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F. P. Dorchak

Speculative Fiction (New Weird) Author

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Fun

Clowns

March 10, 2016 by fpdorchak

What Makes a Good Clown Go Bad? © F. P. Dorchak and Lon Kirschner, 2016.
What Makes a Good Clown Go Bad? © F. P. Dorchak and Lon Kirschner, 2016.

What makes a good clown go bad?

I had originally intended to release my short story, “Clowns,” for free on my site, here, but got the idea to release it through Amazon’s Kindle Select. I’d read a short story by Bonnie Ramthun, called “The Little Hitchhiker” (a fun read, by the way), and thought, okay, I gotta try this! And I was working on this story at the time and just felt oddly compelled to use it.

Oddly.

So, I rounded up my “usual suspects”: my proofer, Mandy, my formatter, Pam, and my Cover Guy, Lon.

So, now, you’re gonna pay.

Dearly.

Well, 99 cents, anyway.

Click here for “Clowns” KDP Select Link.

This story got such a chuckle from me when I reread it 28 years later—I’d actually forgotten all about it…though not in concept. I mean, I’d thought I’d written a “killer clown” story, but just had never followed up on it to see what I’d actually written. Isn’t it funny how the mind works? Some people can remember everything, while others, well, do not. And I’d written this (and most of the others I’m posting here) a lifetime ago! You’d think since I’d written this stuff…but, as I go back over all my short stories, it appears that I’d just been banging these things out (for good or ill) and flying onto the next idea…apparently forgetting to submit some of them in the freaking “fog of writing”!

And the purple clown that had inspired this story? Gone. I’d had it for the longest time, but must have given it away—

Or it’d walked away.

Some people have an actual fear of clowns (called “coulrophobia“), and after having written this piece, I can see why. “Clowns” is one of my earliest stories, written in 1987, and I had literally not touched it since then. So, for this digital version, I did go over it with fine-toothed blade—I mean comb—and a second set of eyes. And I love it! It is “the decidedly creepy clown story.” When she was done with editing it, Mandy had this to say about it:

“Damn, nasty-ass clowns.“

Yeah, I don’t really get a “fear” of clowns from her….

But, to continue with the weirdness surrounding this story, after Lon had finished the cover (which he said “creeped him out” as he worked on it…) he had this creepy little real-life story to tell me:

“When I was a kid (7 or 8) my father used to take me to the amusement park arcade where they had a dancing Peppy the Clown. You would put in a quarter (or most likely a dime) and music would play. You would then press the buttons and freaking Peppy the Clown would sing and dance. This scared me to death and my father though that this was a real riot.

“Fast forward 20 years. My father is dead. I am antiquing in upstate NY with my girlfriend. We are walking around the store when all of a sudden the hair on the back of my neck stands up and I started to sweat. I turned around and right behind me was a Peppy the Clown for sale.

“I felt him before I saw him.

“I hate him.”

Isn’t that just great?

Clowns….

In the back matter of the KDP Select of “Clowns” there’s a picture of me from my modeling portfolio, back in 1988. I wasn’t going to include a picture in “Clowns’s” release, but my formatter, Pam, included it on her own, and it kinda compliments the story. There’s an irony because though the picture is black and white…I’m actually wearing a purple tux and a purple bow tie.

And because the clown in the story is purple.

Anyway, this is just such a fun story! You’ll think me mad for saying that, perhaps, but wait until you read it….just before going to bed…while you’re in bed…the only light the glow from your e-reader….

I dare you.

You’ll see.

You will.

And so will your clown…sitting over there…on its shelf…

Watching you. With beady little porcelain or fabric eyes.

Plotting.

What makes a good clown go bad?

Don’t know.

They just do.

 

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Lon Kirschner Articles:

  • Kirschner Cover Art: In Pinelight, by Thomas Rayfiel (fpdorchak.wordpress.com)
  • Kirschner Cover Art: Grace, by Howard Owen (fpdorchak.wordpress.com)
  • Cover Artist Lon Kirschner Interview (fpdorchak.wordpress.com)

Lon Kirschner may be contacted at:

Phone: 518/392-3823

E-mail: info@kirschnercaroff.com

Site: http://www.kirschnercaroff.com

Book Cover Site: http://www.lonkirschner.com/

Filed Under: Fun, Short Story, Spooky, To Be Human, Writing Tagged With: A Thirsty Mind, Amazon Kindle, Bedtime Stories, Clowns, e-readers, Killer Clowns, Knives, Lon Kirschner, Night, Pam Headrick, Tales From The Darkside, The Night Gallery

The 3 Types of Editorial Corrections You Need To Know!

January 13, 2016 by fpdorchak

You Are A Writing Ninja! (image byGrywnn [CC BY-SA 4.0, http://creativecommons.org/licenses/by-sa/4.0], via Wikimedia Commons)
You Are A Writing Ninja! (image byGrywnn [CC BY-SA 4.0, http://creativecommons.org/licenses/by-sa/4.0%5D, via Wikimedia Commons)
As I writer there are 7 things I need to know that will get me published.

There are also 13 things I need to know about publishing that will make me more successful than any other writer who reads about them.

4.5 steps that will forever banish writer’s block!

There are all these things…steps…that if I do them, the clouds will part and rays of blindingly glorious Heavenly Light will rain down upon me and I will be The Most Special Person in All of Publishing History.

All I have to do is follow them.

Right.

Well, in an effort to join the quantifiable fray of “enumerated success,” let me tell you all about the epiphany I’ve discovered that will lead to your success in the editing process. Because “knowledge is power” (and in three short weeks I’ll list 17 ways that knowledge IS power!).

With these 3 editorial techniques…you will become…A Writing Ninja.

The 3 Types of Editorial Corrections You Need To Know!

In editing there are three types of corrections every writer needs to be aware of. Sure there are other types of editorial corrections, and in a future post I’ll show you why, in 22 steps that can also make you godlike in your efforts. But for now making up 22 steps is too much, I’m not gonna do it…but three is easy.

So, if you want to be The World’s Greatest Writer, you need to master these 3 editorial corrections:

The Bad Dog

The “Bad Dog” is the correction you make by inserting new text into your original text in an effort to make things better. But as you work it, you find well, you’re not as good as you thought you were, and return to what you originally had, thereby proving, wait-a-minute—yes, YES!—I really am better than I thought I was! and keep what you’d already had. But what’s key, here, is that you did not delete the original text you meant to correct. All your original words are still there. So you simply “back over” all the newly inserted text, returning everything to the way it was.

“The Bad Dog” gets it terminology because when you scold a dog, the dog will usually come back to you, ears and body lowered in an attempt to “cute” its way back into your good graces. Here, in your editing process, you’ve essentially “cuted” yourself back into your own good graces in that you’ve proven to yourself that you knew what to do the first time around and should have realized you couldn’t improve upon your own work or words, because they were perfect to begin with. Bad dog, you!

But…in the style of Plighter’s Digest…and in the interests of blatant, “shameless self-promotion” (as we like to say in the writing biz) to further “drive home” the point that smart people already got three paragraphs ago, here is an example…using an overly huge example of my own writing, taken from my imminently successful short story, “The World’s Greatest Writer”:

“Then how do you know he’s such a great writer?” pressed the young one, who held the older writer’s gaze firmly, her manuscript cradled loosely in her arms between them. The young one had not meant to pin the learned author to the wall, but was merely genuinely curious. “How can you say so much about him, when you haven’t ever read his work—or met him?” She furrowed her brow, patiently awaiting an esoteric, scholarly, response.

“I know it’s hard to believe, my dear, but it’s his reputation, you see. Did you know he doesn’t even use a computer? He uses a mechanical typewriter! The gentleman is simply… extraordinary. Exceptional. Have you ever personally met God? The Pope? No…you know of each through faith, through reputation. But that’s what this banquet is all about, my dear young one! He’s coming out, as it were! Don’t let your youth and impetuousness get the best of you! You are yet young—learn! Tonight, here, it is said that he will debut the opening pages to his Great American Novel! I mean, can you fathom this opportunity before you? The miraculous, metaphysical encounter we are all about to be granted? We are going to be the first to experience his words, his energy, his soul. His raw, unfiltered emotional fervor before they are all unleashed upon our common, illiterate, public—we…we are the privileged few. Savor this moment, my dear writer, for you clearly do not comprehend the enormity of greatness upon which you are about to witness. Mark my words: this…will never happen again. In any life time. My God, how I wish I were in your shoes, a lifetime ago, to start over my profession at a much higher place, indeed!”

So, if I were to correct a sentence, say: “He’s coming out, as it were!” and wanted to change it (note I didn’t say “correct” it, because, as we all know, my words are Golden so attempting to change anything is a meaningless and wasted effort…but since I am promoting myself, I have to give an example…), then back it out, this is what is would look like:

He’s coming out, as it were! ==> He’s making an appearance coming out, as it were! ==> He’s making an appearance coming out, as it were!  ==> He’s coming out, as it were!

The Revenant

The second editorial correction is a blatant effort to piggy back onto a successful movie by incorporating it into my blog post in the hopes (fingers crossed!!!) that all who search on The Revenant will find my blog post, follow it, then buy all my books. Boom. I’m (again) #TheWorldsGreatestWriter.

The Revenant is when you make a correction to a part of your (excuse me…I can’t stop laughing…because we all know my—I mean YOUR—Words are Golden…so no corrections are ever, really necessary…) text, realize the folly of your ways (and that you haven’t yet had enough caffeine to clearly realize this…)…then pull of a zippy “Ctrl-Z.”

Boom.

That just happened.

Your original words are back.

But though they are your original words…they’re not really the original words, because you erased them.

Killed them.

They are (like Star Trek’s transporter-beamed people) re-created facsimiles of the original.

They are…resurrected facsimiles of the words you killed.

But…you did the next best thing and brought them back.

The Revenant.

If you still don’t get it, here’s another swollen, self-serving example taken from my short, “The World’s Greatest Writer”:

“Yet he remained ever gracious as he shook hands and took a genuine interest in all whom he greeted—asking how their children and relatives were doing, did they have jobs, and if not, please, do give him a call, and he’d see what he could do about it, and would they promise him that they would get enough sleep before going back to work on the morrow?

“Then one, without warning, wildfire-swift whisper erupted throughout the banquet:

Where was the manuscript?!

“Had he come without his words?!

“Were they all to be so-callously jilted?

“Teased so hotly, only to be summarily slapped without so much as a kiss or a hug? Good God, what had happened? Was it…Writer’s Block?

“The crowd again held its collective breath.

“He somberly approached the podium, his smile evaporated.

“Removing a handkerchief, Mssr. Authier paused, wiped tears from his eyes, then grasped both sides of the podium, stained hanky still clutched in one of his trembling hands. He voice wavered and cracked as he addressed the audience in his wonderfully accented, melodic French-Canadian dialect.”

So, lifting from the above, here’s what The Revenant wold look like:

Where was the manuscript?! ==> Where was the burrito?! ==> Where was the manuscript?!

The Revenant is also known as “The Ctrl-Z.”

Going Rogue

The third and final editorial correction is a jump into the uncharted waters of Your Greatness. It is, simply stated, adding more words to your Already Golden Pulitzer Prize Winning Creation.

Again, to cite still yet another utterly self-serving example from “The World’s Greatest Writer”:

“And with that, Mssr. Authier III launched into the most heartrending speech anyone in that room (or their progeny) had ever, or would ever, participate in. For two-and-one-half hours Mssr. Authier held the room in rapt captivation. Random House, foreseeing this, had trucked in boxes of Kleenex (TM)-brand tissues—unfortunately for Mssr. Authier’s attendees (and further adding to their emotional turmoil) his likeness was on the sides of each box, promoting his yet-to-be-written novel. People gave up their writing careers following his speech, devoting their lives to the Peace Corps or Green Peace. Half of the counselors working the banquet took early retirement (including those wearing the most-advanced-technology ear protection devices; though they couldn’t hear a single utterance, they didn’t have to…each felt and experienced the emotion that had taken complete hold of that audience that magical evening), and entered therapy themselves. Those with outstanding traffic warrants turned themselves in the next day and insisted upon a minimum of one year of community service for evading the law in paying those fines. So overcome with exhaustion was Mssr. Authier himself at the conclusion of addressing his audience that he had to be assisted from the stage and escorted directly to his awaiting motorcade, where a saline IV drip awaited. Mssr. Authier was submitted for the Nobel and Pulitzer prizes for his oration.”

To employ Going Rogue, the above changes to:

“And with that, Mssr. Authier III launched into the most heartrending speech anyone in that room (or their progeny) had ever, or would ever, participate in. For two-and-one-half hours Mssr. Authier held the room in rapt captivation. Random House, foreseeing this, had trucked in boxes of Kleenex (TM)-brand tissues—unfortunately for Mssr. Authier’s attendees (and further adding to their emotional turmoil) his likeness was on the sides of each box, promoting his yet-to-be-written novel. People gave up their writing careers following his speech, devoting their lives to the Peace Corps or Green Peace. Half of the counselors working the banquet took early retirement (including those wearing the most-advanced-technology ear protection devices; though they couldn’t hear a single utterance, they didn’t have to…each felt and experienced the emotion that had taken complete hold of that audience that magical evening), and entered therapy themselves. Those with outstanding traffic warrants turned themselves in the next day and insisted upon a minimum of one year of community service for evading the law in paying those fines. So overcome with exhaustion was Mssr. Authier himself at the conclusion of addressing his audience that he had to be assisted from the stage and escorted directly to his awaiting motorcade, where a saline IV drip awaited. Mssr. Authier was submitted for the Nobel and Pulitzer prizes for his oration. OMG.”

Did you catch that? What was added?

“OMG” was added at the very end. That is “Going Rogue.”

A stroke of genius, if I do say so myself.

Be Brave!

So, in conclusion, the 3 types of editorial corrections are:

  1. The Bad Dog
  2. The Revenant
  3. Going Rogue

Now that you know this heavily guarded editorial “secret,” you, too, can reap the benefits of “professional expertise” in your own writing…and (hopefully) rush out and buy all my books—even those I haven’t yet written.

If you have not grasped all that I’ve written, catch my next piece, which will be “The 11.6 Ways You Can Better Understand What Others Are [Trying To] Tell[ing] You.”

My work here is done.

***********************

F. P. Dorchak is an award-winning author in his own mind and the bestselling author of nothing. But he talks a good game and is quite full of himself. His latest books are full of the above editorial corrections, which shows he actually knows very little about the craft of writing, but this gig is sure to correct that in a “Going Rogue” kinda way. Go buy his stuff. Now.

Related Articles

(Mr. Dorchak would like you to think that his work is so ubiquitous that it would be utter folly to even attempt to list them, here.)

Filed Under: Comedy, Fun, Writing Tagged With: authors, Bad Dog, Editing, Editorial Corrections, Editors, Going Rogue, Publishing, Readers, The Revenant, Writers Digest, writing

Merry Christmas To All!

December 21, 2015 by fpdorchak

Merry Xmas! (Image by [no machine-readable author provided. Alsandro assumed (based on copyright claims] GFDL http://www.gnu.org/copyleft/fdl.html or CC-BY-SA-3.0 http://creativecommons.org/licenses/by-sa/3.0/], via Wikimedia Commons)
Merry Xmas! (Image by [no machine-readable author provided. Alsandro assumed (based on copyright claims] GFDL http://www.gnu.org/copyleft/fdl.html or CC-BY-SA-3.0 http://creativecommons.org/licenses/by-sa/3.0/%5D, via Wikimedia Commons)
I really love this time of year!

I love all the trappings, the fun, the feelings-of-love that run rampant come the Christmas timeframe.

Yeah, and I also like the lights, the ornaments, and all the “pretty colors”!

I’m not a traditionally religious guy. In fact, I’m not religious at all. My beliefs are my own, but I love all the fun that goes into this time of year…the giving of gifts…the receiving of them (oh, come on—you know you like getting as well as receiving! There’s nothing wrong in admitting that!)…the getting together. Reaching out to family, friends, and the world. To see how others “view” me in the fun and excitement of receiving well-thought-out gifts from others (yes, and I do the same when I get gifts for others…we all talk freely about giving…but no one talks about the receiving)!

I love the Christmas lights, the merriment, the decorated trees—I actually love wrapping gifts! It’s fun “hiding” something that I hope people are going to like…and looking forward to seeing them tear into it when given to them!

I do it rarely, but I also like holiday baking…and I just did some yesterday, making some Slovak apricot and poppyseed rolls. Love those things. Haven’t made them in a couple years…though I clearly need more practice….

I know we all celebrate in our own ways…many talk about the “reason for the season” and all, and that is their right. Many like to go to church…and that is their right. I do not like going to church one bit…if I go (aside from funerals or weddings and that kind of thing) it’s purely for family reasons. I allow each their own belief systems…and I allow all the joy of their expression!

So, please…allow everyone else around you who doesn’t believe as you do the joy of their expression. We all enjoy and celebrate Christmas for our own reasons…don’t trounce upon them or look down upon them like some poor, lost souls. Because many of us are not poor, lost souls. We’re just as excited and joyous in our own beliefs as you are of yours. Greet us with the smiles with which we greet you…give us the respect with which we afford you.

So to all, I wish you a Merry Christmas—enjoy it as you want to, but do enjoy it!

Filed Under: Fun, Leisure, Metaphysical, To Be Human Tagged With: Christmas, Holidays, Xmas

The World's Greatest Writer

December 11, 2015 by fpdorchak

In One Page. By Infrogmation at English Wikipedia on en his/her summary,
In One Page. By Infrogmation (English Wikipedia on en his/her summary, “typewriter keyboard, from nl wikipedia”; http://www.pdimages.com/X0022.html-ssi, [Public domain], via Wikimedia Commons)
Enclosed is the really fake true story of the world’s greatest writer. You can’t get this story anywhere else—only from my scoop, and I’m willing to talk.

Wow, such hubris had I back in 2002 (I was actually trying to be funny, since this is the only intentionally funny story I’ve ever written)! I’d sent this to The New Yorker October 13, 2009, and the above was my opening line. I committed some other heinous atrocities in that cover letter I’ll not reveal, but, yeah, I’m sure I pissed of the editor and had my name put into some file of “Never accept anything from this person ever again. EVER.” Sigh. But I was trying to be “in form” for the submitted story. Probably explains why every other thing I’ve sent them fell flat. BTW, there are some definite publishing jibes in here that might also fall flat on those not in-the-know….

This story was originally published in Black Sheep #62, December-January 2005.

The World’s Greatest Writer

© F. P. Dorchak, 2002

 

“Well, have you ever actually met him?” the doe-eyed initiate asked.

“Uh, nooo, not actually,” the immaculately dressed author-in-white responded, “I’ve been told he’s rather a bit of a hermit, you might say.” The author-in-white nervously fingered his cane and white hat meticulously posed before him.

The young writer nodded thoughtfully, then added, “Okay. So, then, have you ever actually read any of his work?”

At this, the writer-in-white’s ego further deflated, upon which he grew visibly agitated. “Um, no, my dear, I haven’t yet had the opportunity. No one has—”

“Then how do you know he’s such a great writer?” pressed the young one, who held the older writer’s gaze firmly, her manuscript cradled loosely in her arms between them. The young one had not meant to pin the learned author to the wall, but was merely genuinely curious. “How can you say so much about him, when you haven’t ever read his work—or met him?” She furrowed her brow, patiently awaiting an esoteric, scholarly, response.

“I know it’s hard to believe, my dear, but it’s his reputation, you see. Did you know he doesn’t even use a computer? He uses a mechanical typewriter! The gentleman is simply… extraordinary. Exceptional. Have you ever personally met God? The Pope? No…you know of each through faith, through reputation. But that’s what this banquet is all about, my dear young one! He’s coming out, as it were! Don’t let your youth and impetuousness get the best of you! You are yet young—learn! Tonight, here, it is said that he will debut the opening pages to his Great American Novel! I mean, can you fathom this opportunity before you? The miraculous, metaphysical encounter we are all about to be granted? We are going to be the first to experience his words, his energy, his soul. His raw, unfiltered emotional fervor before they are all unleashed upon our common, illiterate, public—we…we are the privileged few. Savor this moment, my dear writer, for you clearly do not comprehend the enormity of greatness upon which you are about to witness. Mark my words: this…will never happen again. In any life time. My God, how I wish I were in your shoes, a lifetime ago, to start over my profession at a much higher place, indeed!”

And with that, the writer-in-white spun away on his heels from the neophyte in search of others with which to intelligently converse. The neophyte watched as the author-in-white discretely dabbed his eyes with a dainty white handkerchief, then quickly spirited it away, back into an inside lapel compartment.

Hugging her manuscript tightly into her chest, the young writer slouched off into a corner to ponder the learned man’s words, when another group of writers, editors, or agents made their way toward her no-longer-empty corner, though not inviting her into their conversation. After all, they did not know her and were too far along in their awe and adoration of I.M.N. Authier III, the unmatched, unparalleled, unequaled literary (and spiritual) prodigy to humanity who had emerged out of nowhere.

Well, Canada, to be precise.

Our young, impressionable writer overheard the entire story, as one of the group informed their newcomer on the miraculousness of what the author-in-white had just tried to impart upon her. This time, she heard…the rest…of the story:

There was not one person who could claim to have actually read a piece of Mssr. Authier’s work. Not even his agent. Mssr. Authier’s agent’s claim to fame was the divine opportunity of which she had been a part: the reception of his skillfully executed proposal package. So masterfully woven was it—and in less than one page—on the whitest and most defect-free twenty-pound paper with the cleanest, crispest TNR type that she immediately fell upon herself in a fit of hot, emotional blithering…which had so cleansed her being that her feline allergies had been summarily obliterated. Immediately, she’d called her estranged mother and apologized for everything cruel she’d ever done, or would ever do, including anything in all her future (or past) lives. Once she read her mother the letter, her mother likewise returned the compliment. The agent then immediately withdrew a sizeable portion of her investments and donated it to Readers Without Books and her top-two choices of battered parents’ shelters. Instead of staying home and reading through the rest of her slush pile, she flew out into the night to the nearest homeless shelter and spent the rest of the night assisting those who begged money for a living.

This, off the power of the esteemed Mssr. Authier III’s epiphianic proposal package (and on one page, no less!). Well, after she called Random House and read his poignant, moving letter to the company’s CEO, the CEO himself called Mssr. Authier, and offered him on the spot. He’d been very convincing. The CEO informed the esteemed Mssr. Authier III in no uncertain terms that if he didn’t take his offer, he was going to resign and take a bullet to the brain that very night. That it was his and his work alone that would make or break Random House—nay the entire publishing industry, sir!—and that it was his moral and spiritual imperative to not let Publishing fall.

Reluctantly, Mssr. Authier accepted.

Random House immediately put into motion a hundred-million-copy print run, foreign, movie, and audio book rights, and an emotionally blistering promotional campaign that rivaled D-Day’s 1944 invasion. Random House also sold a television series and coloring books for adults and children (grades one through four), to be included in the curriculum of all U.S. public schools. Europe was next.

Spielberg was awoken twenty-five minutes later and sealed an undisclosed multi-million dollar deal via The UPS Store’s faxes, securing Mssr. Authier’s signature. The exact fax machine used by Mssr. Authier had since been removed from service and bronzed.

Amazon.com took 110.3 million advance orders.

Mssr. Authier’s agent offered him her hand in marriage.

Dr. Phil asked Mssr. Authier for his advice on a secret, deeply personal matter that had been troubling him for years.

Phil Donahue disclosed a comeback to do one, really final this time, show with Mssr. Authier as the only guest.

Metallica penned a ballad in his honor.

So, as this new group of writers continued to chatter on about Mssr. Authier’s proposed deification, the neophyte found herself so emotionally overwhelmed, especially when certain lines from his proposal letter were refrained (now immortalized by the world and passed around like a veritable Internet Trojan and blowing up YouTube) that she found her soul uncontrollably expanding toward supernova detonation. And when she heard the title of Mssr. Authier’s proposed novel, she positively lost it and ran balling for the lady’s room, where she pulled out her meager manuscript and stared at it in weary, disillusioned judgment.

WWJD?

WWXD?

She grabbed her manuscript in both hands, her heart heavy with all the wasted time and effort she’d poured into this piece of no-name tripe, and viciously and maliciously began rending it into tiny, jagged, tear-stained shreds, amid spastic grunts and shrieks of soulless despair, tossed it into a pile in the middle of the lady’s-room floor, setting it afire.

The young neophyte then, amid the billowing smoke, floating ashes, and now-activated sprinklers of her snuffed manuscript, pulled out a pair of scissors and the razor she always carried, because she was, by trade, a hairstylist, and immediately set about shaving her head and carving Mssr. Authier’s initials into her scalp.

 

As the clock ticked closer to Mssr. Authier’s scheduled appearance, the entire Radio City Music Hall buzzed over his other ideas for other books. How could he possibly have created a series out of this concept, they asked? Surely his first book would drain everything a reader had to offer? Could a person emotionally survive the first book? Could the editor? Surely Random House would bring in a team of editors, in relay fashion, to take over when the previous ones simply could go no further. Counselors would also have to be brought in, so the buzz went, with fat severance packages to take care of these forever-spent editors who would be of no use to anyone else or themselves, ever again. Yes, Random House would have to take care of them, indeed, it would be their moral obligation to do so, in bringing this genius to the world, and many in this room were willing to so give up their lives to be on that editorial task force, emotional sanity be damned! Every lawyer in the country began to point out that Random House would also be liable to the public for their emotional sanity, as well, once the book hit the shelves, so a non-profit foundation had also been set up.

And what of the cover artist? The jacket copy writer? Marketing and promotion? Accounting? Was Spielberg even up to task? There was talk from his camp that after just storyboarding the film this would be his last project. Anything after this one would be parochially anti-climactic. Useless. With this film, he would have said everything he could ever possibly have to say in this lifetime or any other.

(Unfortunately, Mssr. Spielberg had to decline invitation to the banquet, because he had been so passionately ravaged from production efforts that he had to abruptly seek psychological counseling. Mssr. Authier sent his well wishes.)

Random House, taking the lead, had strategically pre-positioned counselors throughout the convention center, counselors who had, however reluctantly, because they understood the need to do so, shield themselves from Mssr. Authier’s words with the most advanced ear-protection technology available. Nothing was left to chance!

Then it happened, and for just a moment the entirety of Radio City Music Hall fell quiet, as if each person collectively inhaled for the first time since their arrival. The words

“He’s here!”

shot from a watcher posted at the entrance and immediately three women collapsed and five men spilled martinis about themselves.

In no time, Mssr. I.M.N. Authier III’s motorcade pulled up before the convention center and security flooded the gathering. When Mssr. Authier III finally graced the gathering, (amid floods of marriage proposals from both genders) it was as if God Him/Her/Itself had descended from Heaven. Mssr. Authier, dressed in a comfortable tweed sports jacket, with tastefully adorned elbow patches (no self-respecting author would be caught dead in anything else) and sporting his rimless glasses and a calm, soothing smile arrived and was the epitome of graciousness—but was also quite embarrassed. Not only had he no idea his name had already been submitted for both saint- and knighthood, but he also had no idea at the scale of what he’d spun into motion with the delivery of his (one-page!) proposal.

Yet he remained ever gracious as he shook hands and took a genuine interest in all whom he greeted—asking how their children and relatives were doing, did they have jobs, and if not, please, do give him a call, and he’d see what he could do about it, and would they promise him that they would get enough sleep before going back to work on the morrow?

Then one, without warning, wildfire-swift whisper erupted throughout the banquet:

Where was the manuscript?!

Had he come without his words?!

Were they all to be so-callously jilted?

Teased so hotly, only to be summarily slapped without so much as a kiss or a hug? Good God, what had happened? Was it…Writer’s Block?

The crowd again held its collective breath.

He somberly approached the podium, his smile evaporated.

Removing a handkerchief, Mssr. Authier paused, wiped tears from his eyes, then grasped both sides of the podium, stained hanky still clutched in one of his trembling hands. He voice wavered and cracked as he addressed the audience in his wonderfully accented, melodic French-Canadian dialect.

“Ladies and gentlemen…friends. I tried…to keep from…how you say?—breaking down—before all of you, here, tonight, but find…at the last, possible moment…that, mon Dieu!, I am unable to keep from doing so!”

Here he paused, again wiping tears from his hot, swollen face.

“My friends! Let me share with you what had happened to me last night as I flew into Kennedy aéroport….”

And with that, Mssr. Authier III launched into the most heartrending speech anyone in that room (or their progeny) had ever, or would ever, participate in. For two-and-one-half hours Mssr. Authier held the room in rapt captivation. Random House, foreseeing this, had trucked in boxes of Kleenex (TM)-brand tissues—unfortunately for Mssr. Authier’s attendees (and further adding to their emotional turmoil) his likeness was on the sides of each box, promoting his yet-to-be-written novel. People gave up their writing careers following his speech, devoting their lives to the Peace Corps or Green Peace. Half of the counselors working the banquet took early retirement (including those wearing the most-advanced-technology ear protection devices; though they couldn’t hear a single utterance, they didn’t have to…each felt and experienced the emotion that had taken complete hold of that audience that magical evening), and entered therapy themselves. Those with outstanding traffic warrants turned themselves in the next day and insisted upon a minimum of one year of community service for evading the law in paying those fines. So overcome with exhaustion was Mssr. Authier himself at the conclusion of addressing his audience that he had to be assisted from the stage and escorted directly to his awaiting motorcade, where a saline IV drip awaited. Mssr. Authier was submitted for the Nobel and Pulitzer prizes for his oration.

Mssr. Authier later reluctantly agreed to a special interview with Barbara Walters, whom he also brought to tears (at one point they all, including the 20/20 staff and operators behind the camera, were all blubbering unabashedly together on national TV, and it was the first time an entire five minutes of weeping was nationally televised without commercial interruption), where the following was made public:

Mssr. Authier had made the decision, since sending out his (one-page!) query and making his convention center debut that he would not write the proposed book in question. As an aside, Barbara (and she apologized in advance for having to bring this to his attention this way) informed Mssr. Authier that his agent, having been scorned by his lack of amorous advances gave up agenting and had left for India to devote her life to the poor and destitute, vowing a life of celibacy. Following another crying spat, Mssr. Authier used this as an example and was further quoted as saying that after having witnessed the effects of his words upon the world he had no choice.

The only moral and ethical thing to do was to not pen the novel.

The world was simply not ready for it. He was not ready for it.

The world (he cited tearfully) could not handle his words and he could not handle the world, after having seen the impact his letter and presence has had.

Barbara begged him to reconsider. Literally begged. But, no matter how heartrending, how needed, how emotionally brutal and true his proposed book he maintained he could not in all good conscience do it. It wouldn’t be fair to humanity.

Mssr. Authier also decided to return all his advance monies that he’d kept untouched (in a separate numbered account) despite Random House’s vehement objections. He deserved every penny, Random House countered (with several of their A-list authors also having offered up their own advances and royalties so Random House could make the author advance). Mssr. Authier said thank you, and donated all that had been given him to world hunger organizations.

And, finally, Mssr. Authier vowed to never, ever, propose to pen another book…ever again.

At this point Barbara lost all composure and decorum and pleaded with him to reconsider, as did her producers and a camera people.

But he held firm and declined, laying a hand to her shoulder.

Following the interview, Mssr. Authier quickly disappeared into seclusion, never to be heard from again.

Spielberg’s film adaptation of his proposed novel that had never been written created box-office records that, to this day, have never been broken. Spielberg, as promised (and recovering nicely in extended therapy), quietly retired…donating all proceeds from the film to the International Red Cross.

Related Posts

  • The Death of Me (fpdorchak.wordpress.com)
  • Tail Gunner (fpdorchak.wordpress.com)
  • Do The Dead Dream? (fpdorchak.wordpress.com)
  • Short Stories (fpdorchak.wordpress.com)
  • Voice (amazon.com)
  • Psychic (amazon.com)
  • ERO (amazon.com)
  • The Uninvited (amazon.com)
  • Sleepwalkers (bookstore.authorhouse.com)

Filed Under: Comedy, Fun, Leisure, Short Story, To Be Human, Writing Tagged With: authors, New York City, Publishing, Short Stories, The New Yorker, Tom Wolfe, Twilight Zone, writing

The World’s Greatest Writer

December 11, 2015 by fpdorchak

In One Page. By Infrogmation at English Wikipedia on en his/her summary,
In One Page. By Infrogmation (English Wikipedia on en his/her summary, “typewriter keyboard, from nl wikipedia”; http://www.pdimages.com/X0022.html-ssi, [Public domain], via Wikimedia Commons)
Enclosed is the really fake true story of the world’s greatest writer. You can’t get this story anywhere else—only from my scoop, and I’m willing to talk.

Wow, such hubris had I back in 2002 (I was actually trying to be funny, since this is the only intentionally funny story I’ve ever written)! I’d sent this to The New Yorker October 13, 2009, and the above was my opening line. I committed some other heinous atrocities in that cover letter I’ll not reveal, but, yeah, I’m sure I pissed of the editor and had my name put into some file of “Never accept anything from this person ever again. EVER.” Sigh. But I was trying to be “in form” for the submitted story. Probably explains why every other thing I’ve sent them fell flat. BTW, there are some definite publishing jibes in here that might also fall flat on those not in-the-know….

This story was originally published in Black Sheep #62, December-January 2005.

The World’s Greatest Writer

© F. P. Dorchak, 2002

 

“Well, have you ever actually met him?” the doe-eyed initiate asked.

“Uh, nooo, not actually,” the immaculately dressed author-in-white responded, “I’ve been told he’s rather a bit of a hermit, you might say.” The author-in-white nervously fingered his cane and white hat meticulously posed before him.

The young writer nodded thoughtfully, then added, “Okay. So, then, have you ever actually read any of his work?”

At this, the writer-in-white’s ego further deflated, upon which he grew visibly agitated. “Um, no, my dear, I haven’t yet had the opportunity. No one has—”

“Then how do you know he’s such a great writer?” pressed the young one, who held the older writer’s gaze firmly, her manuscript cradled loosely in her arms between them. The young one had not meant to pin the learned author to the wall, but was merely genuinely curious. “How can you say so much about him, when you haven’t ever read his work—or met him?” She furrowed her brow, patiently awaiting an esoteric, scholarly, response.

“I know it’s hard to believe, my dear, but it’s his reputation, you see. Did you know he doesn’t even use a computer? He uses a mechanical typewriter! The gentleman is simply… extraordinary. Exceptional. Have you ever personally met God? The Pope? No…you know of each through faith, through reputation. But that’s what this banquet is all about, my dear young one! He’s coming out, as it were! Don’t let your youth and impetuousness get the best of you! You are yet young—learn! Tonight, here, it is said that he will debut the opening pages to his Great American Novel! I mean, can you fathom this opportunity before you? The miraculous, metaphysical encounter we are all about to be granted? We are going to be the first to experience his words, his energy, his soul. His raw, unfiltered emotional fervor before they are all unleashed upon our common, illiterate, public—we…we are the privileged few. Savor this moment, my dear writer, for you clearly do not comprehend the enormity of greatness upon which you are about to witness. Mark my words: this…will never happen again. In any life time. My God, how I wish I were in your shoes, a lifetime ago, to start over my profession at a much higher place, indeed!”

And with that, the writer-in-white spun away on his heels from the neophyte in search of others with which to intelligently converse. The neophyte watched as the author-in-white discretely dabbed his eyes with a dainty white handkerchief, then quickly spirited it away, back into an inside lapel compartment.

Hugging her manuscript tightly into her chest, the young writer slouched off into a corner to ponder the learned man’s words, when another group of writers, editors, or agents made their way toward her no-longer-empty corner, though not inviting her into their conversation. After all, they did not know her and were too far along in their awe and adoration of I.M.N. Authier III, the unmatched, unparalleled, unequaled literary (and spiritual) prodigy to humanity who had emerged out of nowhere.

Well, Canada, to be precise.

Our young, impressionable writer overheard the entire story, as one of the group informed their newcomer on the miraculousness of what the author-in-white had just tried to impart upon her. This time, she heard…the rest…of the story:

There was not one person who could claim to have actually read a piece of Mssr. Authier’s work. Not even his agent. Mssr. Authier’s agent’s claim to fame was the divine opportunity of which she had been a part: the reception of his skillfully executed proposal package. So masterfully woven was it—and in less than one page—on the whitest and most defect-free twenty-pound paper with the cleanest, crispest TNR type that she immediately fell upon herself in a fit of hot, emotional blithering…which had so cleansed her being that her feline allergies had been summarily obliterated. Immediately, she’d called her estranged mother and apologized for everything cruel she’d ever done, or would ever do, including anything in all her future (or past) lives. Once she read her mother the letter, her mother likewise returned the compliment. The agent then immediately withdrew a sizeable portion of her investments and donated it to Readers Without Books and her top-two choices of battered parents’ shelters. Instead of staying home and reading through the rest of her slush pile, she flew out into the night to the nearest homeless shelter and spent the rest of the night assisting those who begged money for a living.

This, off the power of the esteemed Mssr. Authier III’s epiphianic proposal package (and on one page, no less!). Well, after she called Random House and read his poignant, moving letter to the company’s CEO, the CEO himself called Mssr. Authier, and offered him on the spot. He’d been very convincing. The CEO informed the esteemed Mssr. Authier III in no uncertain terms that if he didn’t take his offer, he was going to resign and take a bullet to the brain that very night. That it was his and his work alone that would make or break Random House—nay the entire publishing industry, sir!—and that it was his moral and spiritual imperative to not let Publishing fall.

Reluctantly, Mssr. Authier accepted.

Random House immediately put into motion a hundred-million-copy print run, foreign, movie, and audio book rights, and an emotionally blistering promotional campaign that rivaled D-Day’s 1944 invasion. Random House also sold a television series and coloring books for adults and children (grades one through four), to be included in the curriculum of all U.S. public schools. Europe was next.

Spielberg was awoken twenty-five minutes later and sealed an undisclosed multi-million dollar deal via The UPS Store’s faxes, securing Mssr. Authier’s signature. The exact fax machine used by Mssr. Authier had since been removed from service and bronzed.

Amazon.com took 110.3 million advance orders.

Mssr. Authier’s agent offered him her hand in marriage.

Dr. Phil asked Mssr. Authier for his advice on a secret, deeply personal matter that had been troubling him for years.

Phil Donahue disclosed a comeback to do one, really final this time, show with Mssr. Authier as the only guest.

Metallica penned a ballad in his honor.

So, as this new group of writers continued to chatter on about Mssr. Authier’s proposed deification, the neophyte found herself so emotionally overwhelmed, especially when certain lines from his proposal letter were refrained (now immortalized by the world and passed around like a veritable Internet Trojan and blowing up YouTube) that she found her soul uncontrollably expanding toward supernova detonation. And when she heard the title of Mssr. Authier’s proposed novel, she positively lost it and ran balling for the lady’s room, where she pulled out her meager manuscript and stared at it in weary, disillusioned judgment.

WWJD?

WWXD?

She grabbed her manuscript in both hands, her heart heavy with all the wasted time and effort she’d poured into this piece of no-name tripe, and viciously and maliciously began rending it into tiny, jagged, tear-stained shreds, amid spastic grunts and shrieks of soulless despair, tossed it into a pile in the middle of the lady’s-room floor, setting it afire.

The young neophyte then, amid the billowing smoke, floating ashes, and now-activated sprinklers of her snuffed manuscript, pulled out a pair of scissors and the razor she always carried, because she was, by trade, a hairstylist, and immediately set about shaving her head and carving Mssr. Authier’s initials into her scalp.

 

As the clock ticked closer to Mssr. Authier’s scheduled appearance, the entire Radio City Music Hall buzzed over his other ideas for other books. How could he possibly have created a series out of this concept, they asked? Surely his first book would drain everything a reader had to offer? Could a person emotionally survive the first book? Could the editor? Surely Random House would bring in a team of editors, in relay fashion, to take over when the previous ones simply could go no further. Counselors would also have to be brought in, so the buzz went, with fat severance packages to take care of these forever-spent editors who would be of no use to anyone else or themselves, ever again. Yes, Random House would have to take care of them, indeed, it would be their moral obligation to do so, in bringing this genius to the world, and many in this room were willing to so give up their lives to be on that editorial task force, emotional sanity be damned! Every lawyer in the country began to point out that Random House would also be liable to the public for their emotional sanity, as well, once the book hit the shelves, so a non-profit foundation had also been set up.

And what of the cover artist? The jacket copy writer? Marketing and promotion? Accounting? Was Spielberg even up to task? There was talk from his camp that after just storyboarding the film this would be his last project. Anything after this one would be parochially anti-climactic. Useless. With this film, he would have said everything he could ever possibly have to say in this lifetime or any other.

(Unfortunately, Mssr. Spielberg had to decline invitation to the banquet, because he had been so passionately ravaged from production efforts that he had to abruptly seek psychological counseling. Mssr. Authier sent his well wishes.)

Random House, taking the lead, had strategically pre-positioned counselors throughout the convention center, counselors who had, however reluctantly, because they understood the need to do so, shield themselves from Mssr. Authier’s words with the most advanced ear-protection technology available. Nothing was left to chance!

Then it happened, and for just a moment the entirety of Radio City Music Hall fell quiet, as if each person collectively inhaled for the first time since their arrival. The words

“He’s here!”

shot from a watcher posted at the entrance and immediately three women collapsed and five men spilled martinis about themselves.

In no time, Mssr. I.M.N. Authier III’s motorcade pulled up before the convention center and security flooded the gathering. When Mssr. Authier III finally graced the gathering, (amid floods of marriage proposals from both genders) it was as if God Him/Her/Itself had descended from Heaven. Mssr. Authier, dressed in a comfortable tweed sports jacket, with tastefully adorned elbow patches (no self-respecting author would be caught dead in anything else) and sporting his rimless glasses and a calm, soothing smile arrived and was the epitome of graciousness—but was also quite embarrassed. Not only had he no idea his name had already been submitted for both saint- and knighthood, but he also had no idea at the scale of what he’d spun into motion with the delivery of his (one-page!) proposal.

Yet he remained ever gracious as he shook hands and took a genuine interest in all whom he greeted—asking how their children and relatives were doing, did they have jobs, and if not, please, do give him a call, and he’d see what he could do about it, and would they promise him that they would get enough sleep before going back to work on the morrow?

Then one, without warning, wildfire-swift whisper erupted throughout the banquet:

Where was the manuscript?!

Had he come without his words?!

Were they all to be so-callously jilted?

Teased so hotly, only to be summarily slapped without so much as a kiss or a hug? Good God, what had happened? Was it…Writer’s Block?

The crowd again held its collective breath.

He somberly approached the podium, his smile evaporated.

Removing a handkerchief, Mssr. Authier paused, wiped tears from his eyes, then grasped both sides of the podium, stained hanky still clutched in one of his trembling hands. He voice wavered and cracked as he addressed the audience in his wonderfully accented, melodic French-Canadian dialect.

“Ladies and gentlemen…friends. I tried…to keep from…how you say?—breaking down—before all of you, here, tonight, but find…at the last, possible moment…that, mon Dieu!, I am unable to keep from doing so!”

Here he paused, again wiping tears from his hot, swollen face.

“My friends! Let me share with you what had happened to me last night as I flew into Kennedy aéroport….”

And with that, Mssr. Authier III launched into the most heartrending speech anyone in that room (or their progeny) had ever, or would ever, participate in. For two-and-one-half hours Mssr. Authier held the room in rapt captivation. Random House, foreseeing this, had trucked in boxes of Kleenex (TM)-brand tissues—unfortunately for Mssr. Authier’s attendees (and further adding to their emotional turmoil) his likeness was on the sides of each box, promoting his yet-to-be-written novel. People gave up their writing careers following his speech, devoting their lives to the Peace Corps or Green Peace. Half of the counselors working the banquet took early retirement (including those wearing the most-advanced-technology ear protection devices; though they couldn’t hear a single utterance, they didn’t have to…each felt and experienced the emotion that had taken complete hold of that audience that magical evening), and entered therapy themselves. Those with outstanding traffic warrants turned themselves in the next day and insisted upon a minimum of one year of community service for evading the law in paying those fines. So overcome with exhaustion was Mssr. Authier himself at the conclusion of addressing his audience that he had to be assisted from the stage and escorted directly to his awaiting motorcade, where a saline IV drip awaited. Mssr. Authier was submitted for the Nobel and Pulitzer prizes for his oration.

Mssr. Authier later reluctantly agreed to a special interview with Barbara Walters, whom he also brought to tears (at one point they all, including the 20/20 staff and operators behind the camera, were all blubbering unabashedly together on national TV, and it was the first time an entire five minutes of weeping was nationally televised without commercial interruption), where the following was made public:

Mssr. Authier had made the decision, since sending out his (one-page!) query and making his convention center debut that he would not write the proposed book in question. As an aside, Barbara (and she apologized in advance for having to bring this to his attention this way) informed Mssr. Authier that his agent, having been scorned by his lack of amorous advances gave up agenting and had left for India to devote her life to the poor and destitute, vowing a life of celibacy. Following another crying spat, Mssr. Authier used this as an example and was further quoted as saying that after having witnessed the effects of his words upon the world he had no choice.

The only moral and ethical thing to do was to not pen the novel.

The world was simply not ready for it. He was not ready for it.

The world (he cited tearfully) could not handle his words and he could not handle the world, after having seen the impact his letter and presence has had.

Barbara begged him to reconsider. Literally begged. But, no matter how heartrending, how needed, how emotionally brutal and true his proposed book he maintained he could not in all good conscience do it. It wouldn’t be fair to humanity.

Mssr. Authier also decided to return all his advance monies that he’d kept untouched (in a separate numbered account) despite Random House’s vehement objections. He deserved every penny, Random House countered (with several of their A-list authors also having offered up their own advances and royalties so Random House could make the author advance). Mssr. Authier said thank you, and donated all that had been given him to world hunger organizations.

And, finally, Mssr. Authier vowed to never, ever, propose to pen another book…ever again.

At this point Barbara lost all composure and decorum and pleaded with him to reconsider, as did her producers and a camera people.

But he held firm and declined, laying a hand to her shoulder.

Following the interview, Mssr. Authier quickly disappeared into seclusion, never to be heard from again.

Spielberg’s film adaptation of his proposed novel that had never been written created box-office records that, to this day, have never been broken. Spielberg, as promised (and recovering nicely in extended therapy), quietly retired…donating all proceeds from the film to the International Red Cross.

Related Posts

  • The Death of Me (fpdorchak.wordpress.com)
  • Tail Gunner (fpdorchak.wordpress.com)
  • Do The Dead Dream? (fpdorchak.wordpress.com)
  • Short Stories (fpdorchak.wordpress.com)
  • Voice (amazon.com)
  • Psychic (amazon.com)
  • ERO (amazon.com)
  • The Uninvited (amazon.com)
  • Sleepwalkers (bookstore.authorhouse.com)

Filed Under: Comedy, Fun, Leisure, Short Story, To Be Human, Writing Tagged With: authors, New York City, Publishing, Short Stories, The New Yorker, Tom Wolfe, Twilight Zone, writing

Do The Dead Dream?

December 9, 2015 by fpdorchak

Come. Dream With Me. Adam Cuerden [Public domain or Attribution], via Wikimedia Commons
Come. Dream With Me. Adam Cuerden [Public domain or Attribution], via Wikimedia Commons
I’ve been working on posting as many of my short stories as possible the past couple of weeks, and it’s been quite enlightening on several levels! But on one particular level (so far) it was surprising how many times I visit the dream world. I mean, yeah, I knew I did that (obviously…I did write the danged things), but I apparently did this quite frequently! And not only that, but I also tended to use a particular phrasing a buncha times in different stories…so I changed them.

As I post these things, I’ve tried not to do much editing. No, they’re not all great, or even good, and some will be and are downright bad…but I want to put them out there. For the stories. Where I “was” when I wrote them. I’ve toyed a couple times with updating them to present times—and I may have taken such liberties once or twice—but on the whole I’ve decided to leave them as-is, albeit to lessen my sometimes heinous overuse of commas.

My God, the humanity!

I really must revisit my grammar guides.

As much as I love the work I’ve done, love these stories, I wouldn’t claim them masterpieces or anything, but they bring me back to those “halcyon days” (if I might use the term) of my earlier writing. I’ve had great bursts of creativity and productability! They’re ideas and concepts that were near and dear enough to me that I had to write them. And it’s fun to see how my writing has improved…the directions it’s taken…where it’s gone. I’m amazed where my mind went in bringing these stories to light! In surprisingly many instances I don’t even remember the exact endings anymore—and in all cases they pleasantly surprised me!

Wow, I came up with the twist?!

That was actually me who wrote that?

Another curious area I’m reconnecting with is the warping of time.

When I was thick into all the passion of my writing, I literally used to feel time warp around me. There were many times when I truly felt I’d written more than was physically possible within the physical time I spent writing said material. And since going back to these stories, I have begun to feel that warping of time once again—I’ve so missed it, and I love feeling it again!

It’s also been fun bringing to light some insights into the stories themselves. What inspired me, where something was originally published. In one story, “Red Hands,” that I’ve readied for posting for March 4 of 2016, I wrote it after I learned about a real (and understandably terrifying—perhaps “horrifying” would be the better adjective in this case) incident in another’s life. It’s also the first story where I used the real names of all involved, including myself (that was weird writing about myself), because all were (still are?) public figures…but I did ask all involved and they said I could do so. We’ll see if the story ends up that way.

But revisiting all these stories has me revisiting my roots. My interests. This Other Me who still resides in all these stories. This Other Me who still lives “back then” in the worlds and dreams where these stories are strongest…and they are strongest at the “point of power” of their creation. And since I’m “one of those nut jobs” who believes there really is No Time…just our corporeal perception of “It”…that All Time is Now…I really love getting back in touch with that Other Me…still out there…still feverishly creating these stories I’m revisiting and reliving….

This Other Me is still hot with the fire of writing and hot with the hope of getting published by the Big Houses. Hot with the fire of burning the world with my imaginative genius…not to the ground—just pleasantly singed.

The Other Me.

Still alive out there in “the past”…still writing like one possessed little bastard….

This Current Me…don’t get me wrong…he loves where he is, he really does…loves his life and what he’s made of it…he has no regrets whatsoever…but like when anyone has had a great vacation…a great life…and they fondly look back on it…they smile. Their heart feels good. Their soul. It’s not so much about wanting to go back and live in the past…it’s just about looking back and feeling good about where you’ve been.

You just feel damned good about your life. What you’ve accomplished. Who you’ve become.

My life feels like a life properly tempered by the flames of my passions…my desires. My efforts.

I’d like to say that it’s where you’ve been that makes you who you are…but since I don’t believe in Chronological Time that doesn’t quite work, does it?

I believe where you’ve been continually helps create who you are, because I firmly believe that who you are is where you are in the moment. That “point of power” I mentioned earlier.

I am firmly in my present by visiting this Other Me in other regions of my life, is perhaps a best way of putting it.

I am reinforcing who I am by visiting who I was, in your terms.

So, as I revisit my previous work…and who I am in those Past Pages…I am reconnecting with my passion…my dreams…my writing roots. There really is no Time…no Past, no Future—only the Eternally Present Now. So, if you are able to revisit Another You in another focus, you can tap into that person. That passion. You can help bolster the both of you. Change the Past…make it better. You can help Other You by reinforcing his or her energy, which, in turn reinforces Current You.

When I started revisiting all my stories I had none of this intent. I merely wanted to revisit my older work. Wanted to do something with them. After all, they weren’t doing anyone any good where they were: hidden. “Forgotten.”

Well, in truth, I’d never forgotten them. They are my children…

And you never forget your children.

So all of this Deep Thought stuff kinda hit me (and is still hitting me—I still have many more stories to post!) as I reread and reworked these things. Warped Time.

If you follow my reasoning about the illusion of Time, then you can see that there really is no death…only a change in focus…not unlike what I’m describing here. The dead are still alive and vital…we just have to find them—and some of us would rather not do that. Even some of the dead feel that way.

But the dead’s existence does not depend upon our views of them—or does it?

Of course, you have to buy into my reasoning to see any of this…but that’s what a much of my work is about: getting you to buy into my reasoning.

As I said elsewhere, my goal is to get all of you to walk away from my fiction thinking: “Yeah, this could happen!”

So I go where some of you would prefer I not tread. I visit with the dead.

Do the dead dream?

This I can unequivocally tell you:

They do.

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Filed Under: Fun, Leisure, Metaphysical, Reincarnation, Short Story, Spooky, To Be Human, Writing Tagged With: death, Dreams, fiction, Future, Novels, Past, Present, Short Stories, Time

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