F. P. Dorchak

Speculative Fiction (New Weird) Author

Indie Publishing

Psychic Review—Black Sheep, Issue #121

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© Psychic (F. P. Dorchak and Duvall Design, coming mid-2014)
© Psychic (F. P. Dorchak and Duvall Design, coming mid-2014)

I just received my October-November issue of The Black Sheep in the mail yesterday, Number 121. In it, Madelon Rose Logue, aka “MRL,” included a review of Psychic:

“This gritty, new (Sethian) remote-viewer-spy thriller (the fourth novel by Frank Dorchak and his best to date) is set in a future probable reality in which both John F. Kennedy and his brother became Presidents of the USA and are not assassinated.

“It is packed full of unanswered questions (until later, that is) intrigue, and an assortment of dreams, OOBEs, fragment and whole personalities. There are giddy time and place shifts that sweep you hither and yon in most fiendish, devilish, Halloweenish ways that won’t let you stop to put it down for even a really good glass of iced tea.

“As I was caught up in this fantastic story I was surprised to find out what JFK had done that reminded me of a talk I went to hear that was sponsored by The Monroe Institute  back in 1977 (the “cold war” years). We were told how the American and Russian government-trained-remote-viewer spies would meet out-of-body and decide which ‘secrets’ to let their respective government have!

“Frank’s three other novels are” Sleepwalkers (2001), The Uninvited (2013), and ERO (2013).”

Here is a shot of the actual review. MRL’s fanzine is only hardcopy:

Psychic Review, The Black Sheep, #121, October-November, 2014.
Psychic Review, The Black Sheep, #121, October-November, 2014.

And you know the most interesting thing about the whole review? This line: “We were told how the American and Russian government-trained-remote-viewer spies would meet out-of-body and decide which ‘secrets’ to let their respective government have!”

Wow. The amazing world we live in!

Thank you, MRL! Madelon is quite the nice lady, we met years ago at a Seth Conference that had actually gone on in my town. I’ve never been able to attend one for scheduling reasons (you know, that “day job/shift work” thing), so jumped at the chance to meet her. Ever since, we’ve been corresponding and keeping in contact, and I occasionally submit to her fanzine.

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Released: Psychic—The Ultimate Conspiracy Theory!

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© Psychic (F. P. Dorchak and Duvall Design, coming mid-2014)
© Psychic (F. P. Dorchak and Duvall Design, coming mid-2014)

A hotline psychic.

Ghost children.

A lost teenager.

JFK.

A man-in-black.

Remote viewers.

A Man With No Name.

The 1990s.

After 20 years, it’s finally making it out into the world!

Psychic.

I started with the idea and began taking notes and research and all that back in 1994. I started actually writing the book in earnest, in 2000. And now—in 2014—Psychic is finally released! My longest (published) work so far, at 328 pages. It has been a long, hard road, and (I must say) I’m quite happy with the result…looking forward to how it will be received!

Psychic is now available at both the  CreateSpace eStore and Amazon.com. It will be available at the following outlets in the following timeframes:

  • Amazon.com: 3-5 Business Days (already available!)
  • Amazon Europe: 3-5 Business Days
  • Expanded Distribution channels: 6-8 Weeks

I’ve talked about this a little before (I’m sure, in some other post besides this one, but can’t seem to find it…), but Psychic was not an “easy” book. No, not at all. Nearly all of my manuscript first drafts were “easy” in that I just wrote them out—without an outline—I’d just sit down, put my fingers to the keyboard, and out came the story. I like to say I “vomit out” first drafts (ask me about my “fish” story—I love to tell it!). First drafts have taken me about a month or less, but it would be in the next several years where I’d work and rework the heck out of those manuscripts. None of them was any trouble, though…it was just the necessary mechanics of putting in the time, the research, the effort.

Psychic was different.

To be honest, it was a slog. Even as I wrote the very first words, the first draft, it was like running through water…or (more like) a swamp. I can’t explain it. It was the first manuscript that took any real effort on my part. And the antagonist, Victor NMI Black…he actually scared me. Whether or not it was the actual character or the idea of such an evil man like him possibly existing out there (physically or nonphysically…). I remember taking a walk one day, in the brilliant Colorado daylight, thinking about this guy…how nasty and “evil” he was…and actually got nervous…felt…uneasy—even while chiding myself in broad daylight that he was just a frigging character in a novel I had created, and I had control over him….

But did I…really?

The very idea of this guy scared me. He was flat-out mean. It surprised me that feeling of momentary fear I felt during that walk. To the story, well, that will remain to be seen from its readers if I did the proper job of transferring that image into the novel,  but, to me, on a nonphysical, conceptual level, this character was extremely distasteful and scary.

It was like the idea of him was far too real.

Anyway, it’s not so much that I had “problems” with the story, the work, or anything “about” it, it’s just that it had a totally different energy about it. The novel involves messing around with the nonphysical in the physical. About fucking around with our sense of what’s real and what’s not. Our ability to utilize abilities that might well be considered out of our moral range. Not to mention such considerations, like, can facts change? If I really wanted to get all weird about it—all conspiracy theory on your asses—it was almost as if there really was some weird psychic conspiracy trying to keep this novel from coming out…actively and continually interdicting and meaconing me away from my efforts….

But I don’t really believe that.

Not now.

<checking outside my office…the rest of the house…all locks are locked—it is oh-dark-thirty right now….>

Sure, such considerations and stories make for great promotional copy, but the reality of it is that each book is different. Each book has its own energy, and given the nature of the story, what I experienced was and is totally in keeping with the nature of the story’s energy. The whole absolute weirdness of it all. In fact, while working on the formatting of the manuscript for upload, my formatter, Pam Headrick (of A Thirsty Mind), sent me a strange e-mail: “Wow, Frank, what did you do?” She mentioned that there were all kinds of “odd anchors” and “strange text placement,” to which I replied I’d forgotten how I’d actually had problems with the file months ago (after a system upgrade) and had to save the file in a slightly different format to get it to work. How the system kept hanging and saves took, like, 15 minutes!

Find your happy place…find your happy place….

Psychic is “an extension” of Sleepwalkers. I could call it a series, but I don’t know that that would be quite right. Sleepwalkers is quite a different book than Psychic. Sleepwalkers is a pleasant metaphysical road trip, funny, philosophical, even a bit Richard Bach-ish, while Psychic is a nasty trip on the wild side of psychic activity. More dense. I’d use the term “complicated” but am finding that term overused and trite. And the only character common to both novels is the Man With No Name. Granted, perhaps less has been made of calling a collection of books “a series,” but I just prefer to think of them as “related.” Maybe I’m just resistant to the whole “series thing,” given how trad publishing is glutting the market with them, I don’t know (and I’m really resistant to being told what to do—real or implied). So…

I’ll bill Psychic as the ultimate conspiracy theory, and leave it as that.

It’s an alternate reality not only to Sleepwalkers (and deals with the Man With No Name’s origins) but to our “known” reality. Deals with the dark side of life we may never really know about…what goes on in the shadows of our so-called truths….

It’s about obfuscation.

The evil men can do.

Perceptions.

Probabilities.

Metaphysics.

Have you ever felt a different version of you (the “you,” here and now, not in some other reincarnational existence) did something else? Behaved differently? Maybe even died earlier than the you reading this, now?

What do we really know about our reality? Our facts? How aware are we of what we think we know? How much of what we hear and read are true—or were true at some point?

Do we notice when things…change?

Or do we dismiss the seeming inconsistencies in our lives and immediately discount them, because they don’t make sense with everything else we think we know and see in our lives? What we think is a solid “fact”? Hey, I put my ring right there—where the hell is it?

Psychic says, don’t discount this stuff. Do not ignore. Pay attention. The devil is in the details. Do you absolutely remember something that is different from what everyone around you is remembering? I’m telling you, no, you may not be crazy.

Pay attention.

One might well ask: so what? What does it all mean and why should I care? Can we actually do anything about any of this? Can we effect any real change in a world that seems to be running amok?

The easy answer to that is that I’m an eternal optimist. I’ve plugged away at this novel for 14 years of my life, 20, in one way or the other. I always believe we can effect good and positive change in the world…and I believe once you’re made aware of “things,” made aware that, yes, facts really can change—that each and every one of us can change them—it opens up a new, exciting world for all of us. And…

What do you believe?

Will Psychic change the way you believe? How you perceive the world? Your life? That’s up to each reader. Life is all about beliefs.

What we believe drives how we behave.

In the end, Psychic is “just” a novel. It’s fiction. Victor Black…fictional. Yes, there are lots of facts in there, even a few facts from my own life. Weirdness, like the ring scene (yes, that really did happen, as did another similar experience, “The Grape“). And the “rototiller” and “Woomera” scenes. Facts, as you’ll see, aren’t always what they appear to be…if they ever were.

I do have a bunch of people to thank in getting Psychic released, and they’re all on my Acknowledgement page in the book, but I have to spotlight a couple of them: lots of thanks to Karen Duvall, of Duvall Design for the cover, to Pam Headrick, of A Thirsty Mind Book Design, for formatting the files…and to Joyce Combs and Mandy Pratt for copyediting and proofreading! With all the back and forth I’ve done, initially setting the novel in milieus, like 2005, then updating it for the likes of (man…the years, they pass by oh-so-quickly…) 2007, 2010, 2012, and even 2014…I finally settled upon 1994. Adding and removing all the details  for each of those years was time consuming, to say the least, and it was here that Mandy did a great job keeping me on track and proofing my work!

I am currently only doing a trade paperback book. I find that e-books really aren’t selling all that great (for me), so am putting off creating those for later. So, don’t despair, at some point in the future, I’ll do the e-book version.

Where do I go from here?

I do still have some unreleased work in the various dark places within which I keep things like these, and will be revisiting yet another one. This one will be #7 in my list. Yeah, the “unnamed” one. We’ll see how that one goes and whether or not it will get released. After that one, I may get back to work on the one I started in 2011 (#11), but that’s so far into the future and who knows what the “facts” will be by that time…where I will be in my probable and alternate realities…but I do have a ton of work to keep me busy for a number of years, and would even love to compile a collection of my short stories….

With any of my work, feel free to pass on any of the graphics from my blog posts, tweets, Pinterest, et cetera (though I ask that you render proper attribution). If you need a book or a speaker at your local library, book club, or writer’s group, either in person or via phone/Skype, please, feel free to contact me, at fpdorchak “at” fpdorchak dot com (or leave a comment in a blog post). Post reviews at your favorite websites (if you’d like a book for a book review, please contact me at the above email). Need to fill a blog post? Interview me! Direct me to a library and I’ll send them some free copies. If you come up with any ideas, again, contact me at the above e-mail address. If you’d like a signed copy, send it to the following address: F. P. Dorchak, P. O. Box 49393, Colorado Springs, CO 80949. Take my books to work or the gym and flaunt their covers! Tweet and blog about them! Any way you can all help out to get the word out is hugely appreciated! Mention me to radio shows. Local writer conferences. Reader groups. Send my social media links.

As always, thank you for all your support! I can’t thank you all enough! Publishing is a team effort, and I always manage to find a great team—but part of that team is also the readers! I love what I’m doing and all the support I’m getting from all of you!

And again…pay attention to the details of your lives…let nothing escape your notice, however “insignificant” those details may appear.

What does it all mean?

I think that’s up to each of us to figure out.

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Psychic Cover "Flat" (© F. P. Dorchak and Duvall Design, 2014)
Psychic Cover “Flat” (© F. P. Dorchak and Duvall Design, 2014)

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Going Indie—What I’ve Learned (So Far)—Part 11

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Forge Your Own Way. (By Morrowlong [CC-BY-SA-3.0 [http://creativecommons.org/licenses/by-sa/3.0] or GFDL [http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons]
Forge Your Own Way. (By Morrowlong [CC-BY-SA-3.0 [http://creativecommons.org/licenses/by-sa/3.0] or GFDL [http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons]
It’s truly never-ending.

When you’re doing everything yourself—and by “yourself” I do mean having a team, but though you do have a team, you’re still in charge—you never really get a break. And that’s okay, because, in this instance, it truly is a labor of love.  But, you can only push yourself so far without adversely affecting your health, relationships, that kind of thing. It’s like I’ve said before, you can only do what you can do. Don’t fret about it…but do your best.

Indie publishing.

I’ve been working on my Psychic manuscript since before 2000. I’d originally started notes and chapter one around 1994, actually, when I’d discovered that our government claimed to have disbanded a classified remote viewing program. It gave me a story idea, so I began notes and such, but it wasn’t until 2000 that I sat down in earnest and began the task I’m still trying to complete. This month, I hope to finally complete it. And though I’ve been working on this project for a large frigging part of my life (surprisingly, this is the manuscript I’ve worked the longest, good God—20 years, if you count when I started taking notes—man that just hit me as I write this!), the difficulty has largely been the timeframe of the book. I’ve had to change the dates and ages and technology numerous times in trying to get this thing out there. And, as I’m wrapping things up, I’m still discovering little nit-noy shit (even though I have a proofreader), like the age of my antagonist at certain events, or the need to again change his weapon of choice. It’s become maddening. I am, however, finding this stuff before my proofreader will find it (she’s still reading and not yet at the end), but it’s frustrating! So, once again, I have to go back in and make corrections. But, that’s the way this works. Unless you do have another set of eyes…and even perhaps despite that, you may still find errors, because no one knows your story like you do.

Good Lord, 20 years?

Hopefully, what you find are not egregious errors…but even so, remember, even with the Big Dogs (the Big Five/Whatever) readers find errors. We’re human, and we make mistakes.

So, here is my latest round of things I’ve discovered:

  1. We’re human, we make mistakes. Accept that, but do your best. Have a thick skin, and readers…be kind. Understand this, fact, too.
  2. Blurbs? As I’d written in a previous post, I’m no longer seeking them…but to those I’ve already gathered, I’m going to use. Again, I reiterate: all those who have written me a cover blurb have actually read my work.
  3. Copyright your work! There is a really good post on this, and it got my ass in gear, now all my work is copyrighted. I always meant to do this, it got lost in the shuffle, so, thanks, Susan (Susan Spann has been most helpful to our writing community)!
  4. Don’t respond to e-mails with your favorite (or any, for that matter!) music blasting away! You could get carried away! There, I said it. You think that’s a stupid thing to say, but I love rock and roll, and, well, yes, sometimes I can get a little carried away with the energy of it. Music can and does change your state of mind, and you don’t want to get cocky. Just sayin’.
  5. Putting a price on your cover. When I first noted this item, I was of the mind to put a price on your book when printing the cover (if you can). It’s been mentioned a couple times on sites/sellers of books. I’ve asked my community about it, and I don’t remember anyone responding, so I don’t take it as being all that important. The more I thought about it, the more I came up with: why? In today’s world, that only really seems applicable to brick-and-mortar bookstores. So, I’m backing off the need for that. I don’t think you need to have that anymore. That’s old school (unless someone reading this can give me a good reason to do so). Everyone discounts books, even the brick-and-mortar stores. Indie authors cut deals left and right. Why would this be a necessity anymore?
  6. Be quick to apologize! Never be afraid to say you’re sorry for something you may have done, even if you’re not sure you’ve actually done something wrong. I am constantly amazed at how few people in the world actually apologize for anything, especially men. You got it. Men, friggin Man-the-HELL-up and take goddamn responsibility for your actions. I see it so much in my day job it pisses me off (and had another experience with exactly this just yesterday!). I forget why I’d originally included this item, but the point is salient. Get off your Ego Podiums!
  7. WP blogging: check that your saves are actually saved! Good Lord, this bites me more than I care to consider—and other WP bloggers! Yet, every time I contact WP about this, it’s like the first time they’ve ever heard about it! It’s not, WP, so please, fix the damned issue! Below the post window, on the right, there’s a “Draft saved at…” timestamp, and below that is a “Revisions” history. Checks these areas frequently!  Can’t emphasize this enough! Check them every time you save, to make sure your save—whether it’s a “Ctrl-S” or “Save Draft” selection—that they actually have taken. Especially if you’ve completed an initial post then been away from that post for a long time, like hours or days, and come back. Copy your text into Word or Notepad as you’re working. Highlight and copy into your clipboard what you’ve worked on periodically. If you happen to get a message that has the words to the effect “Do you really want to do this“…it’s too late. You’re screwed. You’ll keep what you last entered and saved, but anything after that last “official” save is forever gone.
  8. Cut your losses. If something’s not working out for you, detach yourself from it. Remove yourself from it. I recently had to do that with something with which I’d been associated for a very long time. It’s going  its way, I’m going mine. C’est la vie. Move on. Don’t keep the “bad energy” in your Weltanschauung. Don’t bad talk whatever it is…just move on.
  9. Not all advice is good. Everyone has an opinion, just like me, but not everything we give will work for you. And—I have to say this—not everyone knows what they’re talking about! Not everyone truly understands Indie publishing! And…some are actively trying to still discredit Indie publishing, because they’re in Traditional publishing, are pissed, scared, Old School, whatever, and are trying to interdict, spoof, and (argh, I’ve forgotten the term!) intentionally direct you away from your chosen path. Be aware. Consider all you hear with a block of salt. And remember this: there are always a million reasons not to do something…but, you only need to find one reason to change. Make the break and create a new path for yourself. This, however, is one guy who has his shit together: Bob Mayer. Read his stuff.
  10. Not everything you write is publishable! This should be obvious! Going Indie may give you license to publish everything you write, but everything you write is not necessarily publishable.
  11. Keep writing.

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Unearthing the Bones: The Order of My Work

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I Have Skeletons To Unearth. By American Museum of Natural History (http://adsny.com/nyindian/nyindianintro.html) [Public domain], via Wikimedia Commons.
Yes, I Know Where the Bodies Are. By American Museum of Natural History (http://adsny.com/nyindian/nyindianintro.html) [Public domain], via Wikimedia Commons.
I’ve been writing since I was six years old. That’s a long time, considering I’m in my early fifties. Admittedly, between the age of six and 26 that was sporadic, but in 1987, I got serious and began writing every day. I began (or should say continued) with short stories. Short stories and prose poems were where I began. I’ve lost track of how many I’ve written (I know it’s over a hundred, perhaps more toward 200?, is about all I remember), but only have a handful actually published. Someday, my plan is, is to published the better of those into a collection.

As I began indie publishing my novels, I thought it might be interesting to list out the order of the books, as I wrote them. So, that is what I’ve done here. I have also included in this list those novels I have not (and will not, as the case may be) publish, just to show the order of their creation, including my age when I began them. A couple of titles I will not give, since they are still works-in-progress that may or may not be actually released, or are novels I may yet return to, with titles that are more unique than what I already see out there. I thought, that might be an interesting point of view. How old was I when wrote Sleepwalkers? ERO? Was I your current age? What kinds of thoughts do you think of, now, at your age…that I might also  have been thinking? Do my works portray an expected state of mind, in my progression through time and aging?

Note: only the hyperlinked novels are released. The rest are unpublished.

So, here is my chronological list of novels, listing the years it took to write them. 1993 was a banner year for me.

Updated June 16th, 2015: Voice had been updated, #7, below. It is to be published July/August 2015.

  1. Satan’s Stairs, 1987 – 1990 (26)
  2. Village Idiot, 1990 – 1993 (took 2nd in a 1993 writer’s conference contest; 29)
  3. (Title hidden), 1993 (first draft only; 32)
  4. Second Coming, 1993 (incomplete first draft; 32)
  5. Reunion, 1993 -1996 (32)
  6. Sleepwalkers, 1993 – 1997; 2001 (32)
  7. Voice, 1997 – 1999; 2013 (36)
  8. Psychic, 1994; 2000 -2005; 2014 (33)
  9. The Uninvited, 2001 – 2004; 2013 (40)
  10. ERO, 2006 – 2008; 2013 (45)
  11. (Title hidden), 2011 (incomplete first draft; 50)
  12. (Title hidden), 2012 (first draft; possible series; 51)

Yes, I was—and continue to—write a fair amount. I take my writing seriously, and do try to write every day, but don’t beat myself up about it if I miss a day or so. I work a full-time job, so all this is part-time effort. A couple hours a day, and some (or not) on weekends. I’m less anal about the weekends the older I get. I do need some time off, you know.

Thanks to all of you who follow my social media and who’ve read any of my work. I do appreciate your time and effort spent on my words. I love playing with them. Thank you for sharing my fun!

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Hachette v. Amazon

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Take a Look in the Mirror. In fact Take a Picture, So You'll REMEMBER. By http://www.flickr.com/photos/byflickr/ By Byflickr, Rohan Kar(http://www.flickr.com/photos/byflickr/2584948850/) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons
Take a Look in the Mirror. Take a Picture, So You’ll REMEMBER. By http://www.flickr.com/photos/byflickr/ By flickr, Rohan Kar (http://www.flickr.com/photos/byflickr/2584948850/) [CC-BY-2.0 (http://creativecommons.org/licenses/by/2.0)], via Wikimedia Commons
Well, I’m sure this’ll make me extra popular, but I find this annoyance and anger with Amazon amusing.

Really, we’re dumping on Amazon?

Aren’t we also ignoring all the ills of the Traditional Publishing world, with stuff like, oh, yeah: price fixing.

Let me remind you who the “Big Five” were (are), in this little pricing fixing scenario:

Simon & Schuster.

HarperCollins.

Penguin.

Macmillan.

Oh, yeah, and Hachette Book Group.

Hachette.

And, hmmm, let’s see what else does Trad Publishing do that can be taken issue with?

Not helping authors with promotion and marketing.

Less author-friendly contracts (. e.g., sucky terms, grabbing as many of an authors rights as possible, and royalties).

Not including author input on covers.

Making authors feel like we are there only for them, instead of a more teamwork approach.

Not growing authors anymore in favor of a bean counting approach.

Archaic business model.

How they drag their feet in paying authors.

Giving away half your book’s value up front…and the returns, oh. my God, the returns!

In short, there ain’t no saints in this business. This link lays out some other issues. And Bob Mayer’s posts are always elucidating.

All huge companies do what huge companies do, and that is…they do what benefits huge companies. Period. Most times it makes them look “okay,” and they fly under the radar, but periodically, they all do something that gets them in hot water, and they “auger in,” as the flying analogy goes, and crash and burn in the media.

And everyone loves to pick on Amazon. Especially bookstores.

I’m not saying that I agree with what Amazon is doing—I don’t—but to string em up like this is just making for great sound bites and videos. The public has a short memory.

Again, see 2012 price fixing.

 

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Tail Wagging the Dog?

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Watch Out. We Do Bite Back. (By Sharla Perrin [Public domain], via Wikimedia Commons)
Watch Out. We Do Bite Back. (By Sharla Perrin [Public domain], via Wikimedia Commons)
It’s really bugged me, this thing that goes: “write what readers want to read.”

It’s also really bugged me this thing agents and editors say: “can you make this into a series?”

You see, as an artist, I take a certain umbrage at being told I have to write what others want to read. To me—to the artist inside me—I want to write what I want to write. What begs to be written by me, the stories that percolate and surface beneath and onto the surface of my mind. For me to have to write what others want to read is rather mercenary, at best. It’s looking at the whole thing from the wrong point of view (in my not-so-humble opinion), at worst.

Do painters and sculptors paint and sculpt what people want them to paint or sculpt?

Oh, and try telling that to a poet!

What happened to writers doing what they wanted to do, creating and expressing their own inner muses and creativity?

What happened to the single-book novel, nay I ask, what is so wrong with the single-book novel?

Anything can be sold. Abso-fricking-lutley anything.

I don’t want to write about vampires (without the “-yres”), I don’t want to write fantasy. I don’t want to write romance. I don’t want to be easily pigeonholed. I want my work to bridge genres. In and of themselves, there’s nothing wrong with any of these genres…except that there are too many of “the same” IMNSHO. I’m all for writers being successful, and feel there is room for all of us, but I am not for crappy writing being thrown around and slapped between two covers just because it will sell. I’m not for tritely cloned stories. And I feel for the writers who partake in this, because they feel they have to, to make it in this biz. If they want to do it, then that’s all them, more power to them, but, please, don’t do it just to cow to the Powers of Publishing. I have tied to read a lot of mid-list books a couple years ago, and found I just couldn’t do it. To me, and for the most part, the stories were tired and flat. Uninteresting. Trite. Poorly written.

Yet they sell.

Now, one or two were well-written, but the stories just didn’t interest me. Okay, that’s fair. I’m not everybody, and everybody’s not me, and my work isn’t for everybody. Different tastes keep life interesting. But, please, don’t coerce, intimidate, nor cajole me into writing like some other story out there just because some people are buying that particular “thing.” Fine, compare me, if it’s complimentary, but don’t force me into something I’m not.

Please, allow me (and others like me) to write what we want to write. If you don’t like it, fine, don’t read it, don’t take me on—but do not not take me on just because I’m not like what’s already out there, because it’d take just a little more Brain Power on your part to market and promote me. For chrissakes, people have told me my work has given them nightmares! You don’t get nightmares from stuff that doesn’t interest you, doesn’t bother you, doesn’t affect you in some, moving, profound, way! So, I’m betting that someone out there will like it. I don’t say this out of ego…I say this out of understanding humanity. If I like something, chances are someone out there will also like it. We’re really all quite similar in how we operate as Humans. If someone likes something, chances are so will others of our kind. I’ve written and published three novels. With one exception I can think of, the reviews are all favorable. So, I know I can write something–stand-alone books,  no less!—others would find interesting enough to read and review (and I thank all who took the time to review my books!)…have nightmares over!

It’s not that I’m so much against the Publishing World…as I am against the mindsets that drive it. I love most of the editors I’ve met, and some of the agents. I’d love to be able to work with a traditional publisher, regain agenting. I’m just asking for the mindsets to change…just a little. Become more open, more humane.

So, please, allow us to express our own unique creativity. Don’t force us into boxes that don’t exist. It is not a case of getting us to be more salable. You may think it is, but it’s not. You may have created a business out of distribution, but that doesn’t make it right that you impose your ways on us. You should work with us, as we are [trying to] work with you. You may feel like you have (or have had) the power to make or break us, but whether or not that may be the commercial case, that should not be the Human Way. You should not try to screw us over with your greedy, author unfriendly contracts. If you had no authors, you’d have no business. No power. If it wasn’t for us, you’d be nothing, and you’re power-purse-strings approach seems to squelch that for most, who succumb to your whims, but it doesn’t make what you’re doing right. This should be about distributing the work that we love and create—yes, with whatever needed improvements and polish that comes from professional editing—but, letting us do our job of writing what we love to write, and you do your job of distributing our work.

Money will be made.

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