there. Sure, my arguments can be ripped a new one, and so can other arguments against mine. It’s not about finding fault with things…it’s about finding another way and finding the positive in one’s life.

To be a writer is to write. To be a writer is to be read.

This is all just my opinion. I am who I am and have done what I’ve done.

I’m quite happy with my decision!

Related articles
  • ERO – Trade Paperback Now Available! (fpdorchak.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
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Filed Under: To Be Human, Writing Tagged With: ERO, Indie Publishing, Lon Kirschner, New York, Pam Headrick, Publishing, reading, Sleepwalkers, The Uninvited, writing

Going Indie—What I’ve Learned (So Far)—Part 6

August 14, 2013 by fpdorchak

Wailing Loon (F. P. Dorchak, Lon Kirschner)
Wailing Loon (F. P. Dorchak, Lon Kirschner)

In my latest indie publishing endeavor, I’d created a trade paperback book in addition to my ERO e-book. I haven’t yet done this for The Uninvited, but plan to in the future. ERO is my “Big Book,” so that’s why I made the extra effort and spent the extra money; I even already have the ISBNs for Uninvited. So, in keeping with documenting my indie publishing adventures, here is my latest installment about learning the ropes, on the ropes:

  1. It’s really fun! That is, if you have most of your ducks in a row and you work with a great team! My team included Pam Headrick and Lon Kirschner, both of whom I’ve written about before, and truly are a great couple of people! It wasn’t like when I create Sleepwalkers, through [then-now-gone] 1st Books, back in 2001. Though it had been fun on my part, I kept finding errors in the gallies that they added, either through fat-fingering or whatever. It was most frustrating.
  2. Create a checklist of what you need to do. I’m in the process of doing this, and had one in progress as I was doing the paperback, but it will save you embarrassment in the future, like forgetting to include someone in your Acknowledgments/Author Notes pages. Now, granted, as an indie author you DO HAVE THE POWER! (Power Ring thrust up into raging storm and lightning) to go back in and make those corrections, but it will cost ya (whatever the minimum $$$/hour rate your formatter/cover artist will charge to do the work…but then you’ll have more than one version of your work out there…so think long and hard before submitting material).
  3. As Pam had forewarned me, there is a lot more interaction between you and your team. A lot. Do you want an extra graphic in the Front Matter (the pages before the actual story, in the front of the book)? I did. Gotta get a graphics person to do it, then submit it to your formatter. Are you done? No, how large do you want it? What placement? And none of this even considers your interaction with your graphics person. At one point there was so much going back-and-forth, that I had to hand Pam and Lon off to each other, so they could just go and “speak their ‘speak'” without me getting in the way and adding yet more time to the whole process.
  4. Consider a faux Imprint. Wailing Loon is my faux imprint. It just adds a nice touch, tells a little about “who you are” and rounds out the professional looking quality of your book. Is it “cheating” by not using the “CreateSpace” logo…maybe, a little, but it gives your work yet more of you own identity, and isn’t that a large part of what Indie publishing is all about?
  5. Title page. Pam had the idea of using a black & white version of the cover. So, sure! We did up a B&W version, and inserted it. See #3, above.
  6. For the Back Matter (if “front matter” is…), I tried to tidy up the rear information, and not give all those “hyperlinks” that e-books live off of. Just basic info about me, and my website.
  7. Pictures and stuff: I don’t really care about having a picture on my books, but in this instance, since I had one of me while in the Air Force during the 80s, and it fit right in with the story of ERO, I thought, what the heck. Adds to the whole “package.”  I also had a faux organizational patch a friend of mine had created for me, so we also used that on the back cover. Consider those kinds of touches for your book.
  8. Post Office box. This I haven’t done yet, but I’m planning on looking into it. It might seem a bit weird to do, but what if you have people asking about sending you a copy of their book for your autograph? Yeah, hadn’t thought of that one, have you? Well, some of us are old school and prefer not to give out that kind of information—especially over any kind of social media, and that a very good thing to not do—so the thing to do is get a Post Office box. More on that, if necessary, as I look into it.
  9. Currently, CreateSpace (CS) has a weird rule: they do not allow all capitals for titles in creating a CS account. So, for ERO, I had to add periods in the title for the CS account, for “E.R.O.” They assured me it would have no affect on the actual title. But they are quite wrong. What it affects…are retailing your “title.” Go do a search for “ERO” in Amazon.com. What did you find? Sure, the Kindle version is there, but the paperback version is not displayed…at least not at the top of the page. If you scroll down, you’ll find related searches (which is a good thing Amazon does, searching on other parts of the main search for additional info), and there “E.R.O.” displays. Additionally, if you have your ebook at Nook (B&N), Nook says it synchs up “any other versions” of the book out there, but they have to be “word-for-word, space-for-space” the same names and titles. And who knows where else and what else this will impact! But, it certainly impacts people looking for your book! A friend of mine did a search for “ERO” and told me she couldn’t find it. The above is the reason why. So, see how easy it is TO LOSE A SALE?! You bet. So, I’ve been in contact with CS and Nook, and while I was nearly brushed off by initially trite and not-reading-all-of-the-e-mail responses, I pushed it, and, last I’ve seen, CS has sent the issue to their tech peeps. I’d asked they reconsider their protocol or rework my title. We’ll see how this goes. I’ve also asked why they do it, but I suspect it might have something to do with “flaming” over social media, or something. I just cannot image what other reason why a company would do something like that.

Okay, I think that about covers it for now. Go, have fun creating your own books!

Related articles
  • ERO – Trade Paperback Now Available! (fpdorchak.wordpress.com)
  • Wailing Loon (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 2 (fpdorchak.wordpress.com)
  • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
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Filed Under: Fun, Leisure, Writing Tagged With: ERO, Indie Publishing, Lessons Learned, self publishing, Sleepwalkers, The Uninvited, Wailing Loon

ERO—Trade Paperback Now Available!

August 8, 2013 by fpdorchak

ERO (2013, F. P. Dorchak, Don McCall, Lon Kirschner)
ERO (2013, F. P. Dorchak, Don McCall, Lon Kirschner)

Well, the trade paperback edition of ERO has arrived!

The 6 x 9 trade paperback edition of ERO is now available at CreateSpace, courtesy of Wailing Loon. I’m asking $14.99 for it. It hasn’t yet migrated to Amazon.com and other distributors, as of this writing, but do keep checking!

And (I must say…) the complete, full jacket is every bit as stunning as the front cover! It might be the young buck on the back flap, it might be the really cool faux organizational patch…or could it be le très cool Wailing Loon imprint image? Oh, yeah, I hope the story kicks butt, too. Yeah, the story. Anyway, I’m really not sure which is more stunning-er. You be the judge.

The nifty patch above is courtesy of two friends of mine, Don McCall, who created the patch at my request several years ago, and Lon Kirschner, of Kirschner Caroff Graphic Design & Consulting, my cover artist for ERO. I’ve been dying to use this patch and put it out into the public “eye”—ha, pardon the pun!—ever since Don created it (thanks, Don, for that kick-ass patch—there’s a free, autographed book in it for ya)! Lon had to do some “graphic artist wizardry” to use it on the book, but we also had to change some things cause: 1) NRO stole my motto, and b) had to add some extra “pop” for the cover. Oh, yeah, I do plan on going Cafe Press with it. But that will be a little while. My original motto was “Above and Beyond,” in various versions of Latin, but a fellow writer friend pointed out that NRO (the bastards) already had the phrase. Since they’ve been around a little longer, and are, well, scarier than me, I decided not to fight the issue. I changed the motto to “IN TÉNEBRIS,” which is supposed to translate into “Into the darkness.” I used a couple of Internet translators for this and they seemed to agree, so I hope it’s correct. It better be correct. If it isn’t, don’t tell me and allow me to live in my little Fantasy Land….

And then we have…the rest…of the cover:

ERO Paperback (2013, F. P. Dorchak and Lon Kirschner)
ERO Paperback (2013, F. P. Dorchak and Lon Kirschner)

Yeah, that’s me, 26 years ago. As a captain in the U.S. Air Force.

Where the hell does the time go, maaan?

The Air Force and I parted a long time ago, but I thought the picture germane to use for the cover, since the main character is me—I mean, the main character is in the Air Force, in the same timeframe (and, no, Conspiracy Theorists, do not read anything into that—all the weird shit is made up, period; those who deal in real Weird Shit know this, but I don’t need the added grief of some weird shit mythology building up around me as some kind of weird shit guru, cause I’m not—I’m just a writer trying to get by…writing weird shit…). And Lon was cool enough to incorporate Don’s extraordinary efforts of the ERO patch onto the cover. Thanks, again, man. Ever consider consulting?

So, there it is, my friends and kindly readers, the e-book and trade paperback editions of ERO, a story I began back in 2006, based on a weird idea, and helped along by various individuals, including my ex-agent (who I still can’t thank enough), incredible content formatter, Pam Headrick, incredible Cool Cover Dude, Lon Kirschner, and CreateSpace, Smashwords, B&N, Amazon, and all the other outlets and platforms and people out there and are mentioned in my acknowledgments page. I hope you enjoy the read and, if you do, please, talk, tweet, blog, and whatever the hell out of it. Yes, you can use these images—just, please attribute the appropriate people and/or links to their creation. Then could I also ask of you to post reviews of your read when done? Thanks. I’d greatly appreciate it.

See my website (www.fpdorchak.com) for other books.

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  • Going Indie – What I’ve Learned (So Far) – Part 3 (fpdorchak.wordpress.com)
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Filed Under: Art, Leisure, Space, Technology, To Be Human, UFOs, Writing Tagged With: A Thirsty Mind, Action Adventure, Conspiracy Theories, Cover Art, ERO, Exoatmospheric Reconnaissance Organization, fiction, fpdorchak.wordpress.com, Kirschner Caroff, Lon Kirschner, Pam Headrick, Science Fiction, SF, Smashwords, Wailing Loon

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