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F. P. Dorchak

Speculative Fiction (New Weird) Author

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Knives

Werewolf

September 16, 2016 by fpdorchak

The Werewolf of Ponkert, by H. Warner Munn, © 1976 (My book photo, © Sept 15, 2016)
The Werewolf of Ponkert, by H. Warner Munn, © 1976 (My book photo, © Sept 15, 2016)

When I found this story—which I don’t even remember writing!—there was no copyright date on it, but it must be in the 1987 or 1988 timeframe; had basic writing errors in it, and the “look” of all my other works from that time period. It was one of the five files I have in which there were no dates in any of the file’s metadata.

Werewolves—the traditional kind, not today’s pretty, glittery kind—are, along with mummies,  my favorite monsters. As a kid, The Werewolf of Ponkert was one of my favorite novels. Here’s a little more information on that novel.

I’d written about mummies and vampyres, so here’s one of two werewolf tales I’ve found I’d written.

This story has never been published.

 

Werewolf

©F. P. Dorchak, 1988

 

I just kept running.

I didn’t know if I could ever get away from what I’d seen. I knew that physically I could probably—eventually—get away, but the horror I’d witnessed would remain with me forever….

It all started innocently enough. I was walking home late one moonlit night after a movie, taking the proverbial short-cut. I was thinking about how great my life had been going…of my new girlfriend, Shelly, especially. We’d met about a month ago, and it had been love at first sight for the both of us.

I was thinking about her hair…of how it shined in the light—any light. Of her soft beautiful features…the way she walked….the way we held each other. It was a feeling I wished on everybody! Everybody should have a mate, someone to hold and love. I was walking on air! It seemed as if nothing could bother me—nothing!

Well, it was then that I heard a commotion up ahead of me.

My head was still muddled with sweet thoughts of Shelly, but not enough to cloud my mind. I knew what the sounds of a fight sounded like. There was a scuffle going on up ahead, and though I hadn’t been in a fight since grade school, I still somehow wasn’t all that comforted by my physical size and capabilities.

As I got closer, I was able to distinguish the sounds better. I heard a high-pitched screaming which no doubt came from a woman…and some deeper grunts that sounded like a man exerting himself. But I also heard something else…sounds much deeper than the rest of what I heard, sounds that sounded like…an animal.

An angry, ravenous animal.

Instinctively, I reached for my side, my hand coming to rest on my encased buck knife. Still there, at least I wouldn’t be totally unaided if necessity reared its ugly head….

The female voice raised in pitch, crying out for help from anybody…but nobody seemed to answer her call. The male voice was wavering. I stopped in my tracks. There was no mistaking it now, people were fighting for their lives. I felt something twist in my stomach, sweat seep out of my pores.

I withdrew my blade, extending its four-inch, shiny blade. On the blade itself was an engraving commemorating the men of the sea. The engraving had been done over in pure silver; the knife was never intended for use, but for display only. I got it from an old buddy who sails, and liked it so much I came to carrying it around.

I approached the fray, blade glistening in the moonlight. The woman saw me and stepped back to allow my entrance, pleading for help. I’m not sure what she was wearing, but her attire was in tatters and she was bleeding. She held a broken tree branch. I approached hesitantly, steel pointed forward, and looked at the scene. Two figures struggling, one appreciably larger than the other—and naked. And there was a growling coming from the naked, larger one that stung my soul; it was that animal sound I’d heard.

I got closer, unsure of what to do, though at the same time knowing perfectly well what needed to be done. The man was being ripped to pieces by his naked attacker. I thought back to Shelly—what if this same thing happened to her? The woman continued to plead for my assistance, calling to any others who might be listening. She again approached the thing atop her man and pounded mightily with the branch that had finally shattered apart in her hands on a back-that-wasn’t-a-normal back…a back that was…changing….

I was frozen!

I watched helplessly as the boyfriend was mutilated.

How could I just stand there and watch?

I grew angry with myself!

This man was already beyond any help that might arrive…his woman not much better—but I couldn’t let what was happening to this man happen to the woman…I had to try something!

I grasped my knife tighter, allowing my anger to fill me…it was the only way I could get myself to leap forward…which I did.

My steel buried itself into the thing’s side.

I felt my whole body trembling as the act was completed.

I had done it!

The beast uttered a pained howl, throwing the now dead body of the man away—then turned on me. It didn’t have to hit me to physically knock me over, just seeing it’s face was enough.

The face I looked at was not like my own, or any other man’s.

And it was still transforming.

A transformation between a man and—and a monster.

The face contorted with thick animal hair and leathery skin sprouting all over it…long, razor-sharp teeth completing extension from within an angry lupine maw. A far-too muscular and brutish lithe form taking hold over the soft, sallow flesh of a man.

I was knocked to the ground as the beast ran past, clutching it’s side. As it got past me it stood for but a moment in the pale moonlight and shook its hairy, narrow, and wholly wolf head back and forth as the contortions continued to torture it. His hands—which were now actually claws—went up to his “face.”

The whole of this thing’s body was ripping itself to pieces!

As it fell to all fours, rippling muscles and fur now covered it. This was clearly no longer any kind of a human being I’d ever before known.

The woman stared, unseeing, at the wolf—the werewolf. She’d stopped screaming a long time ago.

The wolf licked its teeth. Looked back to me.

I saw some stickiness along its side—the side I had knifed. The blade still gleamed in my hand, some of the beast’s blood on my hand. The wolf looked toward the girl. Before I could react let alone think, the beast had leapt towards her and knocked her over—intentionally avoiding my blade.

The silver. The silver in the engraving, that’s what kept it from me.

The wolf gave one well-placed bite on the woman before continuing onward into the cover of night.

Her throat was gone.

As was the wolf.

I stood there…I stood with my bloodied and gleaming knife still outstretched, my senses traumatized. I couldn’t do anything for her boyfriend…and now I’d been similarly cheated out of her life, too! I didn’t know what to do.

 

So I ran!

At first I ran after it, but then thought what would I do when I caught up with it? What would it do to me? Surely it wouldn’t stay afraid of me and my puny weapon for long. It was larger than me…quicker than me. Far more lethal.

So I hid.

But I can’t stay here forever…alone and terrified. It’ll find me. The wolf has my scent.

It’s only a matter of time.

Short Story Links

Links to all my posted short stories are here.

 

Filed Under: Leisure, Short Story, Spooky, To Be Human, Writing Tagged With: H. Warner Munn, Knives, Moonlight, Short Stories, Silver, The Werewolf of Ponkert, Wolves

Kirschner Cover Art: "Clowns," by F. P. Dorchak

April 4, 2016 by fpdorchak

"Clowns," © F. P. Dorchak and Lon Kirschner, 2016.
“Clowns,” © F. P. Dorchak and Lon Kirschner, 2016.

Okay. Yes. I know…shameless, shameless self-promotion!

But I’ve wanted to talk about this cover since I first laid eyes on it…or it had laid eyes on me….

As I’d previously mentioned, I’d been (and still am) messing around with short stories, and had come across this one and decided to published it as its own stand-alone story. So, I turned to Lon Kirschner, who’d done a couple of my other covers. As always, Lon turned out a fantastic cover! It even reminded me of The Grievers, the cover he’d done for Marc Schuster, back in 2012 (and also involving clowns, by the way).

So, of course I want to talk about it!

When I first opened the file and looked at it, the very first thing I saw was the clown’s face…and I thought, ewwww…how frigging creepy! But…why is it starting at me through a slit?…a narrow opening…a…waaait a minuuute—

BOOM!

It hit me, just like that—the clown was staring at me from the blade of a knife!

I bust out laughing.

How frigging perfect!

I was walking around the house with my tablet looking at this thing and laughing my ass off. I just couldn’t take my eyes off it! What a perfect cover for my short-short story! The creepy clown face, the purple from its little clown-doll outfit, the kitchen knife, the script of the title—including the red “S”—all on a black background, which to me symbolizes the night/unknown! It was such a clean, subtle, no-nonsense creepy (have I mentioned this?!) cover!

I mean, our clown…the silly little dresser-top doll…the subtle way it’s peering out at us from the shiny knife blade is just like how I believe these little bastards are peering out at us from our dresser tops! Oh-so slyly…are they…or are they just staring ahead with their lifeless, beady little eyes?

Of course they’re staring at us!

This is what Lon had to say about creating my “Clowns” cover—which, by the way, was the first time he’d ever created a cover for a short story—I think you’ll really get a kick out of this:

“It did creep me out. I don’t really mind real clowns (although they are a little odd) but clown dolls are what I really find creepy. I also find some other types of dolls creepy but that might be just me. When we were kids we had a set of Raggedy Ann and Andy dolls that my Aunt sent from her travels in Europe. They sat on the old radiator that was in the bedroom I shared with my sister when we were very young. I would wake up some times in the middle of the night and I would see them staring at me. Like your story. I still think they moved.

“The other issue with this cover was I knew you had high expectations for this and I felt a little under pressure to produce something that hinted at the story but didn’t give it all away.

“I wanted it very, very simple but have that disturbing feeling. I went back and forth with the alternate “S” in ‘Clowns.’ At first I thought it was a bit cliché, but then I thought it was a good way to bring in that murderous element without being overly gruesome and it did offset that typical circus lettering.

“My own clown issues and creating a successful piece all combined to create something a little difficult to work on, but in reality, once I got going it all fell into place rather quickly.

“I always start with some sort of rough idea. I knew I didn’t want to see the whole clown face and I knew I needed a knife, I just wasn’t exactly sure how they would all meld together.

“This is how I have always worked. Some people sketch it all out exactly but that never worked for me. I do make little sketches on Post-it notes to sort some things out, but that is usually as far as I go. I find the fun in moving things around and making my adjustments on the fly. I think I moved the image of the knife over at one point about a sixteenth of an inch. Then I was satisfied!”

I love this line: “I still think they moved“!

I also like how Lon didn’t want to “give it all away,” which I could see might be a little difficult to do in a quick short short story of less than 800 (713) words! But, he did it, I’m proud of him and his result, and I am still beside myself over the cover!

So…I hope you’ll excuse me for analyzing one of my own, but I’ve been wanting to talk about it since I got it. With my next Kirschner Cover Art post, I’ll go back to talking about other author covers….

But…for now…sleep with one eye open!

Do you know where your knives are?

*******************************************

Lon Kirschner may be contacted at:

Phone: 518/392-3823

E-mail: info@kirschnercaroff.com

Book Cover Site: http://www.lonkirschner.com/

Related Articles:

  • Kirschner Cover Art: In Pinelight, by Thomas Rayfiel (fpdorchak.wordpress.com)
  • Kirschner Cover Art: Grace, by Howard Owen (fpdorchak.wordpress.com)
  • Cover Artist Lon Kirschner Interview (fpdorchak.wordpress.com)

 

Filed Under: Art, Book Covers, Fun, Leisure, Short Story, Spooky, To Be Human, Writing Tagged With: Clowns, Cover Art, Graphic Artists, Jesters, Kirschner Caroff Design Inc, Knives, Lon Kirschner, Marc Schuster, Short Stories, The Grievers

Clowns

March 10, 2016 by fpdorchak

What Makes a Good Clown Go Bad? © F. P. Dorchak and Lon Kirschner, 2016.
What Makes a Good Clown Go Bad? © F. P. Dorchak and Lon Kirschner, 2016.

What makes a good clown go bad?

I had originally intended to release my short story, “Clowns,” for free on my site, here, but got the idea to release it through Amazon’s Kindle Select. I’d read a short story by Bonnie Ramthun, called “The Little Hitchhiker” (a fun read, by the way), and thought, okay, I gotta try this! And I was working on this story at the time and just felt oddly compelled to use it.

Oddly.

So, I rounded up my “usual suspects”: my proofer, Mandy, my formatter, Pam, and my Cover Guy, Lon.

So, now, you’re gonna pay.

Dearly.

Well, 99 cents, anyway.

Click here for “Clowns” KDP Select Link.

This story got such a chuckle from me when I reread it 28 years later—I’d actually forgotten all about it…though not in concept. I mean, I’d thought I’d written a “killer clown” story, but just had never followed up on it to see what I’d actually written. Isn’t it funny how the mind works? Some people can remember everything, while others, well, do not. And I’d written this (and most of the others I’m posting here) a lifetime ago! You’d think since I’d written this stuff…but, as I go back over all my short stories, it appears that I’d just been banging these things out (for good or ill) and flying onto the next idea…apparently forgetting to submit some of them in the freaking “fog of writing”!

And the purple clown that had inspired this story? Gone. I’d had it for the longest time, but must have given it away—

Or it’d walked away.

Some people have an actual fear of clowns (called “coulrophobia“), and after having written this piece, I can see why. “Clowns” is one of my earliest stories, written in 1987, and I had literally not touched it since then. So, for this digital version, I did go over it with fine-toothed blade—I mean comb—and a second set of eyes. And I love it! It is “the decidedly creepy clown story.” When she was done with editing it, Mandy had this to say about it:

“Damn, nasty-ass clowns.“

Yeah, I don’t really get a “fear” of clowns from her….

But, to continue with the weirdness surrounding this story, after Lon had finished the cover (which he said “creeped him out” as he worked on it…) he had this creepy little real-life story to tell me:

“When I was a kid (7 or 8) my father used to take me to the amusement park arcade where they had a dancing Peppy the Clown. You would put in a quarter (or most likely a dime) and music would play. You would then press the buttons and freaking Peppy the Clown would sing and dance. This scared me to death and my father though that this was a real riot.

“Fast forward 20 years. My father is dead. I am antiquing in upstate NY with my girlfriend. We are walking around the store when all of a sudden the hair on the back of my neck stands up and I started to sweat. I turned around and right behind me was a Peppy the Clown for sale.

“I felt him before I saw him.

“I hate him.”

Isn’t that just great?

Clowns….

In the back matter of the KDP Select of “Clowns” there’s a picture of me from my modeling portfolio, back in 1988. I wasn’t going to include a picture in “Clowns’s” release, but my formatter, Pam, included it on her own, and it kinda compliments the story. There’s an irony because though the picture is black and white…I’m actually wearing a purple tux and a purple bow tie.

And because the clown in the story is purple.

Anyway, this is just such a fun story! You’ll think me mad for saying that, perhaps, but wait until you read it….just before going to bed…while you’re in bed…the only light the glow from your e-reader….

I dare you.

You’ll see.

You will.

And so will your clown…sitting over there…on its shelf…

Watching you. With beady little porcelain or fabric eyes.

Plotting.

What makes a good clown go bad?

Don’t know.

They just do.

 

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Lon Kirschner Articles:

  • Kirschner Cover Art: In Pinelight, by Thomas Rayfiel (fpdorchak.wordpress.com)
  • Kirschner Cover Art: Grace, by Howard Owen (fpdorchak.wordpress.com)
  • Cover Artist Lon Kirschner Interview (fpdorchak.wordpress.com)

Lon Kirschner may be contacted at:

Phone: 518/392-3823

E-mail: info@kirschnercaroff.com

Site: http://www.kirschnercaroff.com

Book Cover Site: http://www.lonkirschner.com/

Filed Under: Fun, Short Story, Spooky, To Be Human, Writing Tagged With: A Thirsty Mind, Amazon Kindle, Bedtime Stories, Clowns, e-readers, Killer Clowns, Knives, Lon Kirschner, Night, Pam Headrick, Tales From The Darkside, The Night Gallery

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